Exploring The Dangerous Trades

EXPLORIMKimE DANGEROUS TRADES c y n y ALICE HAMILTON, M. D. Illustrations by Norah Hamilton AN ATLANTIC MONTHLY PRESS BOOK UTTLK, BROWN AND COMPANY BOSTON To My Three Sisters And My Brother The author is indebted to the Atlantic, Harpers, the American Mercury, and Survey Graphic for per mission to use certain material which appeared originally in the pages of those magazines. e, ontents I Introduction 3 II The Old House 18 III I Chose Medicine 38 IV Hull-House Within 57 V Hull-House Without 76 VI Lawyers and Doctors 95 VII The Illinois Survey 114 VIII The Federal Survey 127 IX Smelting, Enameling, and Painting 138 X Europe in 1915 161 XI War Industries 183 XII Dead Fingers 200 XIII Arizona Copper 208 XIV Europe in 1919 223 XV Boston 252 XVI Social Trends 290 XVII The League of Nations 299 XVIII Russia in 1924 318 XIX The Lawrence Strike 353 XX Germany, 1933 360 Contents XXI Viscose Rayon 387 XXII Germany in 1938 395 XXIII Hadlyme 405 Index 429 Alice Hamilton Frontispiece Old Hamilton Homestead in Fort Wayne 22 Jane Addanis 64 Working Women at a Union Meeting 82 Lead Smelter in Utah 122 Concentrating Mill and Heaps of Tailings in Tri-State Region 146 Canaries in a Picric-Acid Plant 186 Steel Mill on the River 258

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Do you find yourself daydreaming about a glamorous occupation, such as a racing driver, an astronaut or a stunt double? This compelling book unravels the mysteries and exposes the pitfalls of the world’s most dangerous jobs, giving a fascinating insight into the working lives of those who regularly stare death in the face.

From anthrax to asbestos to pesticides, industrial toxins and pollutants have troubled the world for the past century and longer. Environmental hazards from industry remain one of the world's foremost killers.Dangerous Trade establishes historical groundwork for a better understanding of how and why these hazards continue to threaten our shrinking world. In this timely collection, an international group of scholars casts a rigorous eye towards efforts to combat these ailments. Dangerous Trade contains a wide range of case studies that illuminate transnational movements of risk—from the colonial plantations of Indonesia to compensation laws in late 19th century Britain, and from the occupational medicine clinics of 1960s New York City to the burning of electronic waste in early twenty-first century Uruguay. The essays in Dangerous Trade provide an unprecedented broad perspective of the dangers stirred up by industrial activity across the globe, as well as the voices rasied to remedy them.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.