Fire Of Mercy Heart Of The Word Vol 2

To the unstudied eye, St. Matthew's gospel can seem a terse narrative, almost a historical document and not the tremendously spiritual (and doctrinal) storehouse that it is. In his third volume of meditations on Matthew (chapters 19-25), Erasmo Leiva continues to show Matthew's prose to be not terse so much as economical--astoundingly so given its depth. The lay reader can derive great profit from reading this. Each short meditation comments on a verse or two, pointing to some facet of the text not immediately apparent, but rich with meaning. Leiva's work is scholarly but eminently approachable by the lay reader. The tone is very much of "taste and see how good the Lord is" and an invitation of "friend, come up higher!." The goal of the book is to help the reader experience the heat of the divine heart and the light of the divine Word. Leiva comments on the Greek text, demonstrating nuances in the text that defy translation. He uses numerous quotes from the Fathers and the Liturgy of the Church to demonstrate the way the Tradition has lived and read the Word of God. His theological reflection vivifies doctrine by seeking its roots in the words and actions of Jesus.

To the unstudied eye, St. Matthew's gospel can seem a terse narrative, almost a historical document and not the tremendously spiritual (and doctrinal) storehouse that it is. In his third volume of meditations on Matthew (chapters 19-25), Erasmo Leiva continues to show Matthew's prose to be not terse so much as economical--astoundingly so given its depth. The lay reader can derive great profit from reading this. Each short meditation comments on a verse or two, pointing to some facet of the text not immediately apparent, but rich with meaning. Leiva's work is scholarly but eminently approachable by the lay reader. The tone is very much of "taste and see how good the Lord is" and an invitation of "friend, come up higher!." The goal of the book is to help the reader experience the heat of the divine heart and the light of the divine Word. Leiva comments on the Greek text, demonstrating nuances in the text that defy translation. He uses numerous quotes from the Fathers and the Liturgy of the Church to demonstrate the way the Tradition has lived and read the Word of God. His theological reflection vivifies doctrine by seeking its roots in the words and actions of Jesus.

To the unstudied eye, Matthew's gospel can seem a terse narrative, almost a historical document and not the tremendously spiritual (and doctrinal) storehouse that it is. Erasmo Leiva here acts as our guide, showing Matthew's prose to be not terse so much as economical--astoundingly so given its depth. The lay reader can derive great profit from reading this. Each short meditation comments on a verse or two, pointing to some facet of the text not immediately apparent. Leiva's work is scholarly but eminently approachable by the non-technical reader. The tone is very much gustate et videte, quoniam suavis est Dominus [taste and see how good the Lord is]-as it is "friend, come up higher!". The goal of the book is to help the reader experience the heat of the divine heart/the light of the divine Word. Leiva points to Matthew's gospel as being deeply ecclesial because it is first Christological. He comments on the Greek text, demonstrating to the reader nuances in the text that defy translation into English without serious revision of the text. Leiva uses linguistic analysis to aid the non-Greek reader with the literal meaning of the text; numerous quotes from the Fathers and the liturgy of the church demonstrate the way the Tradition has lived and read the Word of God. His theological reflection vivifies doctrine by seeking its roots in the words and actions of Jesus.

To the unstudied eye, Matthew's gospel can seem a terse narrative, almost a historical document and not the tremendously spiritual (and doctrinal) storehouse that it is. Erasmo Leiva here acts as our guide, showing Matthew's prose to be not terse so much as economical--astoundingly so given its depth. The lay reader can derive great profit from reading this. Each short meditation comments on a verse or two, pointing to some facet of the text not immediately apparent. Leiva's work is scholarly but eminently approachable by the non-technical reader. The tone is very muchÊgustate et videte, quoniam suavis est DominusÊ[taste and see how good the Lord is]-as it is "friend, come up higher!". The goal of the book is to help the reader experience the heat of the divine heart/the light of the divine Word. Leiva points to Matthew's gospel as being deeply ecclesial because it is first Christological. He comments on the Greek text, demonstrating to the reader nuances in the text that defy translation into English without serious revision of the text. Leiva uses linguistic analysis to aid the non-Greek reader with the literal meaning of the text; numerous quotes from the Fathers and the liturgy of the church demonstrate the way the Tradition has lived and read the Word of God. His theological reflection vivifies doctrine by seeking its roots in the words and actions of Jesus.

To the unstudied eye, St. Matthew's gospel can seem a terse narrative, almost a historical document and not the tremendously spiritual (and doctrinal) storehouse that it is. In his second volume of meditations on Matthew (chapters 12-18), Erasmo Leiva shows Matthewಙs prose to be not terse so much as economical astoundingly so given its depth. The lay reader can derive great profit from reading this. Each short meditation comments on a verse or two, pointing to some facet of the text not immediately apparent, but rich with meaning. Leivaಙs work is scholarly but eminently approachable by the lay reader. The goal of the book is to help the reader experience the heat of the divine heart/the light of the divine Word. Leiva comments on the Greek text, demonstrating nuances in the text that defy translation. He uses numerous quotes from the Fathers and the Liturgy of the Church to demonstrate the way the Tradition has lived and read the Word of God. His theological reflection vivifies doctrine by seeking its roots in the words and actions of Jesus.

A Gospel Freed From Christianity “ONE – The Gospel According to Mike” uncovers the good news in a way never before examined in traditional religion by removing layers of sectarian doctrines and denominational views that have been piled upon it for centuries. This truth returns the message of Christ to its deserving and proper place of being called “Good News.” It’s a gospel unhidden and unfettered by the dogma of theologians and institutions. It is a gospel freed from Christianity. A gospel based solely on scriptural and Biblical foundations. “ONE” scripturally debunks the doctrines that have propagated the fear of a still angry God and eternal punishment.

Haraldur the northman once joined Jason on his fabled quest for the Golden Fleece, but now he wants nothing more to do with gods and adventure. Returning to his homeland for the first time in many years, he hopes only to settle down on a farm of his own—until he comes across an impenetrable wall of eldritch fire and a lovesick youth determined to breach the wall at any cost. Behind the towering flames, he is told, lies a beautiful Valkyrie trapped in an enchanted sleep, as well as, perhaps, a golden treasure beyond mortal reckoning. It is the gold that tempts Hal to agree, against his better judgment, to assist the youth in his quest. But to find a way past the fiery wall, they must first brave gnomes, ghosts, and the wrath of the gods themselves. For a mighty battle is brewing, and Hal soon finds himself caught up in a celestial conflict between Thor the Thunderer, Loki the Trickster, and most powerful of all, Wodan, the merciless Lord of Battles!

For at least two and a half millennia, the figure of Orpheus has haunted humanity. Half-man, half-god, musician, magician, theologian, poet and lover, his story never leaves us. He may be myth, but his lyre still sounds, entrancing everything that hears it: animals, trees, water, stones, and men. In this extraordinary work Ann Wroe goes in search of Orpheus, from the forests where he walked and the mountains where he worshipped to the artefacts, texts and philosophies built up round him. She traces the man, and the power he represents, through the myriad versions of a fantastical life: his birth in Thrace, his studies in Egypt, his voyage with the Argonauts to fetch the Golden Fleece, his love for Eurydice and journey to Hades, and his terrible death. We see him tantalising Cicero and Plato, and breathing new music into Gluck and Monteverdi; occupying the mind of Jung and the surreal dreams of Cocteau; scandalising the Fathers of the early Church, and filling Rilke with poems like a whirlwind. He emerges as not simply another mythical figure but the force of creation itself, singing the song of light out of darkness and life out of death.