Faces Of Power Piety

Faces of Power and Piety is the second in the Medieval Imagination series of small, affordable books that draw on manuscript illuminations in the collections of the J. Paul Getty Museum and the British Library. Each volume focuses on a particular theme to provide an accessible and delightful introduction to the imagination of the medieval world. The vivid and charming faces featured in this volume include portraits of both illustrious historical figures and celebrated contemporaries. They reveal that medieval artists often disregarded physical appearance in favor of emphasizing qualities such as power and piety, capturing how their subjects wished to be remembered for the ages. Faces of Power and Piety also looks at the development of portraiture in the modern sense during the Renaissance, when likeness became an important component of portrait painting. An exhibition of the same name will be on view at the J. Paul Getty Museum from August 12 through October 26, 2008.

Based on an exhaustive and varied study of predominantly unpublished archival material as well as a variety of literary and non-literary sources, this book investigates the relation between patronage, piety and politics in the life and career of one Late Medieval Spain's most intriguing female personalities, Maria De Luna.

Today, many Christians, concerned and challenged by contemporary trends in society and religion, are bewildered and perhaps tempted to leave the Church and manage on their own. Courage and Conviction is addressed to discerning adult Christians who seek something between high theology and pious platitudes. Ranging from consideration of Christian identity, via the challenge of faith-filled living in a world of diversity, to suggestions for mature discipleship today, these reflections—building on Scripture studies, cultural anthropology, and life experience—are offered by way of support, encouragement, and perhaps further enlightenment.

This book examines the ambivalence of folk Catholicism as a resource to fight against injustice, exploitation, and oppression. Cases are cited to illuminate the value and potential trespasses of popular religious beliefs and practices. Over centuries, representatives of the powerful middle and upper middle classes did not hesitate to manipulate popular piety to protect their power and privileges. In fact, much of popular religion still reflects the dominant ideology. Popular piety has the potential for liberation against unjust social and economic structures. When properly guided, this practice can broaden and deepen political consciousness and mobilize people to act. Without a strong level of political consciousness as well as liberative evangelization, popular religion will be alienating to the poor while strengthening the status quo of the rich and the powerful. This study argues that it will be the elites, the well-educated and committed Christians, not the masses, who would foster the transformation of society.

Tabbaa argues that the intense palatial and religious architectural activity of the period was intended to create a royal image of the Ayyubid state while also fostering links between it and the urban population. His study is based on an entirely new evaluation of the architectural and epigraphic aspects of the standing monuments of the period. It presents for the first time full photographic coverage of these monuments, as well as many new plans and other renderings, and pays close attention to monumental inscriptions, correcting and augmenting previous studies. The book utilizes the full panoply of the available literary sources, including topographies, chronicles, travel accounts, and poetry.

This book is at the interface between Visual Studies and Biblical Studies, and is the only monograph to date on St Paul's visual piety. Heath argues that biblical scholarship has downplayed this-worldly visuality in Christian culture, and that the exegesis of Paul is both a partial cause and a symptom of this 'disciplinary blind-spot'.

An analysis of Islamist cultural politics through the ethnography of a thriving, grassroots women's piety movement in the mosques of Cairo, Egypt. Unlike those organized Islamist activities that seek to seize or transform the state, this is a moral reform movement whose orthodox practices are commonly viewed as inconsequential to Egypt's political landscape. The author's exposition of these practices challenges this assumption by showing how the ethical and the political are linked within the context of such movements.