Finding Ourselves Lost

One of Canada's hippest, smartest cultural critics takes on the West's defining value. We live in a world increasingly dominated by the fake, the prepackaged, the artificial: fast food, scripted reality TV shows, Facebook "friends," and fraudulent memoirs. But people everywhere are demanding the exact opposite, heralding "authenticity" as the cure for isolated individualism and shallow consumerism. Restaurants promote the authenticity of their cuisine, while condo developers promote authentic loft living and book reviewers regularly praise the authenticity of a new writer's voice. International bestselling author Andrew Potter brilliantly unpacks our modern obsession with authenticity. In this perceptive and thought-provoking blend of pop culture, history, and philosophy, he finds that far from serving as a refuge from modern living, the search for authenticity often creates the very problems it's meant to solve.

This book wrestles with quandaries of pastoral ministry in what psychotherapist Mary Pipher calls “the age of overwhelm.” Drawing especially from the wisdom of Jesus’ own teaching and healing ministries as portrayed in the Gospel of Luke, it offers an intimate narrative introduction to pastoral theology for guiding bewildering tasks of pastoral care and counseling. These essays encourage seminarians and ministers to embrace their role as agents of healing by exploring their own debilitating shame and daring to speak what in childhood could not be spoken; by revealing their discoveries to a trusted confidant so as to feel less loathsome or lonely; by attending to even minute individual differences, in self and others, that fuel social isolation; and by believing in those persons who first believed in them.

This book wrestles with quandaries of pastoral ministry in what psychotherapist Mary Pipher calls "the age of overwhelm." Drawing especially from the wisdom of Jesus' own teaching and healing ministries as portrayed in the Gospel of Luke, it offers an intimate narrative introduction to pastoral theology for guiding bewildering tasks of pastoral care and counseling. These essays encourage seminarians and ministers to embrace their role as agents of healing by exploring their own debilitating shame and daring to speak what in childhood could not be spoken; by revealing their discoveries to a trusted confidant so as to feel less loathsome or lonely; by attending to even minute individual differences, in self and others, that fuel social isolation; and by believing in those persons who first believed in them.

A search for the past. An identity reclaimed. This moving memoir by speaker, educator, and entrepreneur Sam Thiara documents his seemingly impossible quest to find his grandfather's village--armed with little more than a faded photograph. Sam vividly recounts his adventure through India's crowded roads--a journey filled with mishaps and surprising encounters, and a growing sense of purpose. Drinking in the beauty of the Taj Mahal and the Golden Temple, he finds himself connecting more deeply with his Sikh faith, while confronting the ugliness of the country's poverty and injustice. Along the way, Sam also wrestles with his sense of self. A British-born Indian, living in Canada, whose parents came from Fiji, he questions: Am I Indian? Am I Canadian? Am I Sikh? Who am I? As he begins to piece together the puzzle of his history, Sam realizes he is piecing himself together, too. Touching and inspiring, Lost and Found is a book for anyone who has felt adrift in the world, confirming that what was once lost can be found.

In Finding Myself Lost in Louisiana, author Keagan LeJeune brilliantly weaves the unusual folklore, landscape, and history of Louisiana along with his own family lineage that begins in 1760 to trace the trajectory of people’s lives in the Bayou State. His account confronts the challenging environmental record evident in Louisiana’s landscapes. LeJeune also celebrates and memorializes traditions of some underrepresented communities in Louisiana, communities that are vanishing or have vanished—communities including the author’s own. Each section in the memoir is a journey to a fascinating place, but it’s also a search for LeJeune’s own sense of belonging. The book is an adventure and a pilgrimage across Louisiana to explore its future and to reckon with feelings of loss and anxiety accompanying climate disasters. LeJeune travels to Louisiana’s geographic center to learn what waits there. He chases the ghosts of Hot Wells, a shuttered healing resort, and he kneels at the tomb of folk saint Charlene Richard. With every adventure, every memory, he ends up much closer to home.

Academic philosophy may have lost its audience, but the traditional subjects of philosophy—love, death, justice, knowledge, and faith—remain as compelling as ever. To reach a new generation, Paul W. Kahn argues that philosophy must take up these fundamental concerns as we find them in contemporary culture. He demonstrates how this can be achieved through a turn to popular film. Discussing such well-known movies as Forrest Gump (1994), The American President (1995), The Matrix (1999), Memento (2000), The History of Violence (2005), Gran Torino (2008), The Dark Knight (2008), The Road (2009), and Avatar (2009), Kahn explores powerful archetypes and their hold on us. His inquiry proceeds in two parts. First, he uses film to explore the nature of action and interpretation, arguing that narrative is the critical concept for understanding both. Second, he explores the narratives of politics, family, and faith as they appear in popular films. Engaging with genres as diverse as romantic comedy, slasher film, and pornography, Kahn explores the social imaginary through which we create and maintain a meaningful world. He finds in popular films a new setting for a philosophical inquiry into the timeless themes of sacrifice, innocence, rebirth, law, and love.

“An intriguing amalgam of personal memoir, philosophical speculation, natural lore, cultural history, and art criticism.” —Los Angeles Times From the award-winning author of Orwell's Roses, a stimulating exploration of wandering, being lost, and the uses of the unknown Written as a series of autobiographical essays, A Field Guide to Getting Lost draws on emblematic moments and relationships in Rebecca Solnit's life to explore issues of uncertainty, trust, loss, memory, desire, and place. Solnit is interested in the stories we use to navigate our way through the world, and the places we traverse, from wilderness to cities, in finding ourselves, or losing ourselves. While deeply personal, her own stories link up to larger stories, from captivity narratives of early Americans to the use of the color blue in Renaissance painting, not to mention encounters with tortoises, monks, punk rockers, mountains, deserts, and the movie Vertigo. The result is a distinctive, stimulating voyage of discovery.

In the course of her extraordinary career, which included the novels The Stone Diaries, Larry's Party, The Republic of Love and Unless, as well as poetry, short stories, biography and plays, Carol Shields was unfailingly encouraging of other writers. She read and commented on her friends' manuscripts. She taught writing classes and she spoke and wrote on the craft of writing. Her own discipline rarely faltered. Her daily practice was to write a new page, then edit the page written the day before, then repeat, until, after a year or so, her book was finished. Now in her own words, as clear and straightforward as a glass of water, comes Startle and Illuminate, the best possible guide to the writing process, from conception to publication. This essential work, drawn by her daughter and grandson from her voluminous correspondence with other writers, essays, notes, comments, criticism and lectures, is a last gift from one of our finest novelists meant for both aspiring and established writers. It helps answer some of the most fundamental questions about writing: such as, why we write at all, whether writing can be taught, what keeps a reader turning the pages, and how a writer knows when a work is done. For Shields's devoted readers, Startle and Illuminate reveals her own thoughts on why we read--to be the other, to touch and taste the experience of the other; and why we write--for the joy of the making, to reimagine our world, to discover patterns and uncover forms that echo our realities as well as interrogate them, to imagine alternate worlds. It is a beautiful legacy.