Falconry In The Land Of The Sun

By engaging closely with the work of Richard Francis Burton (1821-90), the iconic nineteenth-century imperial spy, explorer, anthropologist and translator, Postcolonialism, Psychoanalysis and Burton explores the White Man’s ‘imperial fantasies’, and the ways in which the many metropolitan discourses to which Burton contributed drew upon and reinforced an intimate connection between fantasy and power in the space of Empire. This original study sheds new light on the mechanisms of imperial appropriation and pays particular attention to Burton’s relationship with his alter ego, Abdullah, the name by which he famously travelled to Mecca and Medina disguised as a Muslim pilgrim. In this context, Grant also provides insightful readings of a number of Burton’s contemporaries, such as Müller, du Chaillu, Darwin and Huxley, and engages with postcolonial and psychoanalytic theory in order to highlight the problematic relationship between the individual and imperialism, and to encourage readers to think about what it means to read colonial history and imperial narrative today.

Vol. 8, no. 2, Aug. 1969 includes Northwest falconry news, v. 4, no. 1, 1969.

Through falconry imagery the author takes the reader through a wide range of many poets and dramatists of the Late Medieval and Renaissance eras. The symbolism and many references on this sport in literature gives the reader a good incite into falconry of the past and as it is practiced in the present. The author has broken new ground and re-discovered references in literature known to an older generation of falconry enthusiasts. This book will be of practical use to students and aficionados of the English literature in clarifying some of the confusion that falconry can cause in Medieval and Renaissance texts. An interesting read of untold wealth of cultural and social history.

Of all avian groups, birds of prey in particular have long been a prominent subject of fascination in many human societies. This book demonstrates that the art and materiality of human engagements with raptors has been significant through deep time and across the world, from earliest prehistory to Indigenous thinking in the present day. Drawing on a wide range of global case studies and a plurality of complementary perspectives, it explores the varied and fluid dynamics between humans and birds of prey as evidenced in this diverse art-historical and archaeological record. From their depictions as powerful beings in visual art and their important roles in Indigenous mythologies, to the significance of their body parts as active agents in religious rituals, the intentional deposition of their faunal remains and the display of their preserved bodies in museums, there is no doubt that birds of prey have been figures of great import for the shaping of human society and culture. However, several of the chapters in this volume are particularly concerned with looking beyond the culture–nature dichotomy and human-centred accounts to explore perspectival and other post-humanist thinking on human–raptor ontologies and epistemologies. The contributors recognize that human–raptor relationships are not driven exclusively by human intentionality, and that when these species meet they relate-to and become-with one another. This 'raptor-with-human'-focused approach allows for a productive re-framing of questions about human–raptor interstices, enables fresh thinking about established evidence and offers signposts for present and future intra-actions with birds of prey.

Peregrine Spring, Nancy Cowan’s memoir of her thirty years living intimately with raptors, gives us a new perspective on the relationship between humans and the natural world. Cowan shares her experiences running a world-famous falconry school, and the lessons she's learned from her birds. From retrieving her falcon from the local police “lock up,” to finding her husband in bed with a gyrfalcon, to a heart-breaking race to save her young peregrine from attack by a wild hawk, Cowan’s life is a constant, ever-changing adventure. Cowan’s birds have immersed her so much into their world that she has found herself courted by a Goshawk and bossed about by a Harris’ Hawk. The book carries her readers along, so they, too, meet hawks and falcons in ways they never imagined possible.