Feminine Ground

Brings to the fore the voices of the major Western women scholars of Tibetan Buddhism...an outstanding resource.--Pacific Sun

"In this wise and deeply nuanced book, beloved spiritual guide Meghan Don masterfully walks us through the light and the darkness of the Holy into the arms of the Divine Feminine...where we are emboldened to step up as a force of healing and hope in the world."—Mirabai Starr, author of God of Love: A Guide to the Heart of Judaism, Christianity & Islam Achieve Spiritual Evolution through True Empowerment of Your Feminine Soul Experience an evolutionary journey with this guide to embracing the light and dark of the archetypal stages of womanhood. Bringing forward Gnostic and mystical teachings, Meghan Don shows you how to work with the seven faces of the Divine Feminine: the light and dark aspects of the Daughter, Mother, and Crone, as well as the enlightened being of one's true nature. Using reflections, prayers, meditations, and ancient chants, The New Divine Feminine helps you heal your spirit, find liberation, and trust your inner soul voice and vision. No matter your spiritual beliefs, you can access each divine face and gain empowerment from this guide's exploration of powerful, sacred women, including Mary Magdalene, Lilith, the Black Madonna, and Teresa of Avila. Praise: "This may well be the best book written on the Divine Feminine. It is not only a book 'about' spiritual evolution, it is immediate, inwardly felt. These alive words awaken truths already present but covered over for centuries...This is a book of waking up, of becoming our nature. A book everyone should read!"—Robert Sardello, PhD, author of Silence: The Mystery of Wholeness

Ladies! Tap into the wisdom of your womanhood and learn through real stories, helpful visualizations, and creative exercises how the sacred pelvic bowl supports and informs your ability to be creative, self-heal, and feel empowered in your life. Wild Feminine: Finding Power, Spirit, & Joy in the Female Body offers a unique, holistic approach to reclaiming the power, spirit, and joy of the female body and the understanding of its connection to creative energy flow. By restoring the physical and energetic balance in the pelvic bowl, women can learn to care for themselves in a nourishing and respectful manner, heal spiritual fractures, and renew their relationship with the sacred feminine. In today’s age of women needing to reclaim their feminine power and bodily autonomy, Tami Kent—founder of Holistic Pelvic Care™ and a women’s health and physical therapist—provides a framework for healing the body and navigating the realms of the feminine spirit. Through pelvic bodywork, healing stories, visualizations, rituals, and creative exercises, women can explore the deep and natural wisdom inherent in the female body. Wild Feminine reveals the amazing potential of the female body: the potential to create, to heal, and to transform energy at the core of all womanhood and radically shift your relationship with your body and spirit. Wild Feminine gives you the tools to awaken and retrieve your ancient wild self, restore your joy and creative energy, and reconnect to your sacred center.

This book proposes the poetic link between Donne and Crashaw during the English Reformation. In the first half of this work, Donne's Songs and Sonets, Verse Letters, religious works and Anniversaries are discussed as they reflect increasingly covert reverence for a holy mother figure. In the second half, Crashaw's juvenile poems and epigrams, verse in honour of the Virgin and Child, and mature contemplative verse are seen to express mystical homage to Mary and growing admiration for feminine powers of faith.

This book is a historical and theoretical study of some of John Donne's less frequently discussed poetry and prose; it interrogates various trends that have dominated Donne criticism, such as the widely divergent views about his attitudes towards women, the focus on the Songs and Sonets to the exclusion of his other works, and the tendency to separate discussions of his poetry and prose. On a broader scale, it joins a small but growing number of feminist re-readings of Donne's works. Using the cultural criticism of French feminist philosopher Luce Irigaray, Meakin explores works throughout Donne's career, from his earliest verse letters to sermons preached while Divinity Reader at Lincoln's Inn and Dean of St. Paul's in London.

Rogers explores the Eternal Feminine and Edgar Cayce. From Creation Myths, Twin Souls and Goddess practices; Rogers offers insight into the causes of oppression of women in search of gender justice. Rogers presents the Circle of Light Ritual and interviews engaged in The Work. This book is a shining star.

What does it mean to tell a story from a woman’s point of view? How have Canadian anglophone and francophone writers translated feminist literary theory into practice? Avant-garde writers Daphne Marlatt and Nicole Brossard answer these, and many more questions, in their two groundbreaking works, now made more accessible through the careful, narratological readings and theoretical background in Narrative in the Feminine. Susan Knutson begins her study with an analysis of the contributions made by Marlatt and Brossard to international feminist theory. Part Two presents a narratological reading of How Hug a Stone, arguing that at the deepest level of narrative, Marlatt constructs a gender-inclusive human subject which defaults not to the generic masculine but to the feminine. Part Three proposes a parallel reading of Picture Theory, Brossard’s playful novel that draws us into (re-) readings of many other texts written by Brossard, Barnes, Wittig, Joyce, de Beauvoir, Homer...to name a few. Chapter 12 closes with a reflection on the expression criture au fminin — a Qubcois contribution to an international theoretical debate. Readers who care about feminist writing and language theory, and students and teachers of Canadian literature and critical and queer studies, will find this book invaluable for its careful readings, its scholarly overview, and its extension of the feminist concept of the generic. Not least, the study is a guide to two important works of the leading experimental writers of Canada and Quebec, Daphne Marlatt and Nicole Brossard.