First 130 High Frequency Words in Cartoons

First 130 High Frequency Words in Cartoons
Author: Lidia Stanton
Publsiher: Unknown
Total Pages: 342
Release: 2020-05-12
Genre: Electronic Book
ISBN: 9798644112074

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For sample pages preview, follow the link: https://books.lidiastanton.com The learning resource First 130 High Frequency Words in Cartoons consists of two books: a guide to HFWs (Multisensory Guide) an activity pack (Activity Sheets and Flash Cards) The Multisensory Guide provides an 'at-a-glance' breakdown of visual hints for high frequency words (HFWs) introduced in Year Reception and Year 1. It reveals that each HFW, whether phonically regular or irregular, can be a story hidden inside a cartoon, and that it has a shape that can be recognised. Colour is introduced to emphasise letter (not sound) patterns, where these are visually identifiable, e.g. words within words ('am' and 'me' in 'came' and 'name'; 'an' in 'can' and 'can't', etc.) Using the above principles, the child is encouraged to engage in a range of practical, multisensory learning activities that strengthen their HFW knowledge and result in confident rapid HFW recognition. The Activity Sheets and Flash Cards book supplements the guide. It has removable/detachable worksheets that can be displayed around the house. As sounding out is the most reliable reading strategy, learning tricky words by sight is not recommended to children who make the expected progress in Early Years and Key Stage 1 literacy. However, the method presented here works well for children with specific learning difficulties (SpLDs), especially those who are significantly behind their peers in reading and spelling assessments. Children with dyslexia take longer to break the phonemic code; for some, the goal of becoming a fluent phonemic reader may require years of specialist instruction. Sight word recognition equips SpLD children with an initial bank of HFWs they can rely upon. As an example, once the child has learned the visual pattern 'the' (using a cartoon of two heavy elephants overlaid on the word 'the'), the pattern becomes regular to them, not tricky. They now remember how to recognise 'the' as well as how to read 'them', 'then', 'they' and 'their'. The visual cue 'the' is thus temporary, becoming part of the child's bank of decodable words. Rapid identification of HFWs improves reading fluency. Children with SpLDs begin to experience early reading success and start enjoying literacy activities. Importantly, parallel with the visual instruction, a structured and intensive phonemic decoding programme should be used as part of specialist support at school or home. In this sense, the visual reading method supplements phonemic decoding instruction, rather than replacing it. Children, with or without dyslexia, who are successful at sounding out regular words should be encouraged to do so every time they encounter a new word. The reason why both decodable and tricky words have been turned into visual cues in this book is to help the children accelerate their early literacy skills. Being able to rapidly read words and make up simple sentences during writing tasks boosts their self-image and minimises the chances of losing early enthusiasm for literacy. Multisensory instruction gives children more than one way to make connections when learning words. It targets visual skills (observing how letters within words unfold/reveal themselves through a story), motor (tactile) skills (tracing the letters within words on the background that relates to the story) and auditory ones (listening to the connecting story, engaging with it, answering questions, predicting what might happen next, etc.) Not every HFW story will inspire the child to use all of their senses (taste, smell, touch, sight, hearing and movement), but it will encourage them to engage with the material in more than one way.

The British Dyslexia Association Teaching Dyslexic Students

The British Dyslexia Association   Teaching Dyslexic Students
Author: British Dyslexia Association
Publsiher: Jessica Kingsley Publishers
Total Pages: 242
Release: 2023-06-21
Genre: Education
ISBN: 9781787757462

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This BDA developed guide assists you in supporting children and students with dyslexia and specific learning difficulties through their education. Designed specifically for candidates on Level 5 diploma courses in dyslexia and specific learning difficulties, this hands-on guide is the perfect training companion for those wanting to know more about dyslexia and how to support individuals with dyslexia. As an authoritative, entry-level resource covering both theory and practice, the methods, resources, and expert contributors in this book empower your learning as an educator towards better self-understanding, confidence and how to better support students in specialist and classroom settings.

