Experience Music
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Peak Music Experiences
Author | : Ben Green |
Publsiher | : Routledge |
Total Pages | : 195 |
Release | : 2021-10-30 |
Genre | : Music |
ISBN | : 9781000474060 |
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Peak music experiences are a recurring feature of popular music journalism, biography and fan culture, where they are often credited as pivotal in people’s relationships with music and in their lives more generally. Ben Green investigates the phenomenon from a social and cultural perspective, including discussions of peak music experiences as sources of inspiration and influence; as a core motivation for ongoing musical and social activity; the significance of live music experiences; and the key role of peak music experiences in defining and perpetuating music scenes. The book draws from both global media analysis and situated ethnographic research in the dance, hip hop, indie and rock ‘n’ roll music scenes of Brisbane, Australia, including participant observation and in-depth interviews. These case studies demonstrate the methodological value of peak music experiences as a lens through which to understand individual and collective musical life. The theoretical analysis is interwoven with selected interview data, illuminating the profound and everyday ways that music informs people’s lives. The book will therefore be of interest to the interdisciplinary field of popular music studies as well as sociology and cultural studies beyond the study of music.
Experience Music Experiment
Author | : William Brooks |
Publsiher | : Leuven University Press |
Total Pages | : 292 |
Release | : 2021-08-19 |
Genre | : Music |
ISBN | : 9789462702790 |
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“Truth happens to an idea.” So wrote William James in 1907; and twenty-four years later John Dewey argued that artistic experience entailed a process of “doing and undergoing.” But what do these ideas have to do with music, or with research conducted in and through music—that is, with “artistic research”? In this collection of essays, fourteen very different authors respond with distinct and challenging perspectives. Some report on their own experiments and experiences; some offer probing analyses of noteworthy practices; some view historical continuities through the lens of pragmatism and artistic experiment. The resulting collection yields new insights into what musicians do, how they experiment, and what they experience—insights that arise not from doctrine, but from diverse voices seeking common ground in and through experimental discourse: artistic research in and of itself.
Experience Music
Author | : Katherine Charlton |
Publsiher | : Unknown |
Total Pages | : 402 |
Release | : 2018 |
Genre | : Music appreciation |
ISBN | : 1260043371 |
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The Musical Experience
Author | : Janet R. Barrett,Peter R. Webster |
Publsiher | : Oxford University Press |
Total Pages | : 328 |
Release | : 2014-07-15 |
Genre | : Music |
ISBN | : 9780199363056 |
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The Musical Experience proposes a new concept - musical experience - as the most effective framework for navigating the shifting terrain of educational policy as it is applied to music education. The editors and contributors define musical experience as being characterized by the depth of affective and emotional responses that music generates. The chapters map out the primary forms of musical engagement - performing, listening, improvising, and composing - as activities which play a key role in classroom teaching. They also address the cultural scope of musical experience, which calls for the consideration of time, place, beliefs, and values to be placed upon musical activities. The Musical Experience discusses how music teachers can most effectively rely on means of musical communication to lead students toward the development and refinement of musical skills, understandings, and expression in educational settings. This book serves to expand upon the dimensions of musical experience and provides, from the forefront of the field, an integrated yet panoramic view of the educational processes involved in music teaching and learning.
Music A Social Experience
Author | : Steven Cornelius,Mary Natvig |
Publsiher | : Routledge |
Total Pages | : 417 |
Release | : 2016-06-03 |
Genre | : Music |
ISBN | : 9781315404288 |
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Music: A Social Experience offers a topical approach for a music appreciation course. Through a series of subjects–from Music and Worship to Music and War and Music and Gender–the authors present active listening experiences for students to experience music's social and cultural impact. The book offers an introduction to the standard concert repertoire, but also gives equal treatment to world music, rock and popular music, and jazz, to give students a thorough introduction to today's rich musical world. Through lively narratives and innovative activities, the student is given the tools to form a personal appreciation and understanding of the power of music. The book is paired with an audio compilation featuring listening guides with streaming audio, short texts on special topics, and sample recordings and notation to illustrate basic concepts in music. There is not a CD-set, but the companion website with streaming audio is provided at no additional charge.
Music in American Religious Experience
Author | : Philip V. Bohlman,Edith Waldvogel Blumhofer,Maria M. Chow |
Publsiher | : Unknown |
Total Pages | : 372 |
Release | : 2006 |
Genre | : Music |
ISBN | : 019517304X |
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For students and scholars in American music and religious studies, as well as for church musicians, this book is the first to study the ways in which music shapes the distinctive presence of religion in the United States. The sixteen essayists' contributions to this book address the fullness of music's presence in American religion and religious history.
Aesthetics and Experience in Music Performance
Author | : Denis Collins,Klisala Harrison,Samantha Owens |
Publsiher | : Cambridge Scholars Publishing |
Total Pages | : 367 |
Release | : 2008-12-11 |
Genre | : Music |
ISBN | : 9781443802307 |
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Drawing upon a wide range of scholarly enquiry into early music, queer musicology, ethnomusicology, performance practice, music education and technology, Aesthetics and Experience in Music Performance provides a lively forum for the articulation of varied perspectives on the role of music, its interpretation and function in contexts supported by those who practice or experience it. The formal and shorter discussion papers included in this scholarly collection were presented at the National Workshop of the Musicological Society of Australia, held at the University of Queensland, Brisbane in October 2003. The themes of aesthetics and experience are central to this publication and each paper engages in a scholarly dialogue on the technical, expressive and embodied aspects of performance. The papers included in this publication bring together the research of a wide community of scholars (e.g., musicologists, anthropologists, ethnomusicologists and linguists) working in the field of performance studies and collectively reflect the musicological issues being debated in Australia today.
Music Business and the Experience Economy
Author | : Peter Tschmuck,Philip L. Pearce,Steven Campbell |
Publsiher | : Springer Science & Business Media |
Total Pages | : 229 |
Release | : 2013-04-16 |
Genre | : Business & Economics |
ISBN | : 9783642278983 |
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Music Business and the Experience Economy is the first book on the music business in Australasia from an academic perspective. In a cross-disciplinary approach, the contributions deal with a wide-range of topics concerning the production, distribution and consumption of music in the digital age. The interrelationship of legal, aesthetic and economic aspects in the production of music in Australasia is also highlighted as well as the emergence of new business models, the role of P2P file sharing, and the live music sector. In addition, the impact of the digital revolution on music experience and valuation, the role of music for tourism and for branding, and last but not least the developments of higher music education, are discussed from different perspectives.