Excavations And Their Objects

This is a collection of essays concerned with the thematic implications of Freud's deep interest in the art objects in his collection of antiquity.

Sigmund Freud collected over two thousand pieces of art, ranging from statuary to jars to seal rings to painted mummy bandages. He prized this collection as much as anything else he owned, seeing these works as pivotal exempla of the great civilizations out of which the best of the contemporary world had been fashioned, with his collection as a personal "School of Athens" by which that great antiquity might be accessed. The essays in this book focus on various aspects of Freud as a collector and aesthete, and on the thematic and theoretical implications of his tastes and passions for art.

The relationship between archaeology and conservation has long been complex and, at times, challenging. Archaeologists are often seen as interested principally in excavation and research, while conservators are concerned mainly with stabilization and the prevention of deterioration. Yet it is often initial conservation in the field that determines the long-term survival and intelligibility of both moveable artifacts and fixed architectural features. This user-friendly guide to conservation practices on archaeological excavations covers both structures and artifacts, starting from the moment when they are uncovered. Individual chapters discuss excavation and conservation, environmental and soil issues, deterioration, identification and condition assessment, detachment and removal, initial cleaning, coverings and shelters, packing, and documentation. There are also eight appendixes. Geared primarily for professionals engaged in the physical practice of excavation, this book will also interest archaeologists, archaeological conservators, site managers, conservation scientists, museum curators, and students of archaeology and conservation.

Major recent excavations, have shed much light on the complexity of Iron Age society and religion in southern Palestine, a region where both Judeans and Edomites lived. However, it is not clear whether the religious practices attested at these sites were a reflection of localised customs or were common rituals for peoples of Cisjordan and we do not know their extent. An isolated shrine site at Wadi ath-Thamad Site WT-13 in northern Moab which contained numerous finds of Iron Age figurines and statues has been the subject of detailed excavation. The rich harvest of figurines, ceramic statues, beads, miniature ceramic vessels, architectural models, faunal remains and shells and fossils constitutes the evidence for repeated cultic activities. Although dating to the Iron Age at the time of the consolidation of the kingdom of Moab, there is insufficient evidence at present to determine the full range of cultic practices and deities venerated by the peoples of the lands within ancient Moab and by those visitors to the shrine. The links between WT-13 and the surrounding town sites is only now coming to light with excavation at Atarus and Khirbat al-Mudayna, as well as at the Ammonite site of Tall Damiyah in the Jordan Valley, where a comparable shrine has recently been uncovered. WT-13 clearly serves as a link between the Jordan Valley and the Negev, adding to our knowledge of local and foreign influences in the region during the Iron Age.

Richard Hodges, one of Europe’s preeminent archaeologists, has, throughout his career, transformed the way we understand the early Middle Ages; this volume pays tribute to him with a series of reflections on some of the themes and issues which have been central to his work over the last forty years.

Artefact evidence has the unique power to illuminate many aspects of life that are rarely explored in written sources, yet this potential has been underexploited in research on Roman and Late Antique Egypt. This book presents the first in-depth study that uses everyday artefacts as its principal source of evidence to transform our understanding of the society and culture of Egypt during these periods. It represents a fundamental reference work for scholars, with much new and essential information on a wide range of artefacts, many of which are found not only in Egypt but also in the wider Roman and late antique world. By taking a social archaeology approach, it sets out a new interpretation of daily life and aspects of social relations in Roman and Late Antique Egypt, contributing substantial insights into everyday practices and their social meanings in the past. Artefacts from University College London's Petrie Museum of Egyptian Archaeology are the principal source of evidence; most of these objects have not been the subject of any previous research. The book integrates the close study of artefact features with other sources of evidence, including papyri and visual material. Part one explores the social functions of dress objects, while part two explores the domestic realm and everyday experience. An important theme is the life course, and how both dress-related artefacts and ordinary functional objects construct age and gender-related status and facilitate appropriate social relations and activities. There is also a particular focus on wider social experience in the domestic context, as well as broader consideration of economic and social changes across the period.

Taking a radical position counter to many previous histories and theories of the interior, domesticity and the home, The Emergence of the Interior considers how the concept and experience of the domestic interior have been formed from the beginning of the nineteenth century. It considers the interior's emergence in relation to the thinking of Walter Benjamin and Sigmund Freud, and, through case studies, in architecture's trajectories toward modernism. The book argues that the interior emerged with a sense of 'doubleness', being understood and experienced as both a spatial and an image-based condition. Incorporating perspectives from architecture, critical history and theory, and psychoanalysis, The Emergence of the Interior will be of interest to academics and students of the history and theory of architecture and design, social history, and cultural studies.