Fields Of Color

Fields of Color explains Quantum Field Theory to a lay audience without equations. It shows how this often overlooked theory resolves the weirdness of Quantum Mechanics and the paradoxes of Relativity. The third edition contains a new solution to the measurement problem ("the most controversial problem in physics today") and shows the quantum basis for Einstein's famous E = mc2.

At a time when girls were taught to color inside the lines, Helen Frankenthaler liked to break the rules. She let her colors dance and swirl, running free on her canvas. Each color was a reminder of a memory or an emotion. --

They said only men could paint powerful pictures, but Helen Frankenthaler (1928-2011) splashed her way through the modern art world. Channeling deep emotion, Helen poured paint onto her canvas and danced with the colors to make art unlike anything anyone had ever seen. She used unique tools like mops and squeegees to push the paint around, to dazzling effects. Frankenthaler became an originator of the influential “Color Field” style of abstract expressionist painting with her “soak stain” technique, and her artwork continues to electrify new generations of artists today. Dancing Through Fields of Color discusses Frankenthaler’s early life, how she used colors to express emotion, and how she overcame the male-dominated art world of the 1950s.

Color field painting, which emerged in the United States in the 1950s, is based on radiant, uninflected hues. Exemplified by the work of Helen Frankenthaler, Morris Louis, Kenneth Noland, Jules Olitski, Larry Poons, and Frank Stella, among others, these stunningly beautiful and impressively scaled paintings constitute one of the crowning achievements of postwar American abstract art. Color as Field offers a long-overdue reevaluation of this important aspect of American abstract painting. The authors examine how color field painting rejects the gestural, layered, and hyper-emotional approach typical of Willem de Kooning and his followers, yet at the same time develops and expands ideas about all-overness and the primacy of color posited by the work of other members of the abstract expressionist generation, such as Adolph Gottlieb, Hans Hofmann, Robert Motherwell, Jackson Pollock, and Mark Rothko. From the fresh historical standpoint of the 21st century, this fascinating reassessment ranges across the artists’ individual approaches and their commonalities, concluding with insights into the ongoing legacy of post-1970s color field painting among present-day artists.

Bestselling illustrator Per-Henrik Gürth takes children on a countrywide exploration in brilliant color.

This book describes the picture of reality given by Newton, and the development of the later picture of reality given by field theory. In telling this story, the author explains what problem each scientist faced, and how the process of solving them led to new discoveries. By this method he gives unique insight into the understanding of Einstein’s special theory of relativity, as he explains exactly what problems led to the invention of the theory, and exactly where Einstein’s solution differed from his predecessors’. A similar analysis is given of the discoveries of Faraday, Maxwell, Hertz and Lorentz. The problem-oriented approach of the book, originally published in 1974, enables the reader to share in the original creative process, and in the excitement of the discoveries. It puts physics problems into new perspective and discusses the philosophical implications of the history - an illuminating account of a great episode in the history of thought.

The field of color categorization has always been intrinsically multi- and inter-disciplinary, since its beginnings in the nineteenth century. The main contribution of this book is to foster a new level of integration among different approaches to the anthropological study of color. The editors have put great effort into bringing together research from anthropology, linguistics, psychology, semiotics, and a variety of other fields, by promoting the exploration of the different but interacting and complementary ways in which these various perspectives model the domain of color experience. By so doing, they significantly promote the emergence of a coherent field of the anthropology of color. As of February 2018, this e-book is freely available, thanks to the support of libraries working with Knowledge Unlatched.

Learn all about color and how to use it in your own art. Famous paintings are used to explain what primary and secondary colors are, and how you can mix them to create new colors!