Fidel Between The Lines

In Fidel between the Lines Laura-Zoë Humphreys traces the changing dynamics of criticism and censorship in late socialist Cuba through a focus on cinema. Following the collapse of the Soviet Union, the Cuban state strategically relaxed censorship, attempting to contain dissent by giving it an outlet in the arts. Along with this shift, foreign funding and digital technologies gave filmmakers more freedom to criticize the state than ever before, yet these openings also exacerbated the political paranoia that has long shaped the Cuban public sphere. Drawing on ethnographic fieldwork, textual analysis, and archival research, Humphreys shows how Cuban filmmakers have historically turned to allegory to communicate an ambivalent relationship to the Revolution, and how such efforts came up against new forms of suspicion in the 1990s and the twenty-first century. Offering insights that extend beyond Cuba, Humphreys reveals what happens to public debate when freedom of expression can no longer be distinguished from complicity while demonstrating the ways in which combining anthropology with film studies can shed light on cinema's broader social and political import.

Che Guevara has been dead for more than forty years, and long ago renounced by Fidel Castro-and yet they are forever linked: their coming to prominence together captivated a generation. For many, their romantic struggle for freedom still resonates; for others, they simply represent the last of a dying breed of rebel warriors. Yet, while much has been written about them both, surprisingly little is known about their personalities, and even less about the 12 years of their unique and highly consequential relationship, during which they linked arms in one of the world's greatest revolutionary movements. Fidel and Che follows them on their dramatic journey from the safe houses of Mexico's political underground in the 1950s, where they began hatching their plan for revolution, to the theatre of war in the Cuban mountains, to the paneled offices of a new government (the Bay of Pigs and Cuban Missile crises happened on their watch), and to the eventual rupture of their friendship, as Che left Cuba to pursue his revolutionary dreams, only to be assassinated by the CIA in 1966. Reid-Henry also reveals the more personal world of their inner lives as friends, husbands, lovers, fathers. What began as an association of convenience became the most profound relationship of their lives. It shaped their political ambitions and their personal attitudes, compelling them further than either had previously dared imagine. But if their times inspired a revolutionary friendship, they also destroyed it, for the tragic irony was that the more historical circumstance bound them together, the more personal ambitions pulled them apart. At a momentous turning point in Cuban history, Simon Reid-Henry has crafted a fascinating and original chronicle of two of the most powerful personalities in recent memory.

The Secret Fidel Castro is neither a history of the Cuban revolution nor a biography of Fidel Castro. The book was written following what intelligence services call a CPP (short for Comprehensive Personality Profile), similar to the ones intelligence services keep on foreign leaders. It focuses on different aspects of Castro's actions and personality which, for some reasons, have been either ignored, misunderstood, or misrepresented. The main thesis of this book is that there are many different Castros. The most widely known is the symbolic, public one, as it has been portrayed in official Cuban propaganda, Castro-friendly biographies, and mainstream American media. But there are also many secret Castros, highly different from the public one. The Secret Fidel Castro focuses on little known aspects of Castro's personality, important in the better understanding of the man and his actions?what really makes him tick.

Baseball has been as much of a national pastime to Cuba as it has to the U.S., due in no small part to Fidel Castro’s love of the game. This book chronicles the central role Castro played in transforming the sport from professional to amateur status in the small island country, which has produced dozens, if not hundreds, of baseball stars.

In The Double Life of Fidel Castro, one of Castro's soldiers of 17 years breaks his silence and shares his memoir of years of service, and eventual imprisonment and torture for displeasing the notorious dictator, and his dramatic escape from Cuba. Responsible for protecting the Lider maximo for two decades, Juan Reinaldo Sánchez was party to his secret life – because everything around Castro was hidden. From the ghost town in which guerrillas from several continents were trained, to his immense personal fortune – including a huge property portfolio, a secret paradise island, and seizure of public money – as well as his relationship with his family and his nine children from five different partners. Sanchez's tell-all expose reveals countless state secrets and the many sides of the Cuban monarch: genius war leader in Nicaragua and Angola, paranoid autocrat at home, master spy, Machiavellian diplomat, and accomplice to drug traffickers. This extraordinary testimony makes us re-examine everything we thought we knew about the Cuban story and Fidel Castro Ruz.

Based on hundreds of interviews conducted over many years in 28 countries, including extensive personal interviews with Castro himself, Georgie Anne Geyer reveals the untold story of Fidel Castro in this definitive biography.

On January 26, 1976, Prime Minister Pierre Trudeau became the first leader of a NATO country to visit Cuba since the crippling 1960 American economic embargo. Accompanied by his wife, Margaret, and baby Michel, Trudeau was greeted in Havana by 250,000 cheering Cubans and a 30-foot poster of himself. “Long live Prime Minister Fidel Castro!” Trudeau would famously shout at the love-in. In this fascinating portrait of an unusual relationship between two enigmatic world leaders, author and historian Robert Wright brings to life three days of Canadian politics played out on the international stage. In a revealing look at both leaders’ personalities and political ideologies, Wright shows how these two towering figures—despite their official positions as allies of rival empires—determinedly refused to exist merely as handmaidens to the United States and forged a long-lasting relationship.

From the turn of the twentieth century through the late 1950s, Havana was a locus for American movie stars, with glamorous visitors including Errol Flynn, John Wayne, and Marlon Brando. In fact, Hollywood was seemingly everywhere in pre-Castro Havana, with movie theaters three to a block in places, widely circulated silver screen fanzines, and terms like “cowboy” and “gangster” entering Cuban vernacular speech. Hollywood in Havana uses this historical backdrop as the catalyst for a startling question: Did exposure to half a century of Hollywood pave the way for the Cuban Revolution of 1959? Megan Feeney argues that the freedom fighting extolled in American World War II dramas and the rebellious values and behaviors seen in postwar film noir helped condition Cuban audiences to expect and even demand purer forms of Cuban democracy and national sovereignty. At the same time, influential Cuban intellectuals worked to translate Hollywood ethics into revolutionary rhetoric—which, ironically, led to pointed critiques and subversions of the US presence in Cuba. Hollywood in Havana not only expands our notions of how American cinema was internalized around the world—it also broadens our view of the ongoing history of US-Cuban interactions, both cultural and political.