Filmcraft Screenwriting

Screenwriting looks at the foundation on which every great film is built—the script. Whether an original concept or an adaptation, the screenplay is the key to the success of a movie—good dialogue, story pacing, and character development are the framework everything else hangs on. Featuring in-depth interviews with modern masters of film including Stephen Gaghan, Guillermo Arriaga, Caroline Thompson, Hossein Amini, and Jean-Claude Carrière, this book reveals the mysteries behind how the best scripts are written and reach the screen.

Screenwriting looks at the foundation on which every great film is built—the script. Whether an original concept or an adaptation, the screenplay is the key to the success of a movie—good dialogue, story pacing, and character development are the framework everything else hangs on. Featuring in-depth interviews with modern masters of film including Stephen Gaghan, Guillermo Arriaga, Caroline Thompson, Hossein Amini, and Jean-Claude Carrière, this book reveals the mysteries behind how the best scripts are written and reach the screen.

Screenwriting looks at the foundation on which every great film is built - the script. Whether an original concept or an adaptation, the screenplay is the key to the success of a movie - good dialogue, story pacing and character development are the framework everything else hangs on. Featuring in-depth interviews with modern masters of film including Stephen Gaghan, Guillermo Arriaga, Caroline Thompson, Hossein Amini, David Hare, David Webb Peoples and Jean-Claude Carrière, this book reveals the mysteries behind how the best scripts are written and reach the screen.

The seventh title in the authoritative "FilmCraft" series, "Screenwriting" looks at the foundation on which every great film is built the script. Whether its an original concept or an adaptation of a book or previous film, the screenplay is the key to the success of a movie good dialogue, story pacing and character development are the framework everything else hangs on. Even if specifics of dialogue or details are adjusted during shooting, the story originates with the storyteller, and there is no-one better placed to identify the issues at work at the heart of a film. Featuring in-depth interviews with modern masters of film ranging from Billy Ray ("Flightplan," "The Hunger Games") to Stephen Gaghan ("Traffic," "Syriana") and Guillermo Arriaga ("Amores Perros," "Babel," "21 Grams"), this book reveals how the best scripts are written and reach the screen. It is a must for students, cinephiles and anyone interested in the craft of writing for the screen.

To write for the unique medium of the screen, you need to be as engaged with the theory and practice of film as you are with words. Screenwriting is Filmmaking provides a wealth of insights for new and experienced writers alike on the historical, theoretical and practical essentials of screenwriting. With clear analyses drawn from a wide range of classical and contemporary films, alongside case studies and practical exercises, this book encourages the development of craft skills and a personal voice through the writing of short and feature screenplays. You will learn how to develop your screenplay from idea to final draft; apply the techniques of narrative, structure and visual language; build rounded and convincing characters; craft compelling scenes through dialogue and sub-text and maintain a meaningful and lasting creative practice. Brian Dunnigan draws on over thirty years' experience of writing, teaching and making films, to provide a practical guide on how to become an effective screenwriter as well as giving a fascinating insight into visual storytelling and the place of the screenplay in the collaborative process of filmmaking. Of great interest to all screenwriters, especially new/aspiring ones; and all those with an interest in the filmmaking world, it is illustrated with 17 colour and 17 black & white photographs. Brian Dunnigan is an award-winning filmmaker and Head of Screenwriting at the London Film School.

After Injury explores the practices of forgiveness, resentment, and apology in three key moments when they were undergoing a dramatic change. The three moments are early Christian history (for forgiveness), the shift from British eighteenth-century to Continental nineteenth-century philosophers (for resentment), and the moment in the 1950s postwar world in which British ordinary language philosophers and American sociologists of everyday life theorized what it means to express or perform an apology. The debates that arose in those key moments have largely defined our contemporary study of these practices.

Offering insights into the creative processes involved in being a screenwriter, this volume provides first-hand accounts of the industry from a group of 13 screenwriters. Their experiences are illustrated with script excerpts, hand-written notes, storyboards, film stills, and photographs.

As chief collaborators with the directors on a film, cinematographers are artistic masters in their own right. In Cinematography sixteen of the world's greatest "painters of light" share their insights, anecdotes, and technical achievements through a series of exclusive interviews. Fascinating for both film fans and practitioners, this book is the perfect companion for anyone who wants to stand on the other side of the camera, with some of the greatest film artists of our time.