Field Notes For The Adventurous Photographer

Unleash (And Track) Your Creativity! Don't Take Photos, MAKE PHOTOS This designer journal is a convenient 5x8in (12.7x20.32cm) size to easily slip into your camera bag, backpack, purse, or handbag AND big enough for to be as artistic as you want to be. The journal/notebook features 100 blank pages to thoroughly record your photographic details and experience...so you can either repeat or learn from each photograph you make. Each page contains space for: Date/Time Location/GPS Coordinates Weather File name/picture # Camera Model Lens Type Filter Tripod Shutter Speed Aperture ISO White Balance Composition Style Lighting Used Notes and more! If you like this journal/notebook, click the brand name to see other stylish designs! Click the buy button to get your copy!

NEW YORK TIMES BESTSELLER • A FOOD52 BEST COOKBOOK OF THE YEAR • Join Brad Leone, star of Bon Appétit's hit YouTube series It's Alive, for a year of cooking adventures, tall tales, and fun with fire and fermentation in more than 80 ingenious recipes Come along with Brad Leone as he explores forests, fields, rivers, and the ocean in the hunt for great food and good times. These pages are Brad’s field notes from a year of adventures in the Northeast, getting out into nature to discover its bounty, and capturing memorable ideas for making delicious magic at home anytime. He taps maple trees to make syrup, and shows how to use it in surprising ways. He forages for ramps and mushrooms, and preserves their flavors for seasons to come. He celebrates the glory of tomatoes along with undersung fruits of the sea like squid and seaweed. Inspiration comes from hikes into the woods, trips to the dock, and cooking poolside in the dead of summer. And every dish has a signature Brad Leone approach—whether that’s in Sous Vide Mountain Ribs or Spicy Smoked Tomato Chicken, Sumac Lemonade or Fermented Bloody Marys, Cold Root Salad, Marinated Beans, or just a few shakes of a Chile Hot Sauce that’s dead simple to make. This is a book about experimentation, adventure, fermentation, fire, and having fun while you’re cooking. And hey, you might just learn a thing or two. Let’s get going!

Writer-poet Luci Shaw has given us a lifetime of exquisite reflections on the breadth and wonder of life. Now in her eighties, she turns her attention to the season of edging toward life's borders. Her spirit of adventure and transparency will fill you with hope and gratitude.

Since 1887 the University Museum has been one of the leading archaeology and anthropology museums in the world and has sponsored field research in every corner of the globe. A key outcome, from its first expedition to Nippur, in modern-day Iraq, through more than 300 expeditions in the past century, to its research in fifteen different countries today, has been a wealth of primary photographs capturing both expeditions and excavations and also images of modern peoples on every inhabited continent of our planet. These vintage photographs, carefully selected from hundreds of thousands, range from mundane record-keeping pictures to glorious aesthetic treats, and they are in demand by international scholars and students and researchers worldwide. One of the most powerful of media to convey information about—and to advance understanding of—foreign peoples and places is photography. Soldiers, missionaries, merchants, and other travelers carried out early anthropological photography in distant lands. Field photography was extremely difficult when the Museum began its research program in the late 1880s, requiring the transport of a complete dark room and other heavy equipment. The Museum's intrepid adventurers sought scientific accuracy, with no artifice that may have obscured the realism of the image. An engaging narrative essay highlighting the Museum's fieldwork explains the contexts of the range of photographs from the Museum's Archives and the role of photography in studying human cultures.

