Evolutionary Love And The Ravages Of Greed

The widespread turmoil in the human community today is a symptom of the dominance of unchecked desire, or Greed. This book distinguishes two ancient concepts of love (the Greek ideas of agape and eros) and explores how agape, the driver of evolution, when put into play through the harmonious action of eros, displays the true essence of love – Evolutionary Love– that alone is the antidote to the ravages of Greed.

The widespread turmoil in the human community today is a symptom of the dominance of unchecked desire, or Greed. This book distinguishes two ancient concepts of love (the Greek ideas of agape and eros) and explores how agape, the driver of evolution, when put into play through the harmonious action of eros, displays the true essence of love – Evolutionary Love– that alone is the antidote to the ravages of Greed.

Combining philosophy, psychology, religion, and even a bit of physics, Marshall establishes an expanded consciousness that proves the existence of a deeper being common to us all. Addressing the origin of the universe, evolution, reincarnation, suffering, and the nature of God, Marshall delivers what will prove an instant intellectual classic.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

The object of this book, which is addressed to all cultured men and women, is to set forth the primitive manifestations of love and to throw light on those strange emotional climaxes which I have called "Metaphysical Eroticism." I have taken no account of historical detail, except where it served the purpose of proving, explaining and illustrating my subject. Nor have I hesitated to intermingle psychological motives and motives arising from the growth and spread of civilisation. The inevitable result of a one-sided glimpse at historical facts would have been a history of love, an undertaking for which I lack both ability and inclination. On the other hand, had I written a merely psychological treatise, disregarding the succession of periods, I should have laid myself open to the just reproach of giving rein to my imagination instead of dealing with reality.

Semiotic theory, which has restricted its focus largely to human forms of significations, is transformed by Robert S. Corrington into a semiotics of nature itself. Corrington situates the divide between "nature naturing" and "nature natured" within the contest of classical American pragmaticism and postmodern psychoanalysis. At the heart of this new metaphysics is an insistence that all signs participate in larger orders of meaning that are natural and religious. Meanings embodied in nature point beyond nature to the mystery inherent in positioned codes and signs.

More and more information is pumped into our media-saturated world every day, yet Americans seem to know less and less. In a society where who you are is defined by what you buy, and where we prefer to experience reality by watching it on TV, Eugene Halton argues something has clearly gone wrong. Luckily Halton, with scalpel-sharp wit in one hand and the balm of wisdom in the other, is here to operate on the declining body politic. His initial diagnosis is bleak: fast food and too much time spent sitting, whether in our cars or on our couches, are ruining our bodies, while our minds are weakened by the proliferation of electronic devices—TVs, computers, cell phones, iPods, video games—and their alienating effects. If we are losing the battle between autonomy and automation, he asks, how can our culture regain self-sufficiency? Halton finds the answer in the inspiring visions—deeply rooted in American culture—of an organic and more spontaneous life at the heart of the work of master craftsman Wharton Esherick, legendary blues singer Muddy Waters, urban critic Lewis Mumford, and artist Maya Lin, among others. A scathing and original jeremiad against modern materialism, The Great Brain Suck is also a series of epiphanies of a simpler but more profound life.