Exploring The Mystery Of Matter

The story behind one of the most significant technological wonders of the modern world that may change our understanding of matter and how the universe began.

The Mystery of Matter attempts to lay down philosophical foundations for the universe as revealed by modern science. It offers a critique of both perennial philosophy's metaphysical dualism and modern positivism's mechanistic reductionism in the areas of metaphysics, epistemology and cosmology. It presents a systematic view that is called cosmo-ontology using a methodology akin to Dewey's instrumentalism. It focuses on the transcendent vitality of material energy and its communitarian character as the antithesis to both dualism and reductionism. It grounds ethics in the politics that derives from the communitarian nature of matter itself; and it speaks to the possibility of relationship to the matrix of all existence.

A new look at the first few seconds after the Big Bang—and how research into these moments continues to revolutionize our understanding of our universe Scientists in the past few decades have made crucial discoveries about how our cosmos evolved over the past 13.8 billion years. But there remains a critical gap in our knowledge: we still know very little about what happened in the first seconds after the Big Bang. At the Edge of Time focuses on what we have recently learned and are still striving to understand about this most essential and mysterious period of time at the beginning of cosmic history. Delving into the remarkable science of cosmology, Dan Hooper describes many of the extraordinary and perplexing questions that scientists are asking about the origin and nature of our world. Hooper examines how we are using the Large Hadron Collider and other experiments to re-create the conditions of the Big Bang and test promising theories for how and why our universe came to contain so much matter and so little antimatter. We may be poised to finally discover how dark matter was formed during our universe’s first moments, and, with new telescopes, we are also lifting the veil on the era of cosmic inflation, which led to the creation of our world as we know it. Wrestling with the mysteries surrounding the initial moments that followed the Big Bang, At the Edge of Time presents an accessible investigation of our universe and its origin.

Taking an interdisciplinary approach and based on yet-unexplored sources, this book offers a new synthesis of the theory and works of the Dutch monk and architect Dom Hans van der Laan from the perspective of the interrelationship between liturgy and architecture.

The Mystery of Matter and Energy is a scientific work that explores the fundamental nature of matter and energy. The author, Albert Cushing Crehore, was an electrical engineer and inventor who made significant contributions to the development of radio technology. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Lily and Sam’s mother takes them to Prof Simplicius’ laboratory to learn about chemicals. While talking to the sharp and witty Professor, they come to know that the professor has misplaced an important formula he just invented. The only way to recover it is by learning more about the chemical matter. Through puzzles and puns the professor weaves interesting stories about chemicals present in air, water and things around us. He reminds the children that chemicals can be good or bad, but they are vital for our existence. Can Lily, a budding detective, apply this new found knowledge to solve the mystery and recover the precious formula?

This book explores how avant-garde directors in French theatre play on their audiences' frustration to generate an encounter with the real. Focusing on the work of directors such as Gisèle Vienne, Jan Lauwers, Rodrigo Garcia, Jan Fabre and Romeo Castellucci, the book looks at how these directors manipulate their audiences to experience a raw perception of materiality and physical bodies on stage, set within narratives of mystery and the uncanny. This approach has led to these directors' work described as 'obscene', 'pretentious', 'demagogic' and 'provocative'. Because of this, the act of spectating and the nature of spectatorship itself becomes complicated and tends to leave French audiences doubting traditional codes and practices. It leads to the directors' work being misjudged and to contradictory discourses between critics, researchers and directors. The book examines how directors implement strategies on stage to trigger such experiences, while evaluating how problematic these strategies are. It develops critical and philosophical tools that help spectators extend their field of perception and better engage with these contemporary practices. And, in doing so, it analyses a fascinating paradox: the French theatre scene hosting both active avant-garde practices, especially when it comes to spectator experience, and strong rejections from audiences.