Fantastic Flight

Provides instructions for creating twenty-five paper airplanes using single sheets of paper.

"Presents the world's top ten flight records, including the first launch, greatest altitude in a glider, and smallest rocket."--Source inconnue.

The Amazing Flight of Daisy is an imaginative and lyrical children´s book. It features a girl´s rebellious kite that is hijacked by the wind. Together, they circle the world, describing everything they see from a unique perspective: the skies above. Educational and adventurous, this modern-day fable mixes the realism of world travel with a message about our stressed environment. In addition, the book telegraphs the idea that girls can grow up to do anything well. Fiona, a girl living on a Maine island, is given a kite that she names Daisy. When the Wind steals Daisy away, a fantastic adventure begins as they circle the world, encountering a storm at sea on the QE2, the mysterious Northern Lights, the Paris catacombs, and remote tribes from Tibet to Bali. There is a daring ride with Fiona over Africa in a vintage Tiger Moth biplane, and a surprise ending. This book is available through retailers including Amazon, Barnes & Noble, and Borders. More details about the book and author can be found at xlibris.com/bookstore.

Jacob has a special gift--he can fly! When it's time for a family vacation, Jacob chooses to fly himself, having wonderful adventures along the way.

Contributions by Carl Abbott, Jacob Babb, Marleen S. Barr, Michael Fuchs, John Glover, Stephen Joyce, Sarah Lahm, James McAdams, Cynthia J. Miller, Fernando Gabriel Pagnoni Berns, Chris Pak, María Isabel Pérez Ramos, Stefan Rabitsch, J. Jesse Ramírez, A. Bowdoin Van Riper, Andrew Wasserman, Jeffrey Andrew Weinstock, and Robert Yeates Metropolis, Gotham City, Mega-City One, Panem’s Capitol, the Sprawl, Caprica City—American (and Americanized) urban environments have always been a part of the fantastic imagination. Fantastic Cities: American Urban Spaces in Science Fiction, Fantasy, and Horror focuses on the American city as a fantastic geography constrained neither by media nor rigid genre boundaries. Fantastic Cities builds on a mix of theoretical and methodological tools that are drawn from criticism of the fantastic, media studies, cultural studies, American studies, and urban studies. Contributors explore cultural media across many platforms such as Christopher Nolan’s Dark Knight Trilogy, the Arkham Asylum video games, the 1935 movie serial The Phantom Empire, Kim Stanley Robinson’s fiction, Colson Whitehead’s novel Zone One, the vampire films Only Lovers Left Alive and A Girl Walks Home Alone at Night, Paolo Bacigalupi’s novel The Water Knife, some of Kenny Scharf’s videos, and Samuel Delany’s classic Dhalgren. Together, the contributions in Fantastic Cities demonstrate that the fantastic is able to “real-ize” that which is normally confined to the abstract, metaphorical, and/or subjective. Consequently, both utopian aspirations for and dystopian anxieties about the American city become literalized in the fantastic city.

Aerobatics began with the very birth of mechanical flight, when the Wright brothers realized that man must fly as birds do; not straight and level, but in banked curves: climbing, diving, turning, zooming and rolling. The enthralling aerobatic display of today is the result of an adventure of discovery that has lasted over 80 years. This book is the story of this adventure.

The book that inspired the Academy Award–winning short film, from New York Times bestselling author and beloved visionary William Joyce. Morris Lessmore loved words. He loved stories. He loved books. But every story has its upsets. Everything in Morris Lessmore’s life, including his own story, is scattered to the winds. But the power of story will save the day. Stunningly brought to life by William Joyce, one of the preeminent creators in children’s literature, The Fantastic Flying Books of Mr. Morris Lessmore is a modern masterpiece, showing that in today’s world of traditional books, eBooks, and apps, it’s story that we truly celebrate—and this story, no matter how you tell it, begs to be read again and again.