Exporting Japan

Exporting Japan examines the domestic origins of the Japanese government's policies to promote the emigration of approximately three hundred thousand native Japanese citizens to Latin America between the 1890s and the 1960s. This imperialist policy, spanning two world wars and encompassing both the pre-World War II authoritarian government and the postwar conservative regime, reveals strategic efforts by the Japanese state to control its populace while building an expansive nation beyond its territorial borders. Toake Endoh compellingly argues that Japan's emigration policy embodied the state's anxieties over domestic political stability and its intention to remove marginalized and radicalized social groups by relocating them abroad. Documenting the disproportionate focus of the southwest region of Japan as a source of emigrants, Endoh considers the state's motivations in formulating emigration policies that selected certain elements of the Japanese population for "export." She also recounts the situations migrants encountered once they reached Latin America, where they were often met with distrust and violence in the "yellow scare" of the pre-World War II period.

An analysis of Japan's industrialization in an international, historical and economic perspective, from the time that her ports were first opened to foreign trade. First published in 1988, this title is part of the Bloomsbury Academic Collections series.

Exporting Japanese Aesthetics brings together historical and contemporary case studies addressing the evolution of international impacts and influences of Japanese culture and aesthetics. The volume draws on a wide range of examples from a multidisciplinary team of scholars exploring transnational, regional and global contexts. Studies include the impact of traditional Japanese theatre and art through to the global popularity of contemporary anime and manga. Under the banner of soft power or Cool Japan, cultural commodities that originate in Japan have manifested new meanings outside Japan. By (re)mapping meanings of selected Japanese cultural forms, this volume offers an in-depth examination of how various aspects of Japanese aesthetics have evolved as exportable commodities, the motivations behind this diffusion, and the extent to which the process of diffusion has been the result of strategic planning. Each chapter presents a case study that explores perspectives that situate Japanese aesthetics within a wide-ranging field of inquiry including performance, tourism, and visual arts, as well as providing historical contexts. The importance of interrogating the export of Japanese aesthetics is validated at the highest levels of government, which formed the Office of Cool Japan in 2010, and which perhaps originated in the 19th century at governmentally endorsed cultural courts at world fairs. Increased international consumption of contemporary Japanese culture provides a much needed boost to Japans weakening economy. The case studies are timely and topical. As host of the 2020/2021 Tokyo Olympic Games and the 2025 Osaka Expo, Cool Japan will be under special scrutiny.

The paper examines the effects of the supply pressure of the exports in the Japan-U.S. bilateral trade. A simultaneous equation approach with a Almon lag structure is adopted. Two factors of supply pressure, i.e., full-employment capacity and inventory are specified, and positively-sloped export supply functions with these two shift factors are successfully estimated. While capacity is positively correlated with exports, the inventory is often negatively correlated. It is also shown that export supply pressure is much stronger in Japan’s exports than in the U.S. exports, and that supply pressure often affects exports with a lag structure spreading over twelve quarters.