Festival Of The Poor

The historical decline of fertility in Europe has occupied a central place in social history and demography over the past quarter-century. Most scholars credit Europeans with modulating sexual behavior, through either abstinence or the practice of coitus interruptus, as a rational choice made in the interest of personal economic comfort; yet peasant and working classes have typically lagged behind in birth control and have given rise to the adage that "sexual embrace is the festival of the poor." Scholarly analyses of "lag" often reinforce this stigmatizing view. Now this subject is given a fresh look through a case study in Sicily, one of the last outposts of Western Europe's demographic transition. By examining population changes in a single community between 1860 and 1980, the authors offer an extended review and critique of existing models of fertility decline in Europe, proposing a new interpretation that emphasizes historical context and class relations. They show how the spread of capitalism in Sicily induced an unprecedented rate of population growth, with boom-and-bust cycles creating the class experiences in which "reputational networks" came to redefine family life; how Sicilians began to control their fertility in response to class-mediated ideas about gender relations and respectable family size; and how the town's gentry, artisan, and peasant classes adopted family planning methods at different times in response to different pressures. Jane and Peter Schneider's anthropologically oriented political-economy perspective challenges the position of Western Europe as a model for fertility decline on which every other case should converge, looking instead at the diversity of cultural ideals and practices--such as those found in Sicily--that influence the spread and form of birth control. Combining anthropological, oral historical, and archival methods in new and insightful ways, the authors' synthesis of a particular case study with a broad historical and theoretical discussion will play a major role in the ongoing debates over the history of European fertility decline and point the way toward integrating the analysis of demographic upheaval with the study of class formation and ideology.

The author examines the paradox of very poor households, spending large sums on celebrations. Using qualitative, and quantitative data from South India, the author demonstrates that spending on weddings, and festivals can be explained by integrating an anthropological understanding of how identity is shaped in Indian society, with an economic analysis of decision-making under conditions of extreme poverty, and risk. The author argues that publicly observable celebrations have two functions: they provide a space for maintaining social reputations, and webs of obligation, and, they serve as arenas for status-making competitions. The first role is central to maintaining the networks essential for social relationships, and coping with poverty. The second is a correlate of mobility that may become more prevalent as incomes rise. Development policies that favor individual over collective action, reduce the incentives for the networking function, and increase the incentives for status-enhancing functions - thus reducing social cohesion, and increasing conspicuous consumption. Market-driven improvements in urban employment, for example, could reduce a family's dependence on its traditional networks, could reduce incentives to maintain these networks, and could reduce social cohesion within a village, and thus its capacity for collective action. In contrast, micro-finance programs, and social funds try to retain, and even build a community's capacity for collective action.

Sermons of Martin Luther for Feasts and Saints days never before available in English. A perfect companion to the Klug (House Postils) and Lenker (Church Sermons) collections of Luther's Sermons.

WINNER OF THE FORWARD PRIZE FOR BEST FIRST COLLECTION Chosen as a Book of the Year by New Statesman, Financial Times, Guardian, Observer, Rough Trade and the BBC Shortlisted for the Rathbones Folio Prize Longlisted for the Jhalak Prize 'Restlessly inventive, brutally graceful, startlingly beautiful ... a landmark debut' Guardian 'Oh my God, he's just stirring me. Destroying me' Michaela Coel 'A poet of truth and rage, heartbreak and joy' Max Porter 'Takes us into new literary territory ... impressive' Bernardine Evaristo, New Statesman (Books of the Year) 'It's simply stunning. Every image is a revelation' Terrance Hayes What is it like to grow up in a place where the same police officer who told your primary school class they were special stops and searches you at 13 because 'you fit the description of a man' - and where it is possible to walk two and a half miles through an estate of 1,444 homes without ever touching the ground? In Poor, Caleb Femi combines poetry and original photography to explore the trials, tribulations, dreams and joys of young Black boys in twenty-first century Peckham. He contemplates the ways in which they are informed by the built environment of concrete walls and gentrifying neighbourhoods that form their stage, writes a coded, near-mythical history of the personalities and sagas of his South London youth, and pays tribute to the rappers and artists who spoke to their lives. Above all, this is a tribute to the world that shaped a poet, and to the people forging difficult lives and finding magic within it. As Femi writes in one of the final poems of this book: 'I have never loved anything the way I love the endz.'

A history of the English music festival is long overdue. Dr Pippa Drummond argues that these festivals represented the most significant cultural events in provincial England during the nineteenth century and emphasizes their particular importance in the promotion and commissioning of new music. Drawing on material from surviving accounts, committee records, programmes, contemporary pamphlets and reviews, Drummond shows how the festivals responded to and reflected the changing social and economic conditions of their day. Coverage includes a chronological overview documenting the history of individual festivals followed by a detailed exploration of such topics as performers and performance practice, logistics and finance, programmes and commissioning, together with information concerning the composition and provenance of festival choirs and orchestras. Also discussed are the effects of improved transport and new technologies on the festivals, sacred and secular conflicts, gender issues, the role of philanthropy, the nature of patronage and the changing social status of festival audiences. The book will also be of interest to social, economic and local historians.

This award-winning social history of death and funeral rites during the early decades of Brazil's independence from Portugal focuses on the Cemiterada movement in Salvador, capital of the province of Bahia. The book opens with a lively account of the popular riot that ensued when, in 1836, the government condemned the traditional burial of bodies inside Catholic church buildings and granted a private company a monopoly over burials. This episode is used by Reis to examine the customs of death and burial in Bahian society, explore the economic and religious conflicts behind the move for funerary reforms and the maintenance of traditional rituals of dying, and understand how people dealt with new concerns sparked by modernization and science. Viewing culture within its social context, he illuminates the commonalities and differences that shaped death and its rituals for rich and poor, men and women, slaves and masters, adults and children, foreigners and Brazilians. This translation makes the book, originally published in Brazil in 1993, available in English for the first time.