First Contact

Kaufman details the incredible true story of science's search for the beginnings of life on Earth and the probability that it exists elsewhere in the universe.

The official novelization of the widely acclaimed major motion picture based on Star Trek: The Next Generation! From the deepest, darkest reaches of space came the greatest threat the United Federation of Planets had ever faced: the Borg, a half-organic, half-mechanical species relentlessly bent on conquering and “assimilating” all intelligent life into their collective. Only through the courage and determination of the USS Enterprise crew was Captain Jean-Luc Picard able to be rescued from his own abduction and assimilation by the Borg and this alien menace prevented from destroying Earth itself. Now, several years later, the Borg are back and more dangerous than ever, launching a new attack against the heart of the Federation—one that simultaneously threatens Earth’s past, present, and future. As Captain Picard and the Enterprise crew risk their lives alongside unexpected allies, they must all stand against their greatest foe in a startling confrontation across time, even as the Borg Collective’s deadliest secret and its true face are finally revealed…

An in-depth look at the making of Star Trek: First Contact, featuring rare and previously unseen production art and new and exclusive cast and crew interviews. Twenty-five years ago, Star Trek: First Contact saw Picard, Data, and the Enterprise crew go back in time to stop the Borg before they could prevent Earth’s first contact with an alien species and assimilate the entire planet. Celebrate this landmark anniversary by taking a deep dive into the stories behind this beloved film. This beautiful coffee-table book is full to the brim of archival material, behind-the-scenes photography, concept art, production designs, and much more, and includes new and exclusive interviews with cast and crew, including Jonathan Frakes, Alice Krige, Rick Berman, Brannon Braga, Ronald D. Moore, Marina Sirtis, Herman Zimmerman, and Michael Westmore.

Representations of first contact—the first meetings of European explorers and Native Americans—have always had a central place in our nation’s historical and visual record. They have also had a key role in shaping and interpreting that record. In Framing First Contact author Kate Elliott looks at paintings by artists from George Catlin to Charles M. Russell and explores what first contact images tell us about the process of constructing national myths—and how those myths acquired different meanings at different points in our nation’s history. First contact images, with their focus on beginnings rather than conclusive action or determined outcomes, might depict historical events in a variety of ways. Elliott argues that nineteenth-century artists, responding to the ambiguity and indeterminacy of the subject, used the visualized space between cultures meeting for the first time to address critical contemporary questions and anxieties. Taking works from the 1840s through the 1910s as case studies—paintings by Robert W. Weir, Thomas Moran, and Albert Bierstadt, along with Catlin and Russell—Elliott shows how many first contact representations, especially those commissioned and conceived as official history, speak blatantly of conquest, racial superiority, and imperialism. Yet others communicate more nuanced messages that might surprise contemporary viewers. Elliott suggests it was the very openness of the subject of first contact that allowed artists, consciously or not, to speak of contemporary issues beyond imperialism and conquest. Uncovering those issues, Framing First Contact forces us to think about why we tell the stories we do, and why those stories matter.

Telepathic contact with an ET on another planet. In this book you'll learn: Telepathic Contact Is Possible with ETs First Public Contact by the Pleiadians Is in 2015 The Grays Will Come to Apologize for Kidnappings A "First Contact" Team Arrives in 2017 from Sirius B "Portal Hopping" Is Used to Travel the Universe Detailed Descriptions of a Mothership and Crew Translation Devices for Every Planet's Languages The History of the Real War Between Galaxies About the Federation of 200 Planets We Will Join There Is Another Universe We Think Is Ours This is vital information you need to know now about our past, present, and future contacts with ETs.

Representations of first contact—the first meetings of European explorers and Native Americans—have always had a central place in our nation’s historical and visual record. They have also had a key role in shaping and interpreting that record. In Framing First Contact author Kate Elliott looks at paintings by artists from George Catlin to Charles M. Russell and explores what first contact images tell us about the process of constructing national myths—and how those myths acquired different meanings at different points in our nation’s history. First contact images, with their focus on beginnings rather than conclusive action or determined outcomes, might depict historical events in a variety of ways. Elliott argues that nineteenth-century artists, responding to the ambiguity and indeterminacy of the subject, used the visualized space between cultures meeting for the first time to address critical contemporary questions and anxieties. Taking works from the 1840s through the 1910s as case studies—paintings by Robert W. Weir, Thomas Moran, and Albert Bierstadt, along with Catlin and Russell—Elliott shows how many first contact representations, especially those commissioned and conceived as official history, speak blatantly of conquest, racial superiority, and imperialism. Yet others communicate more nuanced messages that might surprise contemporary viewers. Elliott suggests it was the very openness of the subject of first contact that allowed artists, consciously or not, to speak of contemporary issues beyond imperialism and conquest. Uncovering those issues, Framing First Contact forces us to think about why we tell the stories we do, and why those stories matter.

Pulitzer Prize-winning author and astronomer Carl Sagan imagines the greatest adventure of all—the discovery of an advanced civilization in the depths of space. In December of 1999, a multinational team journeys out to the stars, to the most awesome encounter in human history. Who—or what—is out there? In Cosmos, Carl Sagan explained the universe. In Contact, he predicts its future—and our own.

An original spin-off novel set in the popular Star Trek: The Next Generation universe from bestselling author John Vornholt. From the deepest, darkest reaches of space came the greatest threat the Federation had ever faced: the BorgTM. Half organic/half mechanical, the Borg were relentless and bent on conquering and "assimilating" all intelligent life; a single Borg vessel destroyed 39 Federation starships, decimating Starfleet. Only the courage and determination of Captain Jean-Luc Picard and his crew prevented the Borg from striking at the heart of the Federation and Earth itself in the year 2367. Picard and the USS EnterpriseTM were able to score a stunning victory against the Borg. But all that has changed, and the Borg are back... Stronger and more dangerous than ever, they are ready to launch a new attack against the Federation, one that threatens its past...present...and future. Once again, Captain Picard, Commander Riker, Lieutenant Commander Data and the rest of the crew must face their greatest foe in a startling confrontation that will take them across time and put them face-to-face with their relentless enemy, revealing the Borg Collective's deadliest secret...and its true face.