Facing The Sphinx Classic Reprint

Excerpt from Facing the Sphinx If we contribute our mite towards the revival of the ancient mode of thought, which can be found partly in the Bible, if understood, and partly in the sacred and profane literature of Egypt, India, Per sia, Chaldea, Central America, China, Greece, Rome, etc. We will be amply rewarded. For to dispel the clouds of ignorance which are still hanging over the human intellect, is to conquer and uproo't wickedness. Let us eat of the fruit of the tree of Paradise, so that, by acquiring the knowledge Of good and evil, we may always be wise enough to choose good and eschew evil. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from Queen Móo and the Egyptian Sphinx It has been, and still is, a favorite hypothesis, with certain students of ethnology, that the Western Continent, now known as America, received its human population, therefore its civili zation, from Asia. True, there is a split in their ranks. They are not quite certain if the immigration in America came from Tartary across the Strait of Behring, or from Hindostan over the wastes of the Pacific Ocean. This, however, is of little consequence. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from The Sphinx and Other Poems The Sphinx I Had a dream in the night. Waking, how strange, it seem'd! If I recall it aright, This is the dream I dream'd. I know not how or why, But I walk'd in the desert alone; And ever the wind went by With a moan like a human moan. Darkness hung o'er the world, Only I noticed soon A banner of cloud unfurl'd Over a phantom moon. And I wist not whence I came, Nor whither my footsteps sped, In that land without a name, That country of the dead. Then, sudden, a moonbeam burst Over the dismal place, And I saw, as one accurs'd, The Sphinx's great stone face; Where cold, austere, sublime. Since first the ages ran, She watches the flight of time And the tragedy of man. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from The Land of the Sphinx: With One Hundred and Eighty-Six Illustrations Having travelled a great deal, and read numbers of historians, modern ones especially, I have acquired an incontestable skill in the art of relating fables, of distorting facts, and of arranging them to suit the exigencies of my mood or the requirements of the moment - the reader will easily perceive this. I have added a few thousand years to the vertiginous number of centuries so generously accorded to Egypt, thereby following in the wake of her ancient and venerable priests, those circumspect gossips, as cunning as the cleverest of quacks, who told such yarns to the credulous Greeks who came to interview them. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Sought, the Sphinx seems everywhere, whether the guardian of the pyramids on Egypt's Giza plateau or the beautiful man-eater with a deadly riddle, to be approached with awful caution. The Sphinx, that icon painted, sculpted, engraved, and exalted in poetry, fiction, and music, so impressed the philosopher Hegel that he pronounced the creature “the symbol of the symbolic itself.” With a wealth of illustrations, Book of the Sphinx confirms Hegel's lofty judgment, finding the Sphinx everywhere: in tragedies, paintings, opera, murder mysteries, brothels, bars, and advertisements. Pursuing the Sphinx through kaleidoscopic sightings and encyclopedic observations, Willis Goth Regier plumbs the symbol's mysteries, conducting the reader down ever more perplexing and intriguing paths. Wonderfully readable, his highly idiosyncratic tour of the ages and the arts leads at last to a conception of the Sphinx that embraces nothing less than all that is unknowable—proving once again that confronting a Sphinx is one of the most dangerous and exhilarating adventures of the imagination.

Surveys important Greek and Roman authors, plays, characters, genres, historical figures and more.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.