Feather Crowns

Spine-tingling and funny, Hoosier Folk Legends is a collection of over 300 legends gathered throughout tthe state of Indiana. Ronald L. Baker includes ghost stories, stories of the evil eye, and stories of bloodstopping. He relates legends of Jesse James, Al Capone, and John Dillinger and tells the sad story of the ghost of Diana of the Dunes. Hoosier Folk Legends explains the derivation of the names of Hobart, Jasper, Loogootee, and the Shake Rag School. Also included are a number of legends that did not originate in Indiana but are widely circulated in the Hoosier state, such as "The Baby-Sitter and the Phone Call," "Hook Man," and "The Vanishing Hitchhiker.'' Hoosier Folk Legends demonstrates the persistence and vitality of oral folk traditions. It is a book for students of folklore and anyone interested in old-time yarns

FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE AWARD From prize-winning author Bobbie Ann Mason, a brilliantly wrought novel about the first woman to give birth to quintuplets in early 1900s America. Set in the apocalyptic atmosphere of 1900—a time when many Americans were looking for signs foretelling the end of the world—Feather Crowns is the story of a young woman who unintentionally creates a national sensation. A farm wife living near the small town of Hopewell, Kentucky, Christianna Wheeler gives birth to the first recorded set of quintuplets in North America. Christie is suddenly thrown into a swirling storm of public attention. Hundreds of strangers descend on her home, all wanting to see and touch the "miracle babies." The fate of the babies and the bizarre events that follow their births propel Christie and her husband far from home, on a journey that exposes them to the turbulent pageant of life at the beginning of the modern era. Richly detailed and poignant, Feather Crowns focuses on one woman but opens out ultimately into the chronicle of a time and a people. Written in Bobbie Ann Mason's taut yet lyrical prose, the novel ranges from a peaceful farming community to a fire-and-brimstone revival camp, from traveling shows to the the nation's capital. Moving through the center of it all is Christie, a charming, headstrong, loving woman who struggles heroically to come to terms with the extraordinary events of her long life. Feather Crowns is an American parable of profound resonance. Spellbindingly readable, it is a novel of classic stature that confirmed Bobbie Ann Mason as one of America's most important writers.

In a world ruled by fierce warrior queens, a grand empire was built upon the backs of Phoenix Riders legendary heroes who soared through the sky on wings of fire until a war between two sisters ripped it all apart. Sixteen years later, Veronyka is a war orphan who dreams of becoming a Phoenix Rider from the stories of old. After a shocking betrayal from her controlling sister, Veronyka strikes out alone to find the Riders even if that means disguising herself as a boy to join their ranks. Just as Veronyka finally feels like she belongs, her sister turns up and reveals a tangled web of lies between them that will change everything. And, meanwhile, the new empire has learned of the Riders' return and intends to destroy them once and for all. Crown of Feathers is an epic fantasy about love's incredible power to save or to destroy. Throughout is interspersed the story of Avalkyra Ashfire, the last Rider Queen, who would rather see her empire burn than fall into her sister's hands. PRAISE FOR CROWN OF FEATHERS "Draws you in with the first flaming feather and doesn't let go." - Kendare Blake "A feast of magic, action, and romance." - Elly Blake "A fierce and incendiary tale of warrior women, sisterhood, and the choices that define us." - Lisa Maxwell "A beautifully told story about justice, sisterhood, and warrior women. This richly woven world had me turning pages well into the night. Nicki Pau Preto is one to watch." - Shea Ernshaw "The unique and imaginative world of the Phoenix Riders had my rapt attention from the first sentence. Nicki Pau Preto is a bright new talent, and I can't wait to read more!"- Morgan Rhodes "An action-packed adventure that will leave fans of epic fantasies eager to find out more. The ending is the perfect setup for a sequel." - School Library Journal "This is a new twist on fantasy favorites, and Pau Preto's first novel is as ambitious as it is lyrical." - Booklist "Epic in the truest sense . . . it's the perfect series kickoff." - Quill and Quire "Debut author Pau Preto's series opener steadily gathers steam before closing with a pulse-pounding crescendo. Veronica, Tristan, and conflicted imperial soldier Sev trade chapters, their stories interweaving to heighten tension, deepen character, and illustrate the importance of empathy, equality, community, and knowing one's own truth." - Publisher's Weekly

The Eighteen Feasts of the Mexica Year takes as its first authority the corpus of texts written by the Mexica (or Aztecs) themselves, in the script which in their language (Nahuatl) is known by the term tlacuilolli. Texts in this script are preferred to alphabetic transcriptions and other derivative sources, in the attempt to establish the paradigms of the Mexica calendar year. These are shown coherently to govern the regulation of such social practices as tribute, agriculture and ritual performance, as well as to impinge on more philosophical concerns with the articulation of time as such, especially in the interface with imported western conventions and the Christian ecclesiastical year. -- Amazon.com.

Following conflicting desires for an Aztec crown, this book explores the possibilities of repatriation. In The Contested Crown, Khadija von Zinnenburg Carroll meditates on the case of a spectacular feather headdress believed to have belonged to Montezuma, the last emperor of the Aztecs. This crown has long been the center of political and cultural power struggles, and it is one of the most contested museum claims between Europe and the Americas. Taken to Europe during the conquest of Mexico, it was placed at Ambras Castle, the Habsburg residence of the author’s ancestors, and is now in Vienna’s Welt Museum. Mexico has long requested to have it back, but the Welt Museum uses science to insist it is too fragile to travel. Both the biography of a cultural object and a history of collecting and colonizing, this book offers an artist’s perspective on the creative potentials of repatriation. Carroll compares Holocaust and colonial ethical claims, and she considers relationships between indigenous people, international law and the museums that amass global treasures, the significance of copies, and how conservation science shapes collections. Illustrated with diagrams and rare archival material, this book brings together global history, European history, and material culture around this fascinating object and the debates about repatriation.

An analysis introducing Mason's nonfiction prose, short stories and novels. Price sheds light on the writer's distinctive style and thematic concerns in her writings about contemporary Western Kentucky.

The Ptolemaic period witnessed an enormous increase in the number of hieroglyphic signs and iconographic elements (composite crowns, scepters, and cult objects). The ancient scribes exploited this complexity when composing the reliefs used in temple decoration, selecting particular words, hieroglyphic signs, and iconographic elements in order to create interconnected multiple layers of meaning, forming a tapestry of sound and sight. The Theology of Hathor of Dendera examines these techniques on both micro- and macro-levels, from their smallest details to their broadest thematic connections, foregrounding individual techniques to determine the words and phrases singled out for emphasis. By synthesizing their use in the three-dimensional space of the most important cult chamber in the Temple of Hathor at Dendera, this new method of analysis not only reveals the most essential characteristics of the local theology, but also shows how the ancient scribes envisioned the universe and the place of humankind within it.