Fatal Attractions

Review: "In this groundbreaking new biography, G.W. Bernard offers a fresh portrait of one of England's most captivating queens. Through a wide-ranging forensic examination of sixteenth-century sources, Bernard reconsiders Boleyn's girlhood, her experience at the French court, the nature of her relationship with Henry and the authenticity of her evangelical sympathies. He depicts Anne Boleyn as a captivating, intelligent and highly sexual woman whose attractions Henry resisted for years until marriage could ensure legitimacy for their offspring." "He shows that it was Henry, not Anne, who developed the ideas that led to the break with Rome. And, most radically, he argues that the allegations of adultery that led to Anne's execution in the Tower could he close to the truth."--BOOK JACKET

The biggest and best adventures of Marvel's mighty mutants - these are the X-Men Milestones! As Magneto's Acolytes amp up their attacks on Homo sapiens everywhere, the X-teams join forces to put an end to the villainous zealots' mad crusade once and for all. But has their leader, messianic madman Magneto, returned from the dead? And as a mysterious and fatal disease begins creeping through the mutant community, which X-Man will lose a loved one - and buckle under the strain? Tensions come to a head in the most shocking way possible, culminating in a devastating attack on Wolverine -and a showdown between Professor X and Magneto that must be seen to be believed! COLLECTING: UNCANNY X-MEN (1981) 298-300, 303-304, 315; X-FACTOR (1986) 92; X-FORCE (1991) 25; X-MEN UNLIMITED (1993) 2; X-MEN (1991) 25; WOLVERINE (1988) 75; EXCALIBUR (1988) 71

Since its famed introduction of the “boiled bunny,” Fatal Attraction (1987) established itself as one of American cinema’s most controversial films. This insightful new book surveys the film's formal features and its ideological impact, paying special attention to the film’s signature mix of sexuality, fear, and family values. Features detailed breakdowns of the formal techniques the film employs to create suspense, such as turning ordinary household objects into agents of terror Considers the film’s mixed-genre status as a thriller, melodrama, horror picture, and film noir Offers an explanation and analysis of the cultural storm ignited by the film, especially due to its treatment of single career women Investigates the film’s handling of extramarital sexuality, pregnancy, birth control, and AIDS Discusses the film’s lasting role in shaping American gender politics

Losses are integral to the human experience, but they sometimes unfold in subtle ways. Loss is not just about death, but can encompass a number of situations, such as those gradual losses experienced by the elderly: loss of vision, mental capacity, or hope. Intended to stimulate ideas and research in the new area of psychological aspects of loss, this sourcebook collects the writing of a set of distinguished scholars representing psychology and related fields. The author presents a case for a broadly-construed field of loss-both personal and interpersonal-that would complement other fields such as death and dying, traumatology, and stress and coping. No other volume is as comprehensive in its treatment of this intriguing subject. The book begins with an introduction to the concept of loss and discusses the definition of the term and the salience of the topic in the general public in the 1990s. Contributors were chosen to represent some of the most interesting current work on different types of loss and adaptation in the whole of the social and behavioral sciences. Contents cover such diverse subjects as loss in intimate relationships, disability, chronic illness, genocide, sports, unemployment, and homelessness. The book concludes with a commentary section on loss theory and research.

Written by a creative preacher, an innovative sermon series on the seven deadly sins that demonstrates a variety of sermon styles. "White has woven biblical stories, folktales, and personal experiences in sermons that are both winsome and convincing".--Michael Williams, editor of Storyteller's Companion to the Bible.

This book examines Julia Kristeva’s theory of abjection in several works by early British writers from the Restoration to the Romantic era. This period saw an increased emphasis on understanding the self. Poems with anxious speakers or narratives featuring characters with considerable psychic pressures emerged as writers responded to ideas on consciousness by natural philosophers. The pursuit of self-knowledge also reached greater imaginative depths, inspiring new artistic movements, including sensibility, with its attention to expressions of the suffering self, and the Gothic, a mode of art that examines the self’s deepest fears. Romantic writers theorized about artistic genius, creating a cult of the self that has never left us. Kristeva offers a more complete psychoanalytic vocabulary for understanding the self’s unconscious motivations in literature written during this period, and this book provides readers interested in early British literature, philosophy, and literary theory with a constructive perspective for thinking about literary depictions of the self-in-crisis.

The thrilling saga that commemorated the X-Men's 30th anniversary is brought to you in its entirety! As Magneto's Acolytes amp up their attacks on Homosapiens everywhere, the X-teams join forces to put an end to their mad crusade against humanity once and for all. And as a mysterious disease begins creeping through the mutant community, claiming the lives of hated foe and dear friend alike, which X-Man will buckle under the strain? COLLECTING: UNCANNY X-MEN (1981) 298-300, 303-304, 315; X-FACTOR (1986) 92; X-FORCE (1991) 25; X-MEN UNLIMITED (1993) 2; X-MEN (1991) 25