Tricky Spellings in Cartoons for Children

Tricky Spellings in Cartoons for Children
Author: Lidia Stanton
Publsiher: Jessica Kingsley Publishers
Total Pages: 112
Release: 2021-01-21
Genre: Education
ISBN: 9781787756335

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A collection of fun, colorful cartoon mnemonics to help children aged 5-11 recall tricky spellings. It is particularly suited to kids who prefer to learn by seeing and doing, who have tried traditional spelling strategies but with limited success, or who continue to confuse similar sounding and similar looking words. The humor and active learning approach embodied in the book will support children to build associations and effortlessly recognise, learn and recall spelling patterns. An invaluable resource for teachers and parents supporting kids with dyslexia or other specific learning disabilities, ADHD or ASD, this fully illustrated guide is designed to work alongside the school curriculum. This edition contains mnemonics specifically tailored to American English spelling. If the traditional spelling methods aren't working for you, if you prefer to learn by seeing and doing or if you just want to make spelling fun, this book is for you.

200 Tricky Spellings in Cartoons

200 Tricky Spellings in Cartoons
Author: Lidia Stanton
Publsiher: Jessica Kingsley Publishers
Total Pages: 274
Release: 2021-01-21
Genre: Education
ISBN: 9781787755437

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The new revised edition of Lidia Stanton's bestselling book of mnemonics demystifying over 200 of the most difficult spellings. The book is structured around confusing pairs of words, such as homophones or words that 'go together', tricky everyday words and tricky academic words, with memorable illustrations on every page to help you connect the word's meaning and graphical features with how it's spelt. This is not a traditional spelling book, but a resource that will really get you thinking, and laughing out loud. This guide encourages active learning and recollection, breaking away from repetitive methods such as 'look, cover, write, check', enabling you to effortlessly recall and identify once-confusing spelling patterns.

Tricky Punctuation in Cartoons

Tricky Punctuation in Cartoons
Author: Lidia Stanton
Publsiher: Jessica Kingsley Publishers
Total Pages: 224
Release: 2020-05-21
Genre: Education
ISBN: 9781787754034

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This illustrated punctuation workbook supports students with dyslexia, ADHD or other specific learning difficulties to develop their punctuation skills via inquiry-based learning. Using humour and fun cartoons to teach punctuation, the book encourages students to engage in active learning to make their own connections about punctuation rather than rote memorisation of rules. The jokes and unexpected punch lines also help make punctuation more fun and less intimidating. Using this workbook and inquiry-based learning the student gradually becomes proficient in generalising the specific rules they have learnt, detecting patterns from examples and inferring rules. Tricky Punctuation in Cartoons complements school literacy programmes and helps equip students who learn differently with additional ways to remember tricky punctuation rules.

11 Vocabulary Cartoons

11  Vocabulary Cartoons
Author: A. Mason
Publsiher: Createspace Independent Publishing Platform
Total Pages: 226
Release: 2016-10-22
Genre: Electronic Book
ISBN: 1539364119

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11+ Vocabulary Cartoons To improve your memory you must increase the number and variety of your mental associations. When you learn new words, make sure you learn them in a context. It is far easier to remember a picture than an abstract concept. So the trick to remember an abstract word, is to turn it into a picture. And..... It is much easier to picture a sentence rather than picture a word in isolation. When you create the picture, make sure it meets one or more of the following criteria so that it 'sticks'. OUT OF PROPORTION - In all your images, try to distort size and shape. You can imagine things much larger than their normal size or conversely, microscopically small. SUBSTITUTION - You could visualise footballers kicking a television around a football pitch instead of a football, or pens growing on a tree instead of leaves. Substituting an out of place item in an image increases the probability of recall. EXAGGERATION - Try to picture a very large quantity in your images. MOVEMENT - Any movement or action is always easy to remember. HUMOUR - The funnier, more absurd and zany you can make your images, the more memorable they will be. Applying multiple combination of these five principles when forming your images will help make your mental associations truly outstanding and memorable. At first, you may find that you need to consciously apply one or more of the five principles in order to make your pictures sufficiently ludicrous. After a little practice however, you should find that applying the principles becomes an automatic and natural process. Some UNIQUE features of this book; -All the hard work done for you. Over 200 words converted into pictures utilizing the concepts above! -Focus on words likely to appear in the 11 plus Exam -Synonyms/Antonyms and sentences for EACH word - Over 1500 high frequency 11+ words in total!

