Farewell Stormy Acres

PROLOGUE Harrison, a farmer, and Lisa, an attorney had been in love for quite some time, but Lisa was too proud to be a farmer's wife. She eventually married an attorney who worked in her father's law firm, but he was physically and emotionally cruel to Lisa. They divorced, and he left Des Moines as the firm didn't want a scandal. Harrison married Mary Taylor. They had a son named Jacob, but like Lisa and Carter, they eventually divorced. In this novel, you will discover who fathered Lisa's daughter, and if Lisa and Harrison ever found happiness together. As you read through the pages, you will be introduced to love, heartbreak, death, betrayal, marriage, divorce and even murder. You will learn about Buddy Hicks, an arsonist, who burns farm buildings out of revenge. The author sincerely hopes you will enjoy reading the pages of this short novel.

PROLOGUE Harrison, a farmer, and Lisa, an attorney had been in love for quite some time, but Lisa was too proud to be a farmers wife. She eventually married an attorney who worked in her fathers law firm, but he was physically and emotionally cruel to Lisa. They divorced, and he left Des Moines as the firm didnt want a scandal. Harrison married Mary Taylor. They had a son named Jacob, but like Lisa and Carter, they eventually divorced. In this novel, you will discover who fathered Lisas daughter, and if Lisa and Harrison ever found happiness together. As you read through the pages, you will be introduced to love, heartbreak, death, betrayal, marriage, divorce and even murder. You will learn about Buddy Hicks, an arsonist, who burns farm buildings out of revenge. The author sincerely hopes you will enjoy reading the pages of this short novel.

After Jane Ahlrichs’ fi ancee, Gary Benson, was shot and killed, Jane left Stormy Acres, the family farm, for Seattle, Washington, to attend his funeral. There, Jane met Crystal, a young girl who claimed she was pregnant with Gary’s child. Crystal didn’t want the baby. She and her boyfriend, “Buzz,” - both alcoholics - were having too much fun drinking, stealing and dealing in drugs. Jane convinced Crystal to let her help take care of the baby after the birth, for the sake of the baby. And, soon, Jane became very attached to the little boy, and was frantic that Crystal would give him up for adoption, or that a social service agency would take him, and she would never see him again. Jane had to fi nd a way to help the baby and herself - and fast!

A successful quilter worries about a new rival—and a newly independent son—in a novel by the New York Times-bestselling author of Between Heaven and Texas. Mary Dell Templeton prefers the quiet, quirky charms of Too Much, Texas to the bright lights of Dallas any day. She's relieved to be moving back to her hometown--and bringing her cable TV show, Quintessential Quilting, with her. There are just a couple of wrinkles in her plan. Her son, Howard, who is her talented co-host and color consultant, and happens to have Down syndrome, wants to stay in Dallas and become more independent. Meanwhile, Mary Dell's new boss hopes to attract a different demographic--by bringing in a younger co-host. What Holly Silva knows about quilting wouldn't fill a thimble, but she's smart and ambitious. Her career hinges on outshining the formidable Mary Dell in order to earn her own show. Yet as Holly adapts to small-town living and begins a new romance, and Mary Dell considers rekindling an old one, the two find unlikely kinship. For as Mary Dell knows, the women of Too Much have a knack for untangling the knottiest problems when they work together. And sometimes the pattern for happiness is as simple and surprising as it is beautiful… "Marie Bostwick is my go-to author…always powerful, inspiring, and uplifting." –Robyn Carr, #1 New York Times bestselling author "A brilliant storyteller." --Las Vegas Review-Journal

Is King Lear an autonomous text, or a rewrite of the earlier and anonymous play King Leir? Should we refer to Shakespeare’s original quarto when discussing the play, the revised folio text, or the popular composite version, stitched together by Alexander Pope in 1725? What of its stage variations? When turning from page to stage, the critical view on King Lear is skewed by the fact that for almost half of the four hundred years the play has been performed, audiences preferred Naham Tate's optimistic adaptation, in which Lear and Cordelia live happily ever after. When discussing King Lear, the question of what comprises ‘the play’ is both complex and fragmentary. These issues of identity and authenticity across time and across mediums are outlined, debated, and considered critically by the contributors to this volume. Using a variety of approaches, from postcolonialism and New Historicism to psychoanalysis and gender studies, the leading international contributors to King Lear: New Critical Essays offer major new interpretations on the conception and writing, editing, and cultural productions of King Lear. This book is an up-to-date and comprehensive anthology of textual scholarship, performance research, and critical writing on one of Shakespeare's most important and perplexing tragedies. Contributors Include: R.A. Foakes, Richard Knowles, Tom Clayton, Cynthia Clegg, Edward L. Rocklin, Christy Desmet, Paul Cantor, Robert V. Young, Stanley Stewart and Jean R. Brink