Five O Clock Shadow

Newlywed Pauly Caton watches, horrified, as the hot air balloon—the one she should have been riding in—falls from the sky. She races to the wrecked basket to discover both the pilot and her husband Randy dead in the fiery crash. The lone survivor appears to be an unknown child, who runs from the scene, naked and fearful, and disappears from sight. Shocked, Pauly turns to her Grams, a flashy grande dame and carnival owner, and a source of comfort for her pain. During the ensuing weeks, Pauly learns that nearly everything she knew about her new husband was based on lies and deception. As Christmas approaches, she attempts to pick up the pieces of her life and uncovers a host of other surprises about Randy—things that make her question everything about her choice to marry him. She senses she can trust no one, not even the police, and learns that there are secrets which threaten to put her own life in danger. Praise for Susan Slater’s previous mystery novels: The Dan Mahoney series: “Flash Flood is just what it sounds like—a fresh, surprising, adrenaline-rush whitewater ride. It’s also funny. Susan Slater can flat-out write.” —Don Winslow, New York Times bestselling author “Slater’s excellent sequel to Flash Flood takes insurance investigator Dan Mahoney to tiny Wagon Mound, New Mexico … Readers will be glad they’re along for the ride.”— Publishers Weekly (starred review) “There’ll be much, much more, with whispers of everything from alien experiments to voodoo, before Slater closes out this lively, surprising case, first of a series.” – Kirkus Reviews “Dan Mahoney is an appealingly resilient character, a welcome addition to the roster of sleuths that make the Southwest a hotbed of current mystery fiction.” —Publishers Weekly The Ben Pecos mystery series: “Solid, suspenseful narrative and colorful glimpses of Native American life ... strongly recommend.” —Library Journal “A series to watch.” —Booklist “… Ben Pecos—raised far from New Mexico’s Tewa Pueblo—could become as lasting a fictional presence as Joe Leaphorn and Jim Chee.” – Chicago Tribune “… a gripping, interesting tale.” –5 stars, online review

Terrific. --Jane Heller

Handmade Stories “After fifty years of living in these pieces, I can better get a grip on my psychosis,” says the author of 5 O’clock Shadow. Honed and smoothed to the bone, these tales bear the balm and bruises of a man’s life, abstracted. Drunkalogues, short pieces from the mouths of recovering drunks that remember how it was. “The point is, drunkalogues are not merely deviational episodes to be logged as down time, but are valuable dramas that contain the blueprint of our lives.” “I’m reticent to publish for fear I’ll fall over a railing to the mezzanine and land in a dumpster of store-bought roses, thorns intact.” Which is just another drunkalogue that didn’t make the cut. It takes place in Las Vegas in a lot outside the Review-Journal: a story that begins with a Greyhound bus and ends with same. “Some things don’t change,” says Peterson, “like real life and the stories that seek comfort in it.”

"Poems that return over and over to the land - an offering to the country of Richard's bones and of his heart. From a longdrop that demands binoculars to Caberfeidh in the Catlins where his father picked plums from the passing train, Richard Langston writes poems that return over and over to the land. Born to a Lebanese immigrant family in Dunedin, and a Country Calendar director by trade, he is constantly refreshing his acquaintance with the country he calls home. Somehow writing it down seals the deal. 'We make marks in ink,' he says. 'We are here.' Poetry is incantation too, and Richard uses it to call family from the shadows and sing ancestors into being, a tentative offering to the country of his bones and of his heart."--Publisher information.

The Routledge Dictionary of Modern American Slang offers the ultimate record of modern, post WW2 American Slang. The 25,000 entries are accompanied by citations that authenticate the words as well as offer examples of usage