Which Way

Which Way
Author: Lidia Stanton,Harry Stanton
Publsiher: Createspace Independent Publishing Platform
Total Pages: 32
Release: 2017-07-07
Genre: English language
ISBN: 1548579122

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For page samples, follow the link: https://books.lidiastanton.com/whichway This colourful and highly engaging resource is written for children as young as 4-5 years old but also those in Key Stage 2 of primary school (up to 9 years old) who continue to feel confused by letter and digit shapes. The latter group might become so discouraged that they avoid writing, or write very little, despite having great imaginations. They start doubting their ability to simply 'know' the correct way when writing b/d, p/q, p/g, 9/g, 6/9, s/z, 5/S, S/3, etc. Most teachers and parents are very good at playing down the reversals and encouraging the child to have another go. They say, "It's fine, it's still good writing. I love what you've written here." Yet, after so many attempts and after so many teacher corrections on the page, the child begins to think, "This writing game might not be for me after all". Those with dyslexia will have additional phonological difficulties to manage alongside poor memory for graphic shapes. This workbook is for children who can trace well at speed, thus appear to have developed adequate motor memory in their fingers, yet struggle to remember 'which way' to write the letter or digit. It is very likely that they will be ready to integrate this type of linear visual-spatial information at a later time. For now, they have no real-life representation, or model, of a handful of graphic shapes in their brains, and this, in turn, can affect their confidence in writing independently. This resource offers practical and long-term 'tricks' that will trigger the child's memory at the right moment. It adopts a complementary approach to traditional letter formation teaching to bridge the gap between children who are proficient graphic writers and those whose brains make different sense of graphic information. Many children with dyslexia and dysgraphia will particularly benefit from completing the workbook. How to use the resource The child doesn't need to work through the entire book. Choose sections that are relevant to their needs. Younger children (aged 4-6) will almost certainly need assistance when working with the resource, although older ones will no doubt choose to work independently, showing their practised strategies and completed activities to teachers and parents. It is recommended that section 7 (Use your whole body) is attempted with the help of an older helper or adult. There are more than one method to help distinguish between b/d/p and s/z in this workbook. Introduce the child to only one method at a time, evaluate the child's progress, and decide whether there is a need to move on to the next one. Some children are more practical than visual - the 'Use your hands' strategy might be sufficient for them. Other children might enjoy more visual strategies in sections 4, 5 and 6. In my experience, section 7 (Use your whole body) works well with children who need to 'experience' concepts in a multi-sensory manner. Pay attention to the child's initial response to a particular method. It will guide you along. You can mix and match strategies. Some children don't confuse b/d as much but struggle with p/9. Some activities can be completed independently of the section the child is currently working through. For example, Activity 7 can be attempted after completing the 'Use your hands' section. Flick through the book to decide which activities appear to be suitable to the child's current progress.

Blindsight

Blindsight
Author: Peter Watts
Publsiher: Macmillan
Total Pages: 388
Release: 2006-10-03
Genre: Fiction
ISBN: 9781429955195

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Hugo and Shirley Jackson award-winning Peter Watts stands on the cutting edge of hard SF with his acclaimed novel, Blindsight Two months since the stars fell... Two months of silence, while a world held its breath. Now some half-derelict space probe, sparking fitfully past Neptune's orbit, hears a whisper from the edge of the solar system: a faint signal sweeping the cosmos like a lighthouse beam. Whatever's out there isn't talking to us. It's talking to some distant star, perhaps. Or perhaps to something closer, something en route. So who do you send to force introductions with unknown and unknowable alien intellect that doesn't wish to be met? You send a linguist with multiple personalities, her brain surgically partitioned into separate, sentient processing cores. You send a biologist so radically interfaced with machinery that he sees x-rays and tastes ultrasound. You send a pacifist warrior in the faint hope she won't be needed. You send a monster to command them all, an extinct hominid predator once called vampire, recalled from the grave with the voodoo of recombinant genetics and the blood of sociopaths. And you send a synthesist—an informational topologist with half his mind gone—as an interface between here and there. Pray they can be trusted with the fate of a world. They may be more alien than the thing they've been sent to find. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.