Finding Sarah

The author documents a low period in her life and how she found strength in her struggles with adversity and eventually regained her sense of purpose for her life with the help of friends and several celebrity experts.

When Sarah steps off the plane in Provincetown, she has only one goal--to leave the past behind her. As she begins her journey of rediscovering herself, she meets one of the town's deputy under less-than-ideal circumstances but soon finds herself drawn to her in ways she knows she can't allow. Deputy Catrina Diaz loves her job, her family, and her friends, which is why she became a deputy to begin with, to keep her town and those she loves safe. When she crosses paths with Sarah, a newcomer to town, she finds herself wanting more than Sarah is wanting to give. Sarah fights hard to find herself as the past keeps finding new ways to haunt her. As their relationship grows, will the secrets Sarah is hiding, secrets that Cat realizes everyone knows but her, finally pull them apart? Can Sarah trust Cat enough to overcome her past and the insecurities it has caused and take a chance on the one thing she thought she could never have again--love?

The sun shone brightly on a little town in New England where nine-year-old Sarah lived with her brother, James, and their mother, Teresa. Just two weeks prior, there had been great joy in their little town. It was May 1945, and the end of World War II was being celebrated. When Sarah awoke that morning, she found that there was no food in the house. Her mother had lost her job to the soldiers coming home from the war. It was thought better to hire the men back as most of the women did not need the jobs to support them.

Finding Sarah is the story of one woman's quest to survive rape, loss, seduction and betrayal and become the hero of her own life.

Being robbed at gunpoint wasn't part of Sarah Tucker's business plan. Neither was falling in love with the detective who arrived to solve the case. All Sarah wants is success for her gift boutique, the one she and her husband created. Now, she's living a hand-to-mouth existence. Her husband died a year earlier in a car accident - an accident that was ruled suicide, denying her his life insurance money. Burdened by guilt that she was somehow to blame for his death, Sarah faces one business setback after another. She's determined to succeed on her own, fending off a meddling sister-in-law as well as offers of financial assistance from a former boyfriend. Unaware someone is setting her up for failure, she's totally unprepared to find herself fighting for survival. Police Detective Randy Detweiler thinks the crook is a thief who's been evading cops all over the state. A routine robbery investigation turns into the biggest challenge of his career when he falls in love with the victim and he starts crossing professional boundaries. When Sarah disappears, he's afraid all his detective skills might not be enough to find her in time to save her life.

Paris, July 1942: Sarah, a ten year-old girl, is brutally arrested with her family by the French police in the Vel' d'Hiv' roundup, but not before she locks her younger brother in a cupboard in the family's apartment, thinking that she will be back within a few hours. Paris, May 2002: On Vel' d'Hiv's 60th anniversary, journalist Julia Jarmond is asked to write an article about this black day in France's past. Through her contemporary investigation, she stumbles onto a trail of long-hidden family secrets that connect her to Sarah. Julia finds herself compelled to retrace the girl's ordeal, from that terrible term in the Vel d'Hiv', to the camps, and beyond. As she probes into Sarah's past, she begins to question her own place in France, and to reevaluate her marriage and her life. Tatiana de Rosnay offers us a brilliantly subtle, compelling portrait of France under occupation and reveals the taboos and silence that surround this painful episode.

This essay collection focuses on the gendered dimensions of reality television in both the United States and Great Britain. Through close readings of a wide range of reality programming, from Finding Sarah and Sister Wives to Ghost Adventures and Deadliest Warrior, the contributors think through questions of femininity and masculinity, as they relate to the intersections of gender, race, class, and sexuality. They connect the genre's combination of real people and surreal experiences, of authenticity and artifice, to the production of identity and norms of citizenship, the commodification of selfhood, and the naturalization of regimes of power. Whether assessing the Kardashian family brand, portrayals of hoarders, or big-family programs such as 19 Kids and Counting, the contributors analyze reality television as a relevant site for the production and performance of gender. In the process, they illuminate the larger neoliberal and postfeminist contexts in which reality TV is produced, promoted, watched, and experienced. Contributors. David Greven, Dana Heller, Su Holmes, Deborah Jermyn, Misha Kavka, Amanda Ann Klein, Susan Lepselter, Diane Negra, Laurie Ouellette, Gareth Palmer, Kirsten Pike, Maria Pramaggiore, Kimberly Springer, Rebecca Stephens, Lindsay Steenberg, Brenda R. Weber