Figuring The Sacred

The thought of Paul Ricoeur continues its profound effect on theology, religious studies and biblical interpretation. The 28 papers contained in this volume constitute the most comprehensive overview of Ricoeur's writings in religion since 1970. Ricoeur's hermeneutical orientation and his sensitivity to the mystery of religious language offer fresh insight to the transformative potential of sacred literature, including the Bible.

This eagerly awaited book by David F. Ford makes a unique and important contribution to the debate about the Christian doctrine of salvation. Using the pivotal image of the face, Professor Ford offers a constructive and contemporary account of the self being transformed. He engages with three modern thinkers (Levinas, Jüngel and Ricoeur) in order to rethink and reimagine the meaning of self. Developing the concept of a worshipping self, he explores the dimensions of salvation through the lenses of scripture, worship practices, the life, death and resurrection of Christ, and the lives of contemporary saints. He uses different genres and traditions to show how the self flourishes through engagement with God, other people, and the responsibilities and joys of ordinary living. The result is a habitable theology of salvation immersed in Christian faith, thought and practice while also being deeply involved with modern life in a pluralist world.

While only rarely reflecting explicitly on liturgy, French philosopher Paul Ricoeur (1913-2005) gave sustained attention to several themes pertinent to the interpretation of worship, including metaphor, narrative, subjectivity, and memory. Inspired by his well-known aphorism, “The symbol gives rise to thought,” Liturgical Theology after Schmemann offers an original exploration of the symbolic world of the Byzantine Rite , culminating in a Ricoeurian analysis of its Theophany “Great Blessing of Water.” . The book examines two fundamental questions: 1) what are the implications of the philosopher’s oeuvre for liturgical theology at large? And 2)how does the adoption of a Ricoeurian hermeneutic shape the study of a particular rite? Taking the seminal legacy of Orthodox theologian Alexander Schmemann (1921-1983) as its point of departure, Butcher contributes to the renewal of contemporary Eastern Christian thought and ritual practice by engaging a spectrum of current theological and philosophical conversations.

"In Paul in Israel's Story, John Meech addresses the problem of the self in community in a theological hermeneutics that brings together recent biblical scholarship and constructive theology."--BOOK JACKET.

Since its inception in 1994, scriptural reasoning has been practiced by academics and religious laypeople on an international scale. Scriptural reasoning is an activity or practice where Jews, Christians, and Muslims read and study together short passages from their traditionally sacred texts. In this book, Jacob L. Goodson describes this activity by giving a tour through modern philosophy and showing how certain arguments, ideas, and theories from modern philosophers help make sense of this inter-religious practice. According to Goodson, one of the most interesting aspects of the practice of scriptural reasoning concerns how its driven by a tension between pragmatism and semiotics--what he calls purposefulness (pragmatism) vs. playfulness (semiotics) throughout the book. Can inter-religious practices only be playful, in terms of an academic "leisure activity"? Or do inter-religious practices need to strive toward a greater end or even a higher purpose, such as peace-making among the Abrahamic faiths or inter-religious friendships? In each individual chapter, Goodson explores this tension within the practice of scriptural reasoning. Utilizing Immanuel Kant's deontology, Goodson concludes by demonstrating how the practice of scriptural reasoning might work if only two rules are in place while participating in it.

This book argues that moral theology has yet to embrace the recommendations of the Second Vatican Council concerning the ways in which it is to be renewed. One of the reasons for this is the lack of consensus between theologians regarding the nature, content and uniqueness of Christian morality. After highlighting the strengths and weaknesses of the so-called autonomy and faith ethic schools of thought, Mealey argues that there is little dividing them and that, in some instances, both schools are simply defending one aspect of a hermeneutical dialectic. In an attempt to move away from the divisions between proponents of the faith-ethic and autonomy positions, Mealey enlists the help of the hermeneutical theory of Paul Ricoeur. She argues that many of the disagreements arising from the Christian proprium debate can be overcome if scholars look to the possibilities opened up by Ricoeur's hermeneutics of interpretation. Mealey also argues that the uniqueness of Christian morality is more adequately explained in terms of a specific identity (self) that is constantly subject to change and revision in light of many, often conflicting, moral sources. She advocates a move away from attempts to explain the uniqueness of Christian morality in terms of one specific, unchanging context, motivation, norm, divine command or value. By embracing the possibilities opened up by Ricoeurian hermeneutics, Mealey explains how concepts such as revelation, tradition, orthodoxy and moral conscience may be understood in a hermeneutical way without being deemed sectarian or unorthodox.

Looks at Ricoeur’s writings on love and justice, prominent toward the end of his life, and how these serve as an interpretive key to his thought as a whole.

Music, Time, and Its Other explores the relation between the enigmatic character of our temporal experiences and music’s affective power. By taking account of competing concepts of time, Savage explains how music refigures dimensions of our experiences through staking out the borderlines between time and eternity. He examines a range of musical expressions that reply to the deficiency born from the difference between time and an order that exceeds or surpasses it and reveals how affective tonalities of works by Bach, Carolan, Debussy, Schoenberg, Messiaen, and Glass augment our understanding of our temporal condition. Reflections on the moods and feelings to which music gives voice counterpoint philosophical investigations into the relation between music’s power to affect us and the force that the present has with respect to the initiatives we take. Music, Time, and Its Other thus sets out a new approach to music, aesthetics, politics, and the critical roles of judgment and imagination.