Exhibiting Mormonism

Reid L. Neilson provides the first examination of Latter-day Saint participation in the 1893 Columbian Exposition, which was a watershed moment in the Mormon migration to the American mainstream and its leadership's discovery of public relations efforts, and marked the dramatic reengagement of the LDS Church with the outside, non-Mormon world after decades of isolation in America's Great Basin desert.

Mormon studies is one of the fastest-growing subfields in religious studies. For this volume, Terryl Givens and Philip Barlow, two leading scholars of Mormonism, have brought together 45 of the top scholars in the field to construct a collection of essays that offers a comprehensive overview of scholarship on Mormons. The book begins with a section on Mormon history, perhaps the most well-developed area of Mormon studies. Chapters in this section deal with questions ranging from how Mormon history is studied in the university to the role women have played throughout Mormon history. Other sections examine revelation and scripture, church structure and practice, theology, society, and culture. The final two sections look at Mormonism in a larger context. The authors examine Mormon expansion across the globe-focusing on Mormonism in Latin America, the Pacific, Europe, and Asia-in addition to the interaction between Mormonism and other social systems, such as law, politics, and other faiths. Bringing together an unprecedented body of scholarship in the field of Mormon studies,The Oxford Handbook of Mormonism will be an invaluable resource for those within the field, as well as for people studying the broader, ever-changing American religious landscape.

Though the U.S. Constitution guarantees the free exercise of religion, it does not specify what counts as a religion. From its founding in the 1830s, Mormonism, a homegrown American faith, drew thousands of converts but far more critics. In "A Peculiar People", J. Spencer Fluhman offers a comprehensive history of anti-Mormon thought and the associated passionate debates about religious authenticity in nineteenth-century America. He argues that understanding anti-Mormonism provides critical insight into the American psyche because Mormonism became a potent symbol around which ideas about religion and the state took shape. Fluhman documents how Mormonism was defamed, with attacks often aimed at polygamy, and shows how the new faith supplied a social enemy for a public agitated by the popular press and wracked with social and economic instability. Taking the story to the turn of the century, Fluhman demonstrates how Mormonism's own transformations, the result of both choice and outside force, sapped the strength of the worst anti-Mormon vitriol, triggering the acceptance of Utah into the Union in 1896 and also paving the way for the dramatic, yet still grudging, acceptance of Mormonism as an American religion.

The first major history of Mormonism in a decade, drawing on newly available sources to reveal a profoundly divided faith that has nevertheless shaped the nation. The Church of Jesus Christ of Latter-day Saints was founded by Joseph Smith in 1830 in the so-called “burned-over district” of upstate New York, which was producing seers and prophets daily. Most of the new creeds flamed out; Smith’s would endure, becoming the most significant homegrown religion in American history. How Mormonism succeeded is the story told by historian Benjamin E. Park in American Zion. Drawing on sources that have become available only in the last two decades, Park presents a fresh, sweeping account of the Latter-day Saints: from the flight to Utah Territory in 1847 to the public renunciation of polygamy in 1890; from the Mormon leadership’s forging of an alliance with the Republican Party in the wake of the New Deal to the “Mormon moment” of 2012, which saw the premiere of The Book of Mormon musical and the presidential candidacy of Mitt Romney; and beyond. In the twentieth century, Park shows, Mormons began to move ever closer to the center of American life, shaping culture, politics, and law along the way. But Park’s epic isn’t rooted in triumphalism. It turns out that the image of complete obedience to a single, earthly prophet—an image spread by Mormons and non-Mormons alike—is misleading. In fact, Mormonism has always been defined by internal conflict. Joseph Smith’s wife, Emma, inaugurated a legacy of feminist agitation over gender roles. Black believers petitioned for belonging even after a racial policy was instituted in the 1850s that barred them from priesthood ordination and temple ordinances (a restriction that remained in place until 1978). Indigenous and Hispanic saints—the latter represent a large portion of new converts today—have likewise labored to exist within a community that long called them “Lamanites,” a term that reflected White-centered theologies. Today, battles over sexuality and gender have riven the Church anew, as gay and trans saints have launched their own fight for acceptance. A definitive, character-driven work of history, American Zion is essential to any understanding of the Mormon past, present, and future. But its lessons extend beyond the faith: as Park puts it, the Mormon story is the American story.

This book argues for the importance of bringing women and gender more directly into the dynamic field of exposition studies. Reclaiming women for the history of world fairs (1876-1937), it also seeks to introduce new voices into these studies, dialoguing across disciplinary and national historiographies. From the outset, women participated not only as spectators, but also as artists, writers, educators, artisans and workers, without figuring among the organizers of international exhibitions until the 20th century. Their presence became more pointedly acknowledged as feminist movements developed within the Western World and specific spaces dedicated to women’s achievements emerged. International exhibitions emerged as showcases of "modernity" and "progress," but also as windows onto the foreign, the different, the unexpected and the spectacular. As public rituals of celebration, they transposed national ceremonies and protests onto an international stage. For spectators, exhibitions brought the world home; for organizers, the entire world was a fair. Women were actors and writers of the fair narrative, although acknowledgment of their contribution was uneven and often ephemeral. Uncovering such silence highlights how gendered the triumphant history of modernity was, and reveals the ways women as a category engaged with modern life within that quintessential modern space—the world fair.

In this never-before-told history of Buffalo Bill and the Mormons, Brent M. Rogers presents the intersections in the epic histories of William F. “Buffalo Bill” Cody and the Latter-day Saints from 1846 through 1917. In Cody’s autobiography he claimed to have been a member of the U.S. Army wagon train that was burned by the Saints during the Utah War of 1857–58. Less than twenty years later he began his stage career and gained notoriety by performing anti-Mormon dramas. By early 1900 he actively recruited Latter-day Saints to help build infrastructure and encourage growth in the region surrounding his town of Cody, Wyoming. In Buffalo Bill and the Mormons Rogers unravels this history and the fascinating trajectory that took America’s most famous celebrity from foe to friend of the Latter-day Saints. In doing so, the book demonstrates how the evolving relationship between Cody and the Latter-day Saints can help readers better understand the political and cultural perceptions of Mormons and the American West.

Philip L. Barlow analyzes the approaches taken to the Bible by key Mormon leaders, from founder Joseph Smith up to the present day. This edition includes an updated preface and bibliography.

Many people are unaware of how influential Mormons have been on American popular culture. This book parts the curtain and looks behind the scenes at the little-known but important influence Mormons have had on popular culture in the United States and beyond. Mormons and Popular Culture: The Global Influence of an American Phenomenon provides an unprecedented, comprehensive treatment of Mormons and popular culture. Authored by a Mormon studies librarian and author of numerous writings regarding Mormon folklore, culture, and history, this book provides students, scholars, and interested readers with an introduction and wide-ranging overview of the topic that can serve as a key reference book on the topic. The work contains fascinating coverage on the most influential Mormon actors, musicians, fashion designers, writers, artists, media personalities, and athletes. Some topics—such as the Mormon influence at Disney, and how Mormon inventors have assisted in transforming American popular culture through the inventions of television, stereophonic sound, video games, and computer-generated animation—represent largely unknown information. The broad overview of Mormons and American popular culture offered can be used as a launching pad for further investigation; researchers will find the references within the book's well-documented chapters helpful.