Female Serial Killers In Social Context

Attempts to understand serial murder tend to be focused on individual cases rather than the social context in which they occurred. This book departs from that approach, taking up the case of nineteenth-century serial killer Mary Ann Cotton and setting it in its full social context. Drawing from records of Cotton's court appearances, local histories, and newspaper articles, it shows how institutions such as the family, economy, and religion shaped the environment she inhabited. While not denying the singularity of individuals who commit serial murder, the authors nonetheless make a powerful case for the influence and effects of society on their actions.

This work explores how institutions such as the family, economy and religion shaped the environment and social integration of 19th century serial killer Mary Ann Cotton.

To date, approaches to understanding serial murder have focused on individual cases rather than the social context in which they occurred. Written by leading criminologists and world experts on serial murder, this book marks a departure by situating nineteenth century serial killer Mary Ann Cotton within the broader social structure. Using archival records of her court appearances, local histories and newspaper articles, it uniquely explores how institutions such as the family, economy and religion shaped the environment she inhabited and her social integration through the roles of wife, mother, worker and criminal. Acknowledging that it takes a particular type of individual to commit serial murder, the book shows that it also takes a particular type of society to enable that murderer to go unseen. As the first work to analyse serial murder through the theoretical framework of institutional criminology and institutional anomie theory, it will equip criminologists with a methodological toolkit for performing institutional analysis.

This book was the inspiration for the ITV drama Dark Angel. As one of the UK’s leading commentators, David Wilson shows how some serial killers stay in the headlines whilst others rapidly become invisible - or “unseen”. Yet Mary Ann Cotton is not just the first but perhaps the 1st’s most prolific female serial killer, with more victims than Myra Hindley, Rosemary West, Beverly Allit or male predators such as Jack the Ripper and Dennis Nilsen. But her own north east of England (and criminologists) apart, she remains largely forgotten, despite poisoning to death up to 21 victims in Britain’s ‘arsenic century’. Exploding myths that every serial killer is a ‘monster’, the author draws attention to Cotton’s charms, allure, capability, skill and ambition - drawing parallels or contrasting the methods and lifestyles of other serial killers from Victorian to modern times. He also shows how events cannot be separated from their social context – here the industrial revolution, growing mobility, women’s emancipation and greater assertiveness. And concerning the reticence of ‘human nature’, like Dr Harold Shipman, Cotton was allowed to go on killing despite reasons to suspect her. The book contains other resonances to aid understanding of how serial murderers can go undiscovered despite such things as coincidence, gossip, whispers or motives that become more obvious with the benefit of hindsight. It is also a detective story in which the persistence of a single individual saw Cotton tried and executed, events analysed first-hand from the archives and location visits as the author fills the gaps in a remarkable story. By a leading expert on serial killers; Meticulously researched and highly readable; Fresh interpretations mean this book is destined to be the definitive title on Mary Ann Cotton. ‘An enthralling read David Wilson does not write generic ‘true crime’, but history of the highest order’: Judith Flanders, best-selling author, journalist and historian. David Wilson is Professor of Criminology and Director of the Centre for Applied Criminology at Birmingham City University. An ex-prison governor he has broadcast for the BBC, Channel 4, Sky and Channel 5 (where he presents ‘Killers Behind Bars’). His books include Serial Killers: Hunting Britons and Their Victims 1960-2006 (2007) and Looking for Laura: Public Criminology and Hot News (2011).

A superbly targeted resource for those learning about serial killings. Serial Killers and the Phenomenon of Serial Murder examines and analyses some of the best known (as well as lesser) cases from English criminal history, ancient and modern. It looks at the lifestyles, backgrounds and activities of those who become serial killers and identifies clear categories of individuals into which most serial killers fall. Led by Professor David Wilson the authors are all experts and teachers concerning the ever-intriguing subject of serial killing: why, when and how it happens and whether it can be predicted. Taking some of the leading cases from English law and abroad they demonstrate the patterns that emerge in the lives and backgrounds of those who kill a number of times over a period. The book is designed for those studying the topic at advanced level, whether as an academic discipline on one of the many courses now run by universities and colleges or as a private quest for understanding. It contains notes on key terms and explanations of topics such as co-activation, Munchausen syndrome, cooling-off period, psychopathy checklist, social construction, case linkage, family annihilation, activity space, rational choice theory, medicalisation and rendezvous discipline. As the first textbook of its kind it will be an invaluable resource for teachers and students of serious crime.

In this fascinating book, Peter Vronsky exposes and investigates the phenomenon of women who kill—and the political, economic, social and sexual implications buried with each victim. How many of us are even remotely prepared to imagine our mothers, daughters, sisters or grandmothers as fiendish killers? For centuries we have been conditioned to think of serial murderers and psychopathic predators as men—with women registering low on our paranoia radar. Perhaps that’s why so many trusting husbands, lovers, family friends, and children have fallen prey to “the female monster.” From history’s earliest recorded cases of homicidal females to Irma Grese, the Nazi Beast of Belsen, from Britain’s notorious child-slayer Myra Hindley to ‘Honeymoon Killer’ Martha Beck to the sensational cult of Aileen Wournos—the first female serial killer-as-celebrity—to cult killers, homicidal missionaries, and our pop-culture fascination with the sexy femme fatale, Vronsky not only challenges our ordinary standards of good and evil but also defies our basic accepted perceptions of gender role and identity. INCLUDES PHOTOGRAPHS

The Routledge Handbook of Victorian Scandals in Literature and Culture exposes, explores, and examines what Victorians once considered flagrant breaches of decorum. Infringements that were fantasized through artforms or were actually committed exceeded entertaining parlor gossip; once in print they were condemned as socially contaminative but were also consumed as delightfully sensational. Written by scholars in diverse disciplines, this volume: Demonstrates that spreading scandals seemed to have been one of the most entertaining sources of activities but were also normative efforts made by the Victorians to ensure conformity of decorum. Provides a broad spectrum of infractions that were considered scandalous to the Victorians. Identifies Victorian transgressions that made the news and that may still shock modern readers. Covers a gamut of moral infractions and transgressions either practiced, rumored, or fantasized in art forms. This handbook is an invaluable resource about Victorian literature, art, and culture which challenges its readers to ponder perplexing questions about how and why some scandals were perpetrated and propagated in the nineteenth century while others were not, and what the controversies reveal about the human condition that persists beyond Victoria’s reign of propriety.

Capital punishment, serial killings, war, terrorism, abortion, honour killings, euthanasia, suicide bombings, war, and genocide: all involve the taking of life. Put most simply, all involve killing other people. However, cultural context heavily influences heavily how people perceive these acts, and most people reading this paragraph will likely disagree on the extent to which these "count" as killing. For such an evolved species, humans can be violent far beyond the point of humanity. Why We Kill examines this violence in its many forms, exploring how culture plays a role in people’s understanding and definition of violent action. From the first chapter, which examines "conventional" homicide, to the final chapter’s bone-chilling account of the Rwandan genocide, this fascinating book makes compelling reading.