Fine Art Identification And Price Guide

Contains the summarized prices for fine art and sculpture sold at public auction from August 2005 through July 2006. Includes oil paintings, watercolors and drawings, prints, miniatures and sculpture. Listings are by artist.

Lists current price ranges for paintings, drawings, and sculpture by hundreds of artists, and tells how to start collecting art.

This book is for art market researchers at all levels. A brief overview of the global art market and its major stakeholders precedes an analysis of the various sales venues (auction, commercial gallery, etc.). Library research skills are reviewed, and advanced methods are explored in a chapter devoted to basic market research. Because the monetary value of artwork cannot be established without reference to the aesthetic qualities and art historical significance of our subject works, two substantial chapters detail the processes involved in researching and documenting the fine and decorative arts, respectively, and provide annotated bibliographies. Methods for assigning values for art objects are explored, and sources of price data, both in print and online, are identified and described in detail. In recent years, art historical scholarship increasingly has addressed issues related to the history of art and its markets: a chapter on resources for the historian of the art market offers a wide range of sources. Finally, provenance and art law are discussed, with particular reference to their relevance to dealers, collectors, artists and other art market stakeholders.

Famed for his bluebonnet landscapes, San Antonio native Julian Onderdonk may be the most well-known artist Texas has ever produced. Onderdonk spent several years outside the state, though, seeking to make a name for himself in New York City. He spent much of his time in New York as the very definition of a starving artist. In Julian Onderdonk: The Lost Years, the Lost Paintings, James Graham Baker explores the artist’s New York years, so often neglected by previous scholars. Through painstaking research, Baker reveals that Onderdonk painted hundreds of images under pseudonyms during his time in New York. These images not only reveal the means by which the artist struggled to make ends meet, but add another dimension to our understanding of the artist’s oeuvre. It is not possible to appreciate and understand Julian Onderdonk and his art without including these works. Largely composed of landscapes and marine scenes depicting the vanishing rural areas and shorelines around New York City, they show that Onderdonk was more than simply a “bluebonnet painter.”

"The Davenport's includes biographical and pricing information for over 300,000 artists (specializing in little-known and hard-to-find artists). Prices cover oil paintings, watercolors, drawings, sculpture, prints, posters, and photographs"--B & N from the publisher (July 2007)

Art Smart is a comprehensive guide to the Canadian art market for both novice and experienced collectors. It is full of advice that can give anyone the tools to determine the value of a piece of art and to not be intimidated by the often mystifying world of art. This informative and helpful volume covers the inner workings of the art market, from dealer trade secrets to expert strategies on buying and selling through auction houses and online. Art Smart gives the reader the knowledge needed to build a collection for long-term investment value, and also covers tax and estate planning, copyright issues, and charitable donations. It also contains all the latest resources for art research, with useful appendices to guide the art consumer in becoming their own art connoisseur. Art Smart is essential reading if you are curious to know more about how the art market functions and is an excellent resource guide for those already involved.

Miller’s has the only all-color price guide to fine art! Fully illustrated with more than 1,200 works of art that range from 18th century to contemporary, it gives a price for every one and presents a wide range of choices at different values and from a variety of media. To deepen collectors’ understanding of the pictures, there are profiles of individual artists as well as a host of special features—all with market information—on Equestrian art, New York City art, Botanical art, Canadian art, Theatre drawings, and Celebrity art.

This book is for art market researchers at all levels. A brief overview of the global art market and its major stakeholders precedes an analysis of the various sales venues (auction, commercial gallery, etc.). Library research skills are reviewed, and advanced methods are explored in a chapter devoted to basic market research. Because the monetary value of artwork cannot be established without reference to the aesthetic qualities and art historical significance of our subject works, two substantial chapters detail the processes involved in researching and documenting the fine and decorative arts, respectively, and provide annotated bibliographies. Methods for assigning values for art objects are explored, and sources of price data, both in print and online, are identified and described in detail. In recent years, art historical scholarship increasingly has addressed issues related to the history of art and its markets: a chapter on resources for the historian of the art market offers a wide range of sources. Finally, provenance and art law are discussed, with particular reference to their relevance to dealers, collectors, artists and other art market stakeholders.