Famous Wisconsin Artists And Architects

- This book profiles well-known artists and architects as well as lesser known off-beat characters.

This ambitious and vivid study in six volumes explores the journey of a single, electrifying story, from its first incarnation in a medieval French poem through its prolific rebirth in the nineteenth and twentieth centuries. The Juggler of Notre Dame tells how an entertainer abandons the world to join a monastery, but is suspected of blasphemy after dancing his devotion before a statue of the Madonna in the crypt; he is saved when the statue, delighted by his skill, miraculously comes to life. Jan Ziolkowski tracks the poem from its medieval roots to its rediscovery in late nineteenth-century Paris, before its translation into English in Britain and the United States. The visual influence of the tale on Gothic revivalism and vice versa in America is carefully documented with lavish and inventive illustrations, and Ziolkowski concludes with an examination of the explosion of interest in The Juggler of Notre Dame in the twentieth century and its place in mass culture today. Volume 3: The American Middle Ages hinges upon two figures influenced by the juggler: Henry Adams, scion of Presidents and distinguished cultural historian whose works contributed to the rise of medievalism in America during the Gilded Age, and Ralph Adams Cram, the architect whose vision of Gothic accounts directly or indirectly for the campuses of West Point, Princeton, Yale, Chicago, Notre Dame, and many other universities across America. The Juggler of Notre Dame and the Medievalizing of Modernity is a rich case study for the reception of the Middle Ages in modernity. Spanning centuries and continents, the medieval period is understood through the lens of its (post)modern reception in Europe and America. Profound connections between the verbal and the visual are illustrated by a rich trove of images, including book illustrations, stained glass, postage stamps, architecture, and Christmas cards. Presented with great clarity and simplicity, Ziolkowski's work is accessible to the general reader, while its many new discoveries will be valuable to academics in such fields and disciplines as medieval studies, medievalism, philology, literary history, art history, folklore, performance studies, and reception studies.

A revised and updated edition of the best-selling resource for art teachers This time-tested book is written for teachers who need accurate and updated information about the world of art, artists, and art movements, including the arts of Africa, Asia, Native America and other diverse cultures. The book is filled with tools, resources, and ideas for creating art in multiple media. Written by an experienced artist and art instructor, the book is filled with vital facts, data, readings, and other references, Each of the book's lists has been updated and the includes some 100 new lists Contains new information on contemporary artists, artwork, art movements, museum holdings, art websites, and more Offers ideas for dynamic art projects and lessons Diverse in its content, the book covers topics such as architecture, drawing, painting, graphic arts, photography, digital arts, and much more.

The oldest capital city in the United States is Santa Fe, which has a rich and varied cultural history as well as the oldest public building still in use. Ancestral Puebloan Indians inhabited the area as early as 500 AD, and Spanish explorers arrived in the early 1540s. When Mexico gained independence from Spain, Santa Fe became the capital of Nuevo Mejico. It was not until 1912 that New Mexico achieved statehood. In the late 19th century, the Southwest became a haven for tuberculosis patients, and a number of sanatoriums were built in Santa Fe. Many creative individuals, including poets, artists and architects, stayed and significantly contributed to the city's cultural and architectural development. In 2005, Santa Fe received the distinction of being the first America community to be designated a "Creative City" by UNESCO.

This second edition of Historical Dictionary of Romantic Art and Architecture contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 300 cross-referenced entries on major artists of the romantic era as well as entries on related art movements, styles, aesthetic philosophies, and philosophers.

Milwaukee in Stone and Clay follows directly in the footsteps of Raymond Wiggers's previous award-winning book, Chicago in Stone and Clay. It offers a wide-ranging look at the fascinating geology found in the building materials of Milwaukee County's architectural landmarks. And it reveals the intriguing and often surprising links between science, art, and engineering. Laid out in two main sections, the book first introduces the reader to the fundamentals of Milwaukee's geology and its amazing prehuman history, then provides a site-by-site tour guide. Written in an engaging, informal style, this work presents the first in-depth exploration of the interplay among the region's most architecturally significant sites, the materials they're made of, and the sediments and bedrock they're anchored in. Raymond Wiggers crafted Milwaukee in Stone and Clay as an informative and exciting overview of this city. His two decades of experience leading architectural-geology tours have demonstrated the popularity of this approach and the subject matter.

Outhouses have been much ridiculed and maligned structures, thought worthy of only the lowliest of humor and virtually ignored by architectural critics as inconsequential blips in the development of building design. And yet--as architect Steve Schaecher so poignantly reveals in this collection of renderings--architects of genius from time immemorial have used their considerable talents to enhance the beauty and function of the outhouse. His extensive research has uncovered a wealth of stunning outdoor bathroom designs that say much about the history of architecture. Although Schaecher's friends and family have worried about his obsession with bathroom drawings, it is clear that with the publication of this tome, his seat in the annals of architectural history will never be put down.Here are reproductions of stylish (dare we say perfectionist?) renderings of Thronehenge, Wright's Flushing Water, the Odor Dame Cathedral, the Taj Ma-stall, Jefferson's Johnicello, Sullivan's Merchants First National Outhouse, Le Corbusier's Bidet Savoye, Fuller's Geodesic Throne, the Hancock's John Building, the Centre Pompidoodoo-the unmistakable outhouse for that weird-looking French museum-and many others. Each is accompanied by insightful historical and analytical text, depending on your definitions of insightful and analytical. The preface, by architectural critic I.P. Daley, will leave you in no doubt of the importance of this completely nonsensical book.