Evolution And Victorian Culture

These essays examine the dynamic interplay between evolution and Victorian culture, mapping new relationships between the arts and sciences.

Examines the dynamic interplay between evolution and Victorian culture, mapping new relationships between the arts and sciences.

Charles Darwin's discovery of evolution by natural selection was the greatest scientific discovery of all time. The publication of his 1859 book, On the Origin of Species, is normally taken as the point at which evolution erupted as an idea, radically altering how the Victorians saw themselves and others. This book tells a very different story. Darwin's discovery was part of a long process of negotiation between imagination, faith and knowledge which began long before 1859 and which continues to this day. Evolution and the Victorians provides historians with a survey of the thinkers and debates implicated in this process, from the late 18th century to the First World War. It sets the history of science in its social and cultural context. Incorporating text-boxes, illustrations and a glossary of specialist terms, it provides students with the background narrative and core concepts necessary to engage with specialist historians such as Adrian Desmond, Bernard Lightman and James Secord. Conlin skilfully synthesises material from a range of sources to show the ways in which the discovery of evolution was a collaborative enterprise pursued in all areas of Victorian society, including many that do not at first appear "scientific".

The nineteenth century was a period of science and imagery: when scientific theories and discoveries challenged longstanding boundaries between animal, plant, and human, and when art and visual culture produced new notions about the place of the human in the natural world. Just as scientists relied on graphic representation to conceptualize their ideas, artists moved seamlessly between scientific debate and creative expression to support or contradict popular scientific theories—such as Darwin’s theory of evolution and sexual selection—deliberately drawing on concepts in ways that allowed them to refute popular claims or disrupt conventional knowledges. Focusing on the close kinship between the arts and sciences during the Victorian period, the art historians contributing to this volume reveal the unique ways in which nineteenth-century British and American visual culture participated in making science, and in which science informed art at a crucial moment in the history of the development of the modern world. Together, they explore topics in geology, meteorology, medicine, anatomy, evolution, and zoology, as well as a range of media from photography to oil painting. They remind us that science and art are not tightly compartmentalized, separate influences. Rather, these are fields that share forms, manifest as waves, layers, lines, or geometries; that invest in the idea of the evolution of form; and that generate surprisingly kindred responses, such as pain, pleasure, empathy, and sympathy.

This absorbing study of the Victorian controversies over the cultural meaning of evolution broadens our perspective by discussing the roles played by prominent individuals besides Charles Darwin, notably Alfred Russel Wallace, Herbert Spencer, and Thomas Henry Huxley. Fichman traces the emergence of science as a definitive political and cultural force in this critical period, showing that evolutionary biology was at the epicenter of these profound sociocultural transformations. His astute analysis of the often vehement Victorian debates on the political, religious, racial, and ethical implications of evolutionary thought reveals how science came to be inseparable from the broader culture. He also relates 19th-century controversies to cultural debates in the 20th century, in particular the notorious Scopes trial (1925) and the later, and ongoing, debate about "scientific creationism." For all those fascinated, and perplexed, by the impact of evolutionary theory on our worldview, and the increasingly close ties between science and Western culture, Fichman's historical perspective lends much clarity and context to current controversies.

Explores the musical background to Darwinism and the development of the relationship between science and the arts in Victorian Britain.

An interdisciplinary study that explores the impact of evolutionary theory on Victorian children's literature.