F Sionil Jos And His Fiction

Written in elegant and precise prose, Don Vicente contains two novels in F. Sionil José's classic Rosales Saga. The saga, begun in José's novel Dusk, traces the life of one family, and that of their rural town of Rosales, from the Philippine revolution against Spain through the arrival of the Americans to, ultimately, the Marcos dictatorship. The first novel here, Tree, is told by the loving but uneasy son of a land overseer. It is the story of one young man's search for parental love and for his place in a society with rigid class structures. The tree of the title is a symbol of the hopes and dreams--too often dashed--of the Filipino people. The second novel, My Brother, My Executioner, follows the misfortunes of two brothers, one the editor of a radical magazine who is tempted by the luxury of the city, the other an activist who is prepared to confront all of his enemies, real or imagined. The critic I. R. Cruz called it "a masterly symphony" of injustice, women, sex, and suicide. Together in Don Vicente, they form the second volume of the five-novel Rosales Saga, an epic the Chicago Tribune has called "a masterpiece."

With Dusk (originally published in the Philippines as Po-on), F. Sionil Jose begins his five-novel Rosales Saga, which the poet and critic Ricaredo Demetillo called "the first great Filipino novels written in English." Set in the 1880s, Dusk records the exile of a tenant family from its village and the new life it attempts to make in the small town of Rosales. Here commences the epic tale of a family unwillingly thrown into the turmoil of history. But this is more than a historical novel; it is also the eternal story of man's tortured search for true faith and the larger meaning of existence. Jose has achieved a fiction of extraordinary scope and passion, a book as meaningful to Philippine literature as One Hundred Years of Solitude is to Latin American literature. "The foremost Filipino novelist in English, his novels deserve a much wider readership than the Philippines can offer."--Ian Buruma, New York Review of Books "Tolstoy himself, not to mention Italo Svevo, would envy the author of this story."--Chicago Tribune

Don Carlos lies on his deathbed, determined to tell all. Don Carlos lies, as they say, through his teeth. in this slim, powerful novel, F. Sionil Jose, one of the leading literary voices of Asia and the Pacific, tells all. Don Carlos Cobello, a worldly man, has been a diplomat, entrepreneur, gourmand, and sinner. Like other memoirists, he reveals more than he intends. Born to wealth, he was determined to increase it. Born to corruption, he sees no reason to give up too much of a good thing. Born of woman, he sets about seducing -- or simply taking -- every woman he sees, starting with his sister. He is a prince of accommodation; his family has drawn close to power no matter who dominated their islands, be it the Spanish, the Japanese, or the Americans. (A woman shared with a Japanese colonel in a family-owned brothel returns their favors by passing on to one the disease of the other.) The colorful cast includes a "hero of the Revolution" who purchased land with revolutionary funds, a close poker-playing friend of General Douglas MacArthur, and the illegitimate son of a maid who later becomes a lawyer destined for greatness. Cobello's wealth, incest, and casual infidelities are no hindrance to an upwardly mobile career. In the "incredible reality that is the Philippines," says Jose, "the higher one goes, the whiter one becomes." For, as Cobello puts it, "here, sin is a social definition, not a moral one." Sins will add to the stature of F. Sionil Jose and to his growing reputation in the United States.

Three novellas--including Obsession, Platinum, and Cadena de Amor--examine the Philippine experience through the lives of three female characters, a prostitute, a student activist, and a politician.

With these two passionate, vividly realistic novels, The Pretenders and Mass, F. Sionil José concludes his epochal Rosales Saga. The five volumes span much of the turbulent modern history of the Philippines, a beautiful and embattled nation once occupied by the Spanish, overrun by the Japanese, and dominated by the United States. The portraits painted in The Samsons, and in the previously published Modern Library paperback editions of Dusk and Don Vicente (containing Tree and My Brother, My Executioner), are vivid renderings of one family from the village of Rosales who contend with the forces of oppression and human nature. Antonio Samson of The Pretenders is ambitious, educated, and torn by conflicting ideas of revolution. He marries well, which leads to his eventual downfall. In Mass, Pepe Samson, the bastard son of Antonio, is also ambitious, but in different ways. He comes to Manila mainly to satisfy his appetites, and after adventures erotic and economic, finds his life taking a surprising turn. Together, these novels form a portrait of a village and a nation, and conclude one of the masterpieces of Southeast Asian literature.