Fall Of The Big Top

Once an eagerly awaited spectacle, the traveling circus—that miracle of red wagons, trumpeting elephants and spangled trapeze artists that slipped into town at dawn and disappeared by midnight—has all but vanished from the American landscape. This work explores circus history from 1793 to the present and addresses the forces of modern culture (such as the popularity of Cirque du Soleil, and pressure from the animal rights movement) that are pushing big top shows toward what the author calls “circus ballet.” Numerous photographs and in-depth interviews conducted with show owners, performers and directors enrich the narrative. Overall, the book reveals a sobering contrast between circuses of yesterday and today, even as it honors the outstanding performers who created, and have sustained, the enduring appeal of the circus.

Circuses and film are a natural pairing, and the new essays making up this volume begin the exploration of how these two forms of entertainment have often worked together to create a spectacle of onscreen alchemy. The films discussed herein are an eclectic group, ranging from early silent comedies to animated, 21st century examples, in which circuses serve as liminal or carnivalesque spaces wherein characters--and by extension audience members--can confront issues as far-reaching as labor relations, sensuality, identity, ethics, and more. The circus as discussed in these essays encompasses the big top, the midway, the sideshow and the freak show; it becomes backdrop, character, catalyst and setting; and it is welcoming, malicious or terrifying. Circus performers are family, friends, foe or all of the above. And film is the medium that brings it all together. This volume starts the conversation about how circuses and film can combine to form productive, exciting spaces where almost anything can happen.

International Literacy Association Award Winner for Intermediate Nonfiction 2016 Eureka Children's Book Honor 2016 On July 6, 1944, thousands of fans made their way to Barbour Street in Hartford, Connecticut, to see the Ringling Bros. and Barnum & Bailey Circus performance. Not long after the show's start, a fire broke out and spread rapidly as panicked circus-goers pushed and scrambled to escape. Within 10 minutes the entire big top had burned to the ground, and 167 people never went home. Big Top Burning recounts the true story of one of the worst fire disasters in US history. It follows the tragic stories of the Cook family—including children Donald, Eleanor, and Edward, who were in the audience that day—and 15-year-old Robert Segee, a circus employee with an incendiary past. Drawing on primary sources and interviews with survivors, author Laura Woollett guides readers through several decades of investigations and asks, Wasthe unidentified body of a little girl nicknamed"Little Miss 1565" Eleanor Cook?Was the fire itself an act of arson—anddid Robert Segee set it? Young readers are invited to evaluate the evidence and draw their own conclusions. Combining a gripping disaster story, an ongoing detective and forensics saga, and vivid details about life in World War II–era America, Big Top Burning is sure to intrigue any history or real-life mystery fan.

In order to impress Melissa, the girl of his dreams, Amos Binder decides to perform on the trapeze at the visiting circus. Look out below! But before his best friend for life Dunc Culpepper can talk him out of his plan, the two stumble across a mystery behind the scenes at the circus. Now Amos is in double trouble. What’s really going on under the big top?

In his book, My Life Under the Big Top, the Rev. David Fly shares his lifes journey as a standup comedian, a professional television clown, and an Episcopal priest. The three roles became increasingly intertwined throughout his life. The big top of the circus came to represent for him the church with its sense of wonder and mysterya world from which no one is excluded. The role of the clown and the Christian is to play Stan Laurel to the worlds Oliver Hardy, exposing the folly of pretense and the vanity of pride. The book is both a memoir and a theological reflection.

Beneath the Big Top is a social history of the circus, from its ancient roots to the rise of the 'modern' tented travelling shows. A performer and founder of a circus group, Steve Ward draws on eye-witness accounts and contemporary interviews to explore the triumphs and disasters of the circus world. He reveals the stories beneath the big top during the golden age of the circus and the lives of circus folk, which were equally colourful outside the ring: ??´ Pablo Fanque, Britain's first black circus proprietor?´ The Chipperfield dynasty, who started out in 1684 on the frozen Thames ?´ Katie Sandwina, world's strongest woman and part-time crime-fighter ?´ The Sylvain brothers, who fell in love with the same woman in the ring

Through firsthand accounts, interviews with survivors and a gripping collection of vintage photographs, author Michael Skidgell attempts to make sense of one of Hartford's worst tragedies. Almost 7,000 fans eagerly packed into the Ringling Brothers big top on July 6, 1944. With a single careless act, an afternoon at the "Greatest Show on Earth" quickly became one of terror and tragedy as the paraffin-coated circus tent caught fire. Panicked crowds rushed for the few exits, but in minutes, the tent collapsed on those still struggling to escape below. A total of 168 lives were lost, many of them children, with many more injured and forever scarred by the events. Hartford and the surrounding communities reeled in the aftermath as investigators searched for the source of the fire and the responsible parties.