Everyday Icon

In many ways the world has never seen a First Lady like Michelle Obama. From the precedent of her race to the singularity of her style, she has been the object of immense fascination. What she says, what she does, and not least, what she wears, is scrutinized around the world. Writing at the crossroads of politics and fashion, Kate Betts explains why Michelle Obama’s style matters, and how she has helped liberate a generation of women from the false idea that style and substance are mutually exclusive. Following the transformation of Mrs. Obama from her early days on the campaign trail to her first state dinner at the White House, Betts, a longtime fashion journalist and former editor in chief of Harper’s Bazaar, reminds us that while style can be expressed in what you wear, it is inextricably bound up in who you are and what you believe in. In a smart, breezy voice backed by extensive interviews and historical research, Betts shows how Michelle Obama’s bold confidence and self-possession have made her into an icon and transformed the way women see themselves, their roles, and their own style. With two hundred color photographs, original designer sketches, and historical images, Everyday Icon is not only a lavish tour of our First Lady’s style statements, but also a fascinating behind-the-scenes account of how she created her image and, more important, what that image says about American style today. Much has been written about Michelle Obama, but Kate Betts places her in a broader cultural and historical context; Everyday Icon is the definitive book on how a working mother of two became an unforgettable, global style icon.

Evaluates the First Lady's emergence as a style icon and her growing influence on a changing American understanding of etiquette and femininity, in an illustrated account that also tours the cultural contributions of previous First Ladies. 60,000 first printing.

This book seeks to address and fill a puzzling omission in contemporary critical IR scholarship. Following on from the aesthetic turn in IR, critical and ‘postmodern’ IR has produced an impressive array of studies into movies, literature, music and art and the way these media produce, mediate, and represent international politics. By contrast, the proponents of the aesthetic turn have overlooked fashion as a source of knowledge about global politics. Yet stories about the political role of fashion abound in the news media. Margaret Thatcher used dress to define her political image, and more recently the fascination with Michelle Obama, Carla Bruni and other women in similar positions, and the discussions about the appropriateness of their wardrobes, regularly makes the news. In Sudan, a female writer and activist successfully challenged the government over her right to wear trousers in public and in Europe, the debate on women’s headscarves has politicised a garment item and turned it into a symbol of fundamentalism and oppression. In response, the contributors to this book investigate the politics of fashion from a variety of perspectives, addressing theoretical as well as empirical issues, establishing the critical study of fashion and its protagonists as a central contribution to the aesthetic turn in international politics. The politics of fashion go beyond these examples of the uses and abuses of textiles and fabrics for political purposes, extending into its very ‘grammar’ and vocabulary. This book will be a unique contribution to the field and will be of interest to students and scholars of international relations, critical IR theory and popular culture and world politics.

Over the centuries, European debate about the nature and status of images of God and sacred figures has often upset the established order and shaken societies to their core. Out of this debate, an identifiable doctrine has emerged of the image in general and of the divine image in particular. This fascinating work concentrates on these historical arguments, from the period of Late Antiquity up to the great and classic defenses of images by St. John of Damascus and Theodore of Studion. Icon extends beyond the immediate concerns of religion, philosophy, aesthetics, history, and art, to engage them all.

This is the inspiring story of a modern American icon, the first comprehensive account of the life and times of Michelle Obama. With disciplined reporting and a storyteller’s eye for revealing detail, Peter Slevin follows Michelle to the White House from her working-class childhood on Chicago’s largely segregated South Side. He illuminates her tribulations at Princeton University and Harvard Law School during the racially charged 1980s and the dilemmas she faced in Chicago while building a high-powered career, raising a family, and helping a young community organizer named Barack Obama become president of the United States. From the lessons she learned in Chicago to the messages she shares as one of the most recognizable women in the world, the story of this First Lady is the story of America. Michelle Obama: A Life is a fresh and compelling view of a woman of unique achievement and purpose.

This volume explores more than two centuries of literature on the First Ladies, from Martha Washington to Michelle Obama, providing the first historiographical overview of these important women in U.S. history. Underlines the growing scholarly appreciation of the First Ladies and the evolution of the position since the 18th century Explores the impact of these women not only on White House responsibilities, but on elections, presidential policies, social causes, and in shaping their husbands’ legacies Brings the First Ladies into crisp historiographical focus, assessing how these women and their contributions have been perceived both in popular literature and scholarly debate Provides concise biographical treatments for each First Lady

Argues that President Obama is arrogant and incompetent and discusses how his wife wields immense control over him, the real reason Rahm Emmanuel left the White House, and how Obama has forgotten and ignored those who helped put him in power.