Existentialism And Creativity

This ground-breaking book provides a unique insight into artistic creativity that lays the foundation for a new theory. Through a review of documents such as essays, published interviews, lecture notes, and more, the book uses case studies of six contemporary artists to provide a detailed phenomenological study of artistic creativity. The book offers a narrative account of six contemporary artists and their ways of approaching art-making. Through comprehensive accounts based on the individual artist's descriptions, the book reveals an existential dimension of art-making that explores the inspirational moment, the state of mind during creativity, how creativity can originate in a spontaneous stream of consciousness and how emotions play a major role in the creative process. The book sets out a unique understanding of artistic creativity as an alternative to the prevailing cognitive conceptions within psychology. Offering novel insights into how art is created and can influence the human psyche, the book will primarily appeal to academics, scholars, and post-graduate students within the area of creativity research, psychological aesthetics, and the psychology of art, as well as those with an interest in art and artistic work.

This ground-breaking book provides a unique insight into artistic creativity that lays the foundation for a new theory. Through a review of documents such as essays, published interviews, lecture notes, and more, the book uses case studies of six contemporary artists to provide a detailed phenomenological study of artistic creativity. The book offers a narrative account of six contemporary artists and their ways of approaching art-making. Through comprehensive accounts based on the individual artist’s descriptions, the book reveals an existential dimension of art-making that explores the inspirational moment, the state of mind during creativity, how creativity can originate in a spontaneous stream of consciousness, and how emotions play a major role in the creative process. The book sets out a unique understanding of artistic creativity as an alternative to the prevailing cognitive conceptions within psychology. Offering novel insights into how art is created and can influence the human psyche, the book will primarily appeal to academics, scholars, and post-graduate students within the area of creativity research, psychological aesthetics, and the psychology of art, as well as those with an interest in art and artistic work.

This is a book about the importance of choice in the lives of people. Two philosophies, Existentialism and New Thought Philosophy, speak in their own language of taking the heros journey by accepting and expressing life authentically. This book looks at things that get in the way of choosing our true life; it is about the courageous adventure of being authentic. It is a book about you and me, it is about the evolution of human kind. This book begins by defining and comparing philosophical concepts of authenticity. It continues by looking at the expectations and rewards of achieving self-discovery through authenticity. This is followed by a brief history of New Thought Philosophy from the time of transcendentalism to the present day. Existentialism is presented in a variety of forms such as the theological as represented by Soren Kierkegaard, and the atheism of Friedrich Nietzsche, Jean-Paul Sartre and Albert Camus. We also look at the basic premises of existential psychotherapy through the eyes of Rollo May. The chapter which follows describes the work of Henri Bergsons argument with Darwins mechanistic concept of random variations in the evolutionary process of living things. The writing concludes by describing the spiritual childhood of two brothers who exemplify freedom and nave authenticity. Colorful meditations are included at the end of the book with the intention of facilitating introspection and self-acceptance.

Rabbi Joseph B. Soloveitchik’s philosophy plays a significant role in twentieth century Jewish thought. This book focuses on the first and the second stages of Soloveitchik’s philosophy (1945-1965), through a systematic and detailed discussion of some of his essays, including "From There You Shall Seek" and "The Lonely Man of Faith". Schwartz analyzes these essays according to this thesis: in the mid 40s Soloveitchik used the phenomenology of religion to express his views, while in the 50s he added the existential theory.

Existentialism, as a philosophy, gained prominence after World War II. Instead of focusing upon a particular aspect of human existence, existentialists argued that our focus must be upon the whole being as he/she exists in the world. Rebelling against the rationalism of such philosophers as Descartes and Hegel, existentialists reject the emphasis placed on man as primarily a thinking being. Freedom is central to human existence, and human relations and encounters cannot be reduced simply to "thinking." This Dictionary provides--through alphabetically arranged entries--overviews of the various tenets, philosophers, and writers of existentialism, and of those writers/philosophers who, in retrospect, seem to existentialists to espouse their philosophy: Nietzsche, Kierkegaard, Dostoyevski, et al.

“A brilliant travel guide to the coming world of AI.” —Jeanette Winterson What does it mean to be creative? Can creativity be trained? Is it uniquely human, or could AI be considered creative? Mathematical genius and exuberant polymath Marcus du Sautoy plunges us into the world of artificial intelligence and algorithmic learning in this essential guide to the future of creativity. He considers the role of pattern and imitation in the creative process and sets out to investigate the programs and programmers—from Deep Mind and the Flow Machine to Botnik and WHIM—who are seeking to rival or surpass human innovation in gaming, music, art, and language. A thrilling tour of the landscape of invention, The Creativity Code explores the new face of creativity and the mysteries of the human code. “As machines outsmart us in ever more domains, we can at least comfort ourselves that one area will remain sacrosanct and uncomputable: human creativity. Or can we?...In his fascinating exploration of the nature of creativity, Marcus du Sautoy questions many of those assumptions.” —Financial Times “Fascinating...If all the experiences, hopes, dreams, visions, lusts, loves, and hatreds that shape the human imagination amount to nothing more than a ‘code,’ then sooner or later a machine will crack it. Indeed, du Sautoy assembles an eclectic array of evidence to show how that’s happening even now.” —The Times