Fashion And The Art Of Pochoir

A celebration of the painstaking hand-stenciling technique known as pochoir, as it was used in luxury fashion publications of the early twentieth century The 1910s and 1920s witnessed an outpouring of luxury fashion publications that used a hand-stenciling technique known as pochoir (French for stencil). This highly refined, painterly technique, which consists of applying layers of gouache paint or watercolor to achieve bold blocks of saturated color, produced works of visual artistry previously unrivaled in the history of fashion illustration. Fashion and the Art of Pochoir presents a carefully curated selection of 300 of the most exceptional illustrations from albums produced by the leading French couturiers, as well as from high-end fashion magazines. Artists from Paul Iribe, Georges Lepape, and George Barbier to Umberto Brunelleschi, Eduardo Garcia Benito, and André E. Marty, these artists inaugurated the alliance between fashion and art with highly stylized depictions of the work of cutting edge designers such as Paul Poiret, Jeanne Lanvin, and Madeleine Vionnet, among others. Complete with biographical descriptions of the featured illustrators and fashion designers, Fashion and the Art of Pochoir celebrates the rare—and rarely seen—images that defined a short but magnificent golden age of fashion illustration.

Clothing design from 1924 to 1931 was revolutionary and has been the epitome of haute couture ever since. The hand printed color fashion illustrations recreated here are little masterpieces, often admired and collected themselves for their fine details and originality. The most famous clothing designers of the era are represented abundantly, including Charles Worth, Jean Patou, Paul Poiret, Lucien Lelong, Joseph Paquin and many others. A beautiful volume for collectors and students of fashion design.

The exclusive French periodical Gazette du Bon Ton was published in Paris to showcase the latest haute couture women's fashion. A selection of the original pochoir print illustrations made for this magazine between 1920 and 1922 are presented in this book. Fashion designers Charles Worth, Paul Poiret, and Madeleine Vionette are among the provocative creators of new 1920s clothing styles whose work is represented here. They revolutionized women's fashions by breaking with tradition to create an entirely new silhouette with short skirts, geometric patterns, new color combinations, and new fabric choices. The illustrations are done in the pochoir process with many stencils and subtle color tones to accurately duplicate delicate drawings by some of the leading French artists of the day. George Barbier, Pierre Brissaud, and Georges Lepape each made many of the drawings in this book Today's fashion designers, collectors, sellers, and artists all will pour over these pages for inspiration.

Queen Alexandra used clothes to fashion images of herself as a wife, a mother and a royal: a woman who both led Britain alongside her husband Edward VII and lived her life through fashion. Inside the Royal Wardrobe overturns the popular portrait of a vapid and neglected queen, examining the surviving garments of Alexandra, Princess of Wales – who later became Queen Consort – to unlock a rich tapestry of royal dress and society in the second half of the 19th century. More than 130 extraordinary garments from Alexandra's wardrobe survive, from sumptuous court dress and politicised fancy dress to mourning attire and elegant coronation gowns, and can be found in various collections around the world, from London, Oslo and Denmark to New York, Toronto and Tokyo. Curator and fashion scholar Kate Strasdin places these garments at the heart of this in-depth study, examining their relationships to issues such as body politics, power, celebrity, social identity and performance, and interpreting Alexandra's world from the objects out. Adopting an object-based methodology, the book features a range of original sources from letters, travel journals and newspaper editorials, to wardrobe accounts, memoirs, tailors' ledgers and business records. Revealing a shrewd and socially aware woman attuned to the popular power of royal dress, the work will appeal to students and scholars of costume, fashion and dress history, as well as of material culture and 19th century history.

Discover the signature sartorial and literary style of fifty men and women of letters, including Maya Angelou; Truman Capote; Colette; Bret Easton Ellis; Allen Ginsberg; Patti Smith; Karl Ove Knausgaard; and David Foster Wallace; in this unique compendium of profiles—packed with eighty black-and-white photographs, excerpts, quotes, and fast facts—that illuminates their impact on modern fashion. Whether it’s Zadie Smith’s exotic turban, James Joyce’s wire-framed glasses, or Samuel Beckett’s Wallabees, a writer’s attire often reflects the creative and spiritual essence of his or her work. As a non-linear sensibility has come to dominate modern style, curious trendsetters have increasingly found a stimulating muse in writers—many, like Joan Didion, whose personal aesthetic is distinctly "out of fashion." For decades, Didion has used her work, both her journalism and experimental fiction, as a mirror to reflect her innermost emotions and ideas—an originality that has inspired Millennials, resonated with a new generation of fashion designers and cultural tastemakers, and made Didion, in her eighties, the face of Celine in 2015. Legendary Authors and the Clothes They Wore examines fifty revered writers—among them Samuel Beckett; Quentin Crisp; Simone de Beauvoir; T.S. Eliot; F. Scott and Zelda Fitzgerald; Malcolm Gladwell; Donna Tartt; John Updike; Oscar Wilde; and Tom Wolfe—whose work and way of dress bears an idiosyncratic stamp influencing culture today. Terry Newman combines illuminating anecdotes about authors and their work, archival photography, first-person quotations from each writer and current designers, little-known facts, and clothing-oriented excerpts that exemplify their original writing style. Each entry spotlights an author and a signature wardrobe moment that expresses his or her persona, and reveals how it influences the fashion world today. Newman explores how the particular item of clothing or style has contributed to fashion’s lingua franca—delving deeper to appraise its historical trajectory and distinctive effect. Legendary Authors and the Clothes They Wore is an invaluable and engaging look at the writers we love—and why we love what they wear—that is sure to captivate lovers of great literature and sophisticated fashion.

Suitable for art and fashion professionals, this book offers an overview of the development of fashion.

The first singular study of one of the key artists of the Art Deco movement, George Barbier (1882-1932) was a fashion illustrator to the leading stylists (Poiret, Lanvin, Paquin, Vionnet) of his time, as well as a set and costume designer for the theater, Russian ballet, and music hall. Barbier's work is also noted in the world of advertising, wallpaper design, and jewelry for Cartier, in albums, as well as in almanacs and precious illustrated books. This volume, with essays by Italian and French authors, marks the rediscovery of a very successful artist of 1920s Paris who was strangely forgotten after his death in 1932.