Feminism And Nationalism In The Third World

For twenty-five years, Feminism and Nationalism in the Third World has been an essential primer on the late nineteenth- and early twentieth-century history of women's movements in Asia and the Middle East. In this engaging and well-researched survey, Kumari Jayawardena presents feminism as it originated in the Third World, erupting from the specific struggles of women fighting against colonial power, for education or the vote, for safety, and against poverty and inequality. Journalist and human rights activist Rafia Zakaria's foreword to this new edition is an impassioned letter in two parts: the first to Western feminists; the second to feminists in the Global South, entreating them to use this "compendium of female courage" as a bridge between women of different nations. Feminism and Nationalism in the Third World was chosen as one of the top twenty Feminist Classics of this Wave, 1970-1990, by Ms. magazine, and won the Feminist Fortnight Award in the UK.

A founding text of transnational feminism For twenty-five years, Feminism and Nationalism in the Third World has been an essential primer on the late nineteenth- and early twentieth-century history of women’s movements in Asia and the Middle East. In this engaging and well-researched survey, Kumari Jayawardena presents feminism as it originated in the Third World, erupting from the specific struggles of women fighting against colonial power, for education or the vote, for safety, and against poverty and inequality. Journalist and human rights activist Rafia Zakaria’s foreword to this new edition is an impassioned letter in two parts: the first to Western feminists; the second to feminists in the Global South, entreating them to use this “compendium of female courage” as a bridge between women of different nations. Feminism and Nationalism in the Third World was chosen as one of the top twenty Feminist Classics of this Wave, 1970–1990, by Ms. magazine, and won the Feminist Fortnight Award in the UK.

Black Internationalist Feminism examines how African American women writers affiliated themselves with the post-World War II Black Communist Left and developed a distinct strand of feminism. This vital yet largely overlooked feminist tradition built upon and critically retheorized the postwar Left's "nationalist internationalism," which connected the liberation of Blacks in the United States to the liberation of Third World nations and the worldwide proletariat. Black internationalist feminism critiques racist, heteronormative, and masculinist articulations of nationalism while maintaining the importance of national liberation movements for achieving Black women's social, political, and economic rights. Cheryl Higashida shows how Claudia Jones, Lorraine Hansberry, Alice Childress, Rosa Guy, Audre Lorde, and Maya Angelou worked within and against established literary forms to demonstrate that nationalist internationalism was linked to struggles against heterosexism and patriarchy. Exploring a diverse range of plays, novels, essays, poetry, and reportage, Higashida illustrates how literature is a crucial lens for studying Black internationalist feminism because these authors were at the forefront of bringing the perspectives and problems of black women to light against their marginalization and silencing. In examining writing by Black Left women from 1945–1995, Black Internationalist Feminism contributes to recent efforts to rehistoricize the Old Left, Civil Rights, Black Power, and second-wave Black women's movements.

Developed from an edited series of journal articles into a larger collection with a clear identity and emphasis all its own-one need only browse through the Table of Contents. "The divided lives of women in literature ," "Case studies of agency and communion in women's lives," "A sense of humor," "Dialogue with Guatemalan Indian women," "Coping with rape," "Earliest memories: Sex differences and the meaning of experience," "Women's explanations for job changes," "Androgyny and the life cycle: The Bacchae of Euripides" -these are but a few of the topics represented in this diverse and interesting collection. What, then, binds these essays together? First and foremost, this is a book of stories about women, about the conflicts, choices, and opportunities that are present in the lives of women, both real and imagined.

In this original study, Cynthia Cockburn takes us into three war situations to reveal how certain women have quietly chosen to cross the space between their differences with words instead of bullets.

Dislocating Cultures takes aim at the related notions of nation, identity, and tradition to show how Western and Third World scholars have misrepresented Third World cultures and feminist agendas. Drawing attention to the political forces that have spawned, shaped, and perpetuated these misrepresentations since colonial times, Uma Narayan inspects the underlying problems which "culture" poses for the respect of difference and cross-cultural understanding. Questioning the problematic roles assigned to Third World subjects within multiculturalism, Narayan examines ways in which the flow of information across national contexts affects our understanding of issues. Dislocating Cultures contributes a philosophical perspective on areas of ongoing interest such as nationalism, post-colonial studies, and the cultural politics of debates over tradition and "westernization" in Third World contexts.

These feminist Marxist and anti-racist essays speak to important political issues. Though they begin from experiences of non-white people living in Canada, they provide a critical theoretical perspective capable of exploring similar issues in other western and also third world countries. This reading of 'difference' includes but extends beyond the cultural and the discursive into political economy, state, and ideology. It cuts through conventional paradigms of current debates on multiculturalism. In particular, these essays take up the notion of 'Canada' - as the nation and the state - as an unsettled ground of contested hegemonies. They particularly draw attention to how the state of Canada is an unfinished one, and how the discourse of culture helps it to advance the legitimation claim which is needed by any state, especially one arising in a colonial context, with unsolved nationality problems. The myth of the 'two founding peoples', anglos and francophones, has always conveniently ignored the reality of First Nations. who may have a history of being indentured and politically marginalised and only begin struggling for political enfranchisement in their new homeland.