As time passes, personal memories of the Great Depression die with those who lived through the desperate 1930s. In the absence of firsthand knowledge, John Steinbeck’s The Grapes of Wrath and the photographs produced for the New Deal’s Farm Security Administration (FSA) now provide most of the images that come to mind when we think of the 1930s. That novel and those photographs, as this book shows, share a history. Fully exploring this complex connection for the first time, Picturing Migrants offers new insight into Steinbeck’s novel and the FSA’s photography—and into the circumstances that have made them enduring icons of the Depression. Looking at the work of Dorothea Lange, Horace Bristol, Arthur Rothstein, and Russell Lee, it is easy to imagine that these images came straight out of the pages of The Grapes of Wrath. This should be no surprise, James R. Swensen tells us, because Steinbeck explicitly turned to photographs of the period to create his visceral narrative of hope and loss among Okie migrants in search of a better life in California. When the novel became an instant best seller upon its release in April 1939, some dismissed its imagery as pure fantasy. Lee knew better and traveled to Oklahoma for proof. The documentary pictures he produced are nothing short of a photographic illustration of the hard lives and desperate reality that Steinbeck so vividly portrayed. In Picturing Migrants, Swensen sets these lesser-known images alongside the more familiar work of Lange and others, giving us a clearer understanding of the FSA’s work to publicize the plight of the migrant in the wake of the novel and John Ford’s award-winning film adaptation. A new perspective on an era whose hardships and lessons resonate to this day, Picturing Migrants lets us see as never before how a novel and a series of documentary photographs have kept the Great Depression unforgettably real for generation after generation.

Author–Photographer James Martin has made significant updates to this third edition of the popular Photography: Outdoors, with an emphasis on bringing your skills up to date with the latest hardware and software. Included is instruction on using Lightroom — a new, more powerful, and much easier to use editing tool than Photoshop — as well as tips for getting the most from popular software such as Adobe’s Creative suite. Other updates, revisions, and/or new topics cover: • Mirrorless revolution • “New” state of the art: why medium format still rules • RaW editors vs. editor/databases • RaW conversion: aCR, aperture, Capture One, DoX, and camera proprietary • HDR with Photoshop, Nik, Photomatix, and Lightroom • Using Adobe Camera Raw, the Lightroom Develop Module, or aperture as your principal editing tool — the 80/20 rule becomes 90/10 • New sharpening and noise reduction tools • Gigapan and other panorama tools • RgB Pro color space • Adobe Cs6 topics and what’s new in the interface for Cs 4, 5, 6 • Content aware Fill and Patch • Complete non-destructive workfl ow • Video convergence • Advanced tool set (what’s available for those who wish to go further) • Resources and websites Whether your goal is to capture a dramatic climbing photo, a sparkling waterfall image, or the vibrancy of wildlife in a lush setting, Photography: Outdoors, 3rd Edition, will give you the skills you need to be successful.

In this completely updated, full-colour guide, renowned photographers Mark Gardner and Art Wolfe share easy-to- follow tips for shooting outdoor images. Use Photography Outdoors to become more technically and artistically proficient and to avoid common mistakes. Illustrated with breathtaking photographs from Art Wolfe's and Mark Gardner's own portfolios.

Peter Goin and the Photography of Environmental Change narrates the forty-year quest of award-winning and internationally exhibited contemporary photographer Peter Goin to document human-altered landscapes across America and beyond. It is a collaborative work between an artist and a literary critic, a retrospective of an accomplished environmental photographer, and an innovative education in visual reading. Enduring howling wind, pounding rain, and blistering sun, Goin bears witness to radioactive landscapes, abandoned mines, simulated swamps, rechanneled rivers, controlled burns, overgrown ruins, industrialized agriculture, shrinking reservoirs, feral spaces in the city, architected wilderness, sacred wastelands, contested borderlands, and more. Based on more than seventy hours of taped interviews with the artist spanning over a decade, trailblazing ecocritic Cheryll Glotfelty narrates the arc of Goin's career, sharing excerpts from their conversations that reveal his brilliant mind and piquant personality while situating his work within the broader context of environmental thinkers. This beautifully illustrated volume, with 200 images in color and black-and-white showcasing Goin’s work, will be a fascinating and insightful read for upper-level students, academics, and researchers in photography, environmental history and culture, landscape studies, and environmental humanities.