Film As Social Practice
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Film as Social Practice
Author | : Graeme Turner |
Publsiher | : Routledge |
Total Pages | : 274 |
Release | : 2006 |
Genre | : History |
ISBN | : 9780415375139 |
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Publisher description
Film as Social Practice
Author | : Graeme Turner |
Publsiher | : Taylor & Francis |
Total Pages | : 187 |
Release | : 1988-01-01 |
Genre | : Cinéma - Aspect social |
ISBN | : 0415007348 |
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This fourth edition of our bestselling text has been comprehensively updated and revised to include contemporary film analysis and recent films. With a focus on contemporary popular cinema and examples from Classical Hollywood, Graeme Turner examines the social and cultural aspects of film from audiences and ideologies to exhibition and technology. This fourth edition now includes: new sections dealing with debates about spectacle and special effects an extended treatment of sound and its contribution to cinema film theorya (TM)s discussion of the representation of race and ethnicity a thorough update of individual film references a revised applications chapter that includes new contemporary examples new illustrations from contemporary popular cinema. Students of film studies, film practice and film theory will find this a welcome addition to their degree course studies.
Film as Social Practice
Author | : Graeme Turner |
Publsiher | : Psychology Press |
Total Pages | : 188 |
Release | : 1993 |
Genre | : Cinéma - Aspect social |
ISBN | : 0415092728 |
Download Film as Social Practice Book in PDF, Epub and Kindle
This fourth edition of our bestselling text has been comprehensively updated and revised to include contemporary film analysis and recent films. With a focus on contemporary popular cinema and examples from Classical Hollywood, Graeme Turner examines the social and cultural aspects of film from audiences and ideologies to exhibition and technology. This fourth edition now includes: new sections dealing with debates about spectacle and special effects an extended treatment of sound and its contribution to cinema film theorya (TM)s discussion of the representation of race and ethnicity a thorough update of individual film references a revised applications chapter that includes new contemporary examples new illustrations from contemporary popular cinema. Students of film studies, film practice and film theory will find this a welcome addition to their degree course studies.
Film as Social Practice
Author | : Graeme Turner |
Publsiher | : Routledge |
Total Pages | : 244 |
Release | : 2002-09-11 |
Genre | : Social Science |
ISBN | : 9781134607143 |
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Turner provides a clear introduction to major theoretical issues in the history of film production and film studies, examining the function of film as a national cultural industry, and its place in our popular culture.
Film as Social Practice
Author | : Graeme Turner |
Publsiher | : Routledge |
Total Pages | : 274 |
Release | : 2006-07-13 |
Genre | : Performing Arts |
ISBN | : 9781136784910 |
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This fourth edition of our bestselling text has been comprehensively updated and revised to include contemporary film analysis and recent films.With a focus on contemporary popular cinema and examples from Classical Hollywood, Graeme Turner examines the social and cultural aspects of film from audiences and ideologies to exhibit
The Film Cultures Reader
Author | : Graeme Turner |
Publsiher | : Psychology Press |
Total Pages | : 550 |
Release | : 2002 |
Genre | : Motion pictures |
ISBN | : 9780415252812 |
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This companion reader to Film as Social Practice brings together key writings on contemporary cinema, exploring film as a social and cultural phenomenon.
The Cinema of Hong Kong
Author | : Poshek Fu,David Desser |
Publsiher | : Cambridge University Press |
Total Pages | : 356 |
Release | : 2002-03-25 |
Genre | : Performing Arts |
ISBN | : 0521776023 |
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This volume examines Hong Kong cinema in transnational, historical, and artistic contexts.
The Cinematic Superhero as Social Practice
Author | : Joseph Zornado,Sara Reilly |
Publsiher | : Springer Nature |
Total Pages | : 219 |
Release | : 2021-11-06 |
Genre | : Performing Arts |
ISBN | : 9783030854584 |
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This book analyzes the cinematic superhero as social practice. The study’s critical context brings together psychoanalysis and restorative and reflective nostalgia as a way of understanding the ideological function of superhero fantasy. It explores the origins of cinematic superhero fantasy from antecedents in myth and religion, to twentieth-century comic book, to the cinematic breakthrough with Superman (1978). The authors then focus on Spider-Man as reflective response to Superman’s restorative nostalgia, and read MCU’s overarching narrative from Iron Man to End Game in terms of the concurrent social, political, and environmental conditions as a world in crisis. Zornado and Reilly take up Wonder Woman and Black Panther as self-conscious attempts to reflect on gender and race in restorative superhero fantasy, and explore Christopher Nolan’s Dark Knight trilogy as a meditation on the need for authoritarian fascism. The book concludes with Logan, Wonder Woman 1984, and Amazon Prime’s The Boys as distinctly reflective fantasy narratives critical of the superhero fantasy phenomenon.