Female Enterprise Behind The Discursive Veil In Nineteenth Century Northern France

This volume explores the role of women in business in nineteenth-century Northern French textile centers. Lille and the surrounding towns were then dominated by big and small family businesses, and many were run by women. Those women did not withdraw into the parlour as the century progressed and the ‘separate ideology’ spread. Neither did they become mere figure heads - most were business persons in their own rights. Yet, they have left almost no traces in the collective memory, and historians assume they ceased to exist. This book therefore seeks to answer three interrelated questions: How common were those women, and what kind of business did they run? What factors facilitated or impeded their activities? And finally, why have they been forgotten, and why has their representations in regional and academic history been so at odd with reality? Indirectly, this study also sheds light on the process of industrialization in this region, and on industrialists’ strategies.

"This volume challenges those who see gender inequalities invariably defining and constraining the lives of women. But it also broadens the conversation about the degree to which business is a gender-blind institution, owned and managed by entrepreneurs whose gender identities shape and reflect economic and cultural change." – Mary A. Yeager, Professor Emerita, University of California, Los Angeles This is the first book to consider nineteenth-century businesswomen from a global perspective, moving beyond European and trans-Atlantic frameworks to include many other corners of the world. The women in these pages, who made money and business decisions for themselves rather than as employees, ran a wide variety of enterprises, from micro-businesses in the ‘grey market’ to large factories with international reach. They included publicans and farmers, midwives and property developers, milliners and plumbers, pirates and shopkeepers. Female Entrepreneurs in the Long Nineteenth Century: A Global Perspective rejects the notion that nineteenth-century women were restricted to the home. Despite a variety of legal and structural restrictions, they found ways to make important but largely unrecognised contributions to economies around the world - many in business. Their impact on the economy and the economy’s impact on them challenge gender historians to think more about business and business historians to think more about gender and create a global history that is inclusive of multiple perspectives. Chapter one of this book is available open access under a CC BY 4.0 license at link.springer.com.

In this highly original book, Susan E. Hiner looks behind fashion's seams and focuses on the women fashion producers – both working- and middle-class – who were key to shaping the French fashion economy. Behind the Seams thus opens up the fields of both fashion and French cultural studies and explores new ways of understanding the 19th century by demonstrating that these women's complex and contradictory roles as producers of luxury items left them exploited by an oppressive fashion system even as they served as influencers within it. In 19th-century France, fashion was a powerful and lucrative network that depended on women's expert manipulation of its raw materials. The delicate finger work of seamstresses and modistes yielded frothy dresses and ethereal hats; the subtle, persuasive rhetoric of written chronicles resulted in savvy, targeted marketing campaigns of goods and lifestyles; and the stylized visual splendour of the detailed drawing, engraving, and painting of fashion plates fed an aspirational fantasy that ended in consumption. Yet this fashion system paradoxically effaced many of the women on whom it depended. Rather than repeating the familiar narrative of women as victims of fashion, Behind the Seams tells a more complicated story. Hiner's close examination reveals the productive women workers, writers, and artists who achieved agency, influence, and active careers even as their work and lives were masked by the ways in which they were mythologized in popular culture, rendered anonymous, and marginalized by institutional exclusion. Beautifully illustrated in colour throughout, Behind the Seams is a rich resource and essential reading for all those interested in fashion history, 19th-century French history and visual culture, and the social history of women.

This book explores a vital though long-neglected clash between republicans and Catholics that rocked fin-de-siècle France. At its heart was a mysterious and shocking crime. In Lille in 1899, the body of twelve-year-old Gaston Foveaux was discovered in a school run by a Catholic congregation, the Frères des Écoles Chrétiennes. When his teacher, Frère Flamidien, was charged with sexual assault and murder, a local crime became a national scandal. The Flamidien Affair shows that masculinity was a critical site of contest in the War of Two Frances pitting republicans against Catholics. For republicans, Flamidien’s vow of chastity as well as his overwrought behaviour during the investigation made him the target of suspicion; Catholics in turn constructed a rival vision of masculinity to exonerate the accused brother. Both sides drew on the Dreyfus Affair to make their case.

This book addresses issues that remain under-researched by feminist historians. They pertain to female economic contribution in specific geographical areas and countries such as Greece, Italy, a number of regions of France, Greek-speaking regions in the Ottoman-ruled Macedonia, and two countries in the Balkans: Romania and Bulgaria. Additionally, it compares and contrasts female economic agency in the above regions which is a field that hitherto lacks thorough study. Polly Thanailaki explores female contribution to the finances of their family and to the economy of their country and how they interlaced in a transnational historical setting, further exploring social norms and trading practices in these regions. The methodology is based on the study of original printed sources such as archives, newspapers, and journals of the period, along with secondary sources of literature. The book addresses the nexus of gender, economy, and society covering a broad spectrum of gender studies, economic history and social history in time and in geographic space.

