Cinema Speculation

A unique cocktail of personal memoir, cultural criticism and Hollywood history by the one and only Quentin Tarantino. The long-awaited first work of nonfiction from the author of the number one New York Times bestselling Once Upon a Time in Hollywood: a deliriously entertaining, wickedly intelligent cinema book as unique and creative as anything by Quentin Tarantino. In addition to being among the most celebrated of contemporary filmmakers, Quentin Tarantino is possibly the most joyously infectious movie lover alive. For years he has touted in interviews his eventual turn to writing books about films. Now, with CINEMA SPECULATION, the time has come, and the results are everything his passionate fans - and all movie lovers - could have hoped for. Organized around key American films from the 1970s, all of which he first saw as a young moviegoer at the time, this book is as intellectually rigorous and insightful as it is rollicking and entertaining. At once film criticism, film theory, a feat of reporting, and wonderful personal history, it is all written in the singular voice recognizable immediately as QT's and with the rare perspective about cinema possible only from one of the greatest practitioners of the artform ever.

Get the Summary of Quentin Tarantino's Cinema Speculation in 20 minutes. Please note: This is a summary & not the original book. "Cinema Speculation" by Quentin Tarantino delves into the American film industry of the 1960s, focusing on iconic male stars like Steve McQueen, whose film choices were influenced by his first wife, Neile McQueen. The book examines "Bullitt," a film that redefined the cop genre with its stylish protagonist and emphasis on coolness and action over complex narrative. McQueen's portrayal of Frank Bullitt is celebrated for its minimalistic yet magnetic screen presence...

Instant New York Times bestseller The long-awaited first work of nonfiction from the author of the #1 New York Times bestselling Once Upon a Time in Hollywood: a deliriously entertaining, wickedly intelligent cinema book as unique and creative as anything by Quentin Tarantino. In addition to being among the most celebrated of contemporary filmmakers, Quentin Tarantino is possibly the most joyously infectious movie lover alive. For years he has touted in interviews his eventual turn to writing books about films. Now, with Cinema Speculation, the time has come, and the results are everything his passionate fans—and all movie lovers—could have hoped for. Organized around key American films from the 1970s, all of which he first saw as a young moviegoer at the time, this book is as intellectually rigorous and insightful as it is rollicking and entertaining. At once film criticism, film theory, a feat of reporting, and wonderful personal history, it is all written in the singular voice recognizable immediately as QT’s and with the rare perspective about cinema possible only from one of the greatest practitioners of the artform ever.

Quentin Tarantino’s long-awaited first work of fiction—at once hilarious, delicious and brutal—is the always surprising, sometimes shocking, novelization of his Academy Award winning film. RICK DALTON—Once he had his own TV series, but now Rick’s a washed-up villain-of-the week drowning his sorrows in whiskey sours. Will a phone call from Rome save his fate or seal it? CLIFF BOOTH—Rick’s stunt double, and the most infamous man on any movie set because he’s the only one there who might have got away with murder. . . . SHARON TATE—She left Texas to chase a movie-star dream, and found it. Sharon’s salad days are now spent on Cielo Drive, high in the Hollywood Hills. CHARLES MANSON—The ex-con’s got a bunch of zonked-out hippies thinking he’s their spiritual leader, but he’d trade it all to be a rock ‘n’ roll star.

Het langverwachte, eerste non-fictiewerk van de vermaarde cineast: een even onderhoudend als intelligent filmboek, dat net zo eigenzinnig en origineel is als zijn creaties op het witte doek. Naast het feit dat hij een van de meest gevierde eigentijdse filmmakers is, staat Quentin Tarantino bekend als misschien wel de aanstekelijkste liefhebber van het genre. Al sinds jaar en dag verklaart hij bij gelegenheid dat hij zich uiteindelijk wil gaan richten op het schrijven over film. Met Cinema Speculation/ Filmspeculatie is die tijd aangebroken, en het resultaat is precies waar zijn toegewijde fans – en filmliefhebbers in het algemeen – op hopen. Het boek is opgebouwd rond tien Amerikaanse sleutelfilms uit de jaren zeventig, die hij allemaal als jonge filmbezoeker zag. Zijn essays zijn doordacht, bieden tal van nieuwe inzichten en zijn buitengewoon vermakelijk. Filmkritiek, filmtheorie, reportage en een prachtige persoonlijke geschiedenis: dit boek is het allemaal. In deze essays klinkt de unieke stem die we onmiddellijk herkennen als die van Tarantino, en we krijgen invalshoeken gepresenteerd over film die alleen een van de grootste beoefenaars van deze kunstvorm kan geven.

First Published in 1977. Routledge is an imprint of Taylor & Francis, an informa company.

This book examines twentieth and twenty-first century speculative fiction films that represent women and girls of African descent Jeffrey offers insights about positive developments while calling attention to questionable trends in recent movie-making.

Since 1980, when neoliberal and neoconservative forces began their hostile takeover of western culture, a new type of political satire has emerged that works to unmask and deter those toxic doctrines. Literary and cultural critic Kirk Combe calls this new form of satire the Rant. The Rant is grim, highly imaginative, and complex in its blending of genres. It mixes facets of satire, science fiction, and monster tale to produce widely consumed spectacles—major studio movies, popular television/streaming series, bestselling novels—designed to disturb and to provoke. The Rant targets what Combe calls the Regime. Simply put, the Regime is the sum of the dangerous social, economic, and political orthodoxies spurred on by neoliberal and neoconservative polity. Such practices include free-market capitalism, corporatism, militarism, religiosity, imperialism, racism, patriarchy, and so on. In the Rant, then, we have a unique and wholly contemporary genre of political expression and protest: speculative satire.