Fingers Pointing To The Moon

Fingers Pointing Towards the Moon was the first of a series of extraordinary spiritual manifestos written by the anonymous Wei Wu Wei. Like a master instructing every reader who has the dedication to read this book, the author maintains direct and unrelenting perspective, giving Fingers Pointing to the Moon its status as one of Zen Buddhism's essential classics. The depth of understanding evinced by Wei Wu Wei places him with Paul Reps, Alan Watts, and Philip Kapleau as one of the earliest and most profound interpreters of Zen.

One who is not ready to stake his very life will never be able to know the hidden mysteries of life. Those secrets are not available cheaply. Knowledge is available very cheaply; knowledge is available from books, from scriptures, in education, with the teachers. Knowledge is available almost for free; you do not have to pay anything for it. In religion you have to pay heavily. It is not right even to say ”heavily” because only when someone stakes everything do the doors to that life open. The doors to that life open only for those who put this life at stake. To put this life at stake is the only key to the door of that life. But knowledge is very cheap, so the mind chooses the easier and the cheaper way. We learn things – words, doctrines – and think that we know. Such knowledge only enhances ignorance.

This unique and intensely personal memoir is about spirituality, not about religion,and it is alive with the raw energy of a journal and polisjed with the skill of the master storyteller.

The well-known Zen Buddhist phrase 'the finger pointing at the moon' refers to the means and the end, and the possibility of mistaking one for the other. Trevor Leggett says, 'the forms are the methods and they are very important as pointing fingers, but if we forget what they are for and they become, so to speak, the goal in their own right, then our progress is liable to stop. And if it stops, it retrogresses.' On the other hand there are those who say 'with considerable pride, "I don't want fingers or methods. I want to see the moon directly, directly . . . to see the moon directly . . . no methods or pointing." But in fact they don't see it! It's easy to say.'With many varied analogies, stories and incidents, Trevor Leggett points to the truth behind words, behind explanations and methods. Indeed, the book itself is like 'a finger pointing at the moon'.

A Zen story speaks of not mistaking a finger that points to the Moon for the Moon itself--a topic explored in photos, words, and paintings by the author. 50 photos, 30 in color. Line drawings.

A boy and the moon share a walk through his neighborhood.

Reverent and profane, entertaining and bruising, Four Reincarnations is a debut collection of poems that introduces an exciting new voice in American letters. When Max Ritvo was diagnosed with cancer at age sixteen, he became the chief war correspondent for his body. The poems of Four Reincarnations are dispatches from chemotherapy beds and hospitals and the loneliest spaces in the home. They are relentlessly embodied, communicating pain, violence, and loss. And yet they are also erotically, electrically attuned to possibility and desire, to everything living / that won t come with me / into this sunny afternoon. Ritvo explores the prospect of death with singular sensitivity, but he is also a poet of life and of lovea cool-eyed assessor of mortality and a fervent champion for his body and its pleasures. Ritvo writes to his wife, ex-lovers, therapists, fathers, and one mother. He finds something to love and something to lose in everything: Listerine PocketPak breath strips, Indian mythology, wool hats. But in these poemsfrom the humans that animate him to the inanimate hospital machines that remind him of deathit s Ritvo s vulnerable, aching pitch of intimacy that establishes him as one of our finest young poets. "

Foundational introduction to the concept that organizations create major impacts by making small changes.