Japonisme, the nineteenth-century fascination for Japanese art, has generated an enormous body of scholarship since the beginning of the twenty-first century, but most of it neglects the women who acquired objects from the Far East and sold them to clients or displayed them in their homes before bequeathing them to museums. The stories of women shopkeepers, collectors, and artists rarely appear in memoirs left by those associated with the japoniste movement. This volume brings to light the culturally important, yet largely forgotten activities of women such as Clémence d'Ennery (1823–1898), who began collecting Japanese and Chinese chimeras in the 1840s, built and decorated a house for them in the 1870s, and bequeathed the “Musée d'Ennery” to the state as a free public museum in 1893. A friend of the Goncourt brothers and a fifty-year patron of Parisian dealers of Asian art, d'Ennery's struggles to gain recognition as a collector and curator serve as a lens through which to examine the collecting and display practices of other women of her day. Travelers to Japan such as the Duchesse de Persigny, Isabella Stewart Gardner, and Laure Durand- Fardel returned with souvenirs that they shared with friends and family. Salon hostesses including Juliette Adam, Louise Cahen d'Anvers, Princesse Mathilde, and Marguerite Charpentier provided venues for the discussion and examination of Japanese art objects, as did well-known art dealers Madame Desoye, Madame Malinet, Madame Hatty, and Madame Langweil. Writers, actresses, and artists-Judith Gautier, Thérèse Bentzon, Sarah Bernhardt, and Mary Cassatt, to name just a few- took inspiration from the Japanese material in circulation to create their own unique works of art. Largely absent from the history of Japonisme, these women-and many others-actively collected Japanese art, interacted with auction houses and art dealers, and formed collections now at the heart of museums such as the Louvre, the Musée Guimet, the Musée Cernuschi, the Musée Unterlinden, and the Metropolitan Museum of Art.

A rich and detailed picture, across Britain and many other European countries, of the nature of women's factory work, the problems which arose and how women factory inspectors understood and reacted to the problems.Based on extensive original archival research both in Britain and in many European countries, this book is a comparative study of the large numbers of women who were engaged in industrial work in the western world in the late nineteenth and the early twentieth century, that is at a time when the industrial revolution was established and the problems caused by industrial work had become part of political debate and social discourse worldwide. It analyses the scope of female factory work, what the conditions were in such work, and what the motivations were for women to enter such employment. It reveals the composition of the female workforce as to age and marital status. In addition, it considers the first generation of female industrial inspectors, outlining the background of these inspectors, assessing to what extent were they were capable of taking on the role of protectors of women in manual work, and discussing the actions and attitudes of the female inspectors as recorded in inspection reports, biographies and contemporary discourse. Overall, the book presents a rich, detailed, comparative picture of women's factory work, contributing much to the understanding of the history of gender and class.sing to what extent were they were capable of taking on the role of protectors of women in manual work, and discussing the actions and attitudes of the female inspectors as recorded in inspection reports, biographies and contemporary discourse. Overall, the book presents a rich, detailed, comparative picture of women's factory work, contributing much to the understanding of the history of gender and class.sing to what extent were they were capable of taking on the role of protectors of women in manual work, and discussing the actions and attitudes of the female inspectors as recorded in inspection reports, biographies and contemporary discourse. Overall, the book presents a rich, detailed, comparative picture of women's factory work, contributing much to the understanding of the history of gender and class.sing to what extent were they were capable of taking on the role of protectors of women in manual work, and discussing the actions and attitudes of the female inspectors as recorded in inspection reports, biographies and contemporary discourse. Overall, the book presents a rich, detailed, comparative picture of women's factory work, contributing much to the understanding of the history of gender and class.

Moving from the mid-seventeenth century to the near present, this book marks physical and conceptual changes across European towns and examines how gender was implicated and imbricated in those changes. As places which fostered and disseminated key social, economic, political and cultural developments, towns were central to the creation of gendered identities and the transmission of ideas across local, national and transnational boundaries. From 1650 to 2000, towns grew rapidly and responded to the needs for new infrastructures, physical reconfiguration and ideas of citizenship. Gender relations vary over space and time and are continually altering; such variation underlines the need for a thorough non- or even anti-essentialism. Drawing primarily on three themes of economy, civic identity and uses of space, the volume shows that urban development, and responses to it, is not gender neutral and thus argues for the fundamental importance of a gendered perspective. Gender in the European Town is a useful resource for all students and scholars interested in urban history and its interaction with gender from 1650 to the present.