Ezra Pound And Guido Cavalcanti

Ezra Pound revised the contents for this edition, including the translations and the introduction. In this book, Ezra Pound tried to bring over the qualities of Guido's rhythm, not a line for line, but to embody in English some trace of that power which implies the man. The science of the music of words and the knowledge of their ​magical powers has fallen away since men invoked Mithra by a sequence of pure vowel sounds.

This book makes available the entire range of Ezra Pounds studies and translations of the technically complex philosophical poems of the thirteenth-century Florentine Guido Cavalcanti, Dante's first friend" and artistic rival. Originally published in 1983. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Cavalcanti's work is interpreted by reconstructing the debate of ideas in which it participates, and the new model of poetry devised by Cavalcanti is one of the subjects of this book."--BOOK JACKET.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

"Critical study of Ezra Pound's music training, musico-poetical theories, and his musical compositions. The book includes the first printed edition of his full music score to his opera ""Cavalcanti"" and the first complete listing and description of his works for violin."

Cavalcanti is a key figure in the development of Italian poetry, and a fascinating character in the shadow of his contemporary and friend Dante Alighieri. Cavalcanti also has an interesting place in the cannon of English poetry, where he was an important influence on two of his famous translators Dante Gabriel Rossetti and Ezra Pound.

In this study of Pound's radio operas of the 1930s, Margaret Fisher draws on the unpublished correspondence between Pound and his maverick BBC producer, Edward Archibald Fraser Harding, to reveal a little-known aspect of Pound's career.