Faces From The Past

Traces the efforts of a scientific team to learn about the life and culture of a person whose skeletal remains are traced to prehistoric times, profiling the valuable technical achievements of artists who use special skills to reconstruct faces from archaeological remains. 10,000 first printing.

It's been four years since Dave Harlow's wife, Helen, passed away. Since then, he has renewed his passion for researching his family roots. He uses his magnifying glass to stare into each and every one of the hundreds of family pictures-the old housing, clothes, and hairstyles. From horse-drawn carriages to old cars, this was a time gone by. He is now focused on the picture of a family of nine. His great-great-great-grandfather and grandmother, along with their children, standing and sitting on the lawn in front of a big house having a group picture taken. The closer he looks at the picture, the more he studies each detail, the more he can feel himself being pulled into the picture, becoming part of the scene. He now finds himself standing behind the photographer taking a picture of the family he was just looking at through the magnifying glass. He moves around to the front of the camera and is now gazing at the family he only a second ago had seen in a picture he was holding. This dream reality will only last a day as he wakes up at his desk, staring at the picture of the family of eight. Was it a dream, or did it really happen? He seeks medical and mental help only to find all is well. Could he have just dreamed it? Dave returns home to again start looking through multiple pictures. Could it happen again, and where will he go next? Join Dave as he sees his father purchase his first new 1928 automobile and watches Mathew Brady take a photograph of Abe Lincoln and General McClellan. Finally, Dave will explore New York at the turn of the early nineteen hundreds. Are any of these events actually happening, or are they a dream?

The Queen of Alboné and her entourage are going to Honoi in a diplomatic mission. Yáxtor Brandan, empirical adept at the Queen's service, will be among them. But he is not the Yáxtor Brandan he used to be. He has recovered the stolen memories from his past and he is beginning to assimilate them. Little by little, people and places that until now had no meaning for Yáxtor are becoming more and more familiar and the empirical adept finds himself in the middle of an unexpected exploration of his past. Old forgotten faces from his youth walk his mind halls and begin to give new shape to what he is and what he can become. His first love, his old mentor, his wife and his son, a betrayed lover and a new friend... those are the faces from Yáxtor's past he has to confront. And also a new one, an unknown face hidden in the shadows that could be the face of his greatest enemy.

What if the AI we create is just like us? What if, through observing and interacting with us, it learns to lie, cheat and pursue selfish purposes. What would happen if it were adamant that it was in fact an Alternative Intelligence. Man may have made it. But what will it make of Man?

A collection of the beautiful, loving portraits of older, tattooed, Maori women by Kristine Zambucka. Each in full colour, and full sized (142 x 9.5"). These women - the kuia - were fast vanishing even when the book was published 50 years ago, despite their noted longevity, but, in the words of Dr, S. M. Mead in the Foreword, 'The tattooed kuia is something more than a grandmother. She is a symbol, a bridge between life and death'. Words which have ever more resonance now perhaps than when they were written.

An album-by-album celebration of the life and music of Mac Miller through oral histories, intimate reflections, and critical examinations of his enduring work. “One of my most vivid memories of him is the way he would look at you while he was playing you a song. He tried to look you right in the eyes to see how you were feeling about it.” —Will Kalson, friend and first manager Following Mac Miller’s tragic passing in 2018, Donna-Claire Chesman dedicated a year to chronicling his work through the unique lens of her relationship to the music and Mac’s singular relationship to his fans. Like many who’d been following him since he’d started releasing mixtapes at eighteen years old, she felt as if she’d come of age alongside the rapidly evolving artist, with his music being crucial to her personal development. “I want people to remember his humanity as they’re listening to the music, to realize how much bravery and courage it takes to be that honest, be that self-aware, and be that real about things going on internally. He let us witness that entire journey. He never hid that.” —Kehlani, friend and musician. The project evolved to include intimate interviews with many of Mac’s closest friends and collaborators, from his Most Dope Family in Pittsburgh to the producers and musicians who assisted him in making his everlasting music, including Big Jerm, Rex Arrow, Wiz Khalifa, Benjy Grinberg, Just Blaze, Josh Berg, Syd, Thundercat, and more. These voices, along with the author’s commentary, provide a vivid and poignant portrait of this astonishing artist—one who had just released a series of increasingly complex albums, demonstrating what a musical force he was and how heartbreaking it was to lose him. “As I’m reading the lyrics, it’s crazy. It’s him telling us that he hopes we can always respect him. I feel like this is a message from him, spiritually. A lot of the time, his music was like little letters and messages to his friends, family, and people he loved, to remind them of who he really was.” —Quentin Cuff, best friend and tour manager

She became a public figure when Jefferson appointed James Madison Secretary of State in 1801. Jefferson was a widower and Aaron Burr, The Vice President had also lost his wife. So, the wife of the Secretary of State, who was next in line of precedence became Jefferson's hostess and social leader of the new capital.

One of the odder (and uglier or cuter dependent on your point of view) styles of Roman pottery is clearly the face pot - literally pots with facial features attatched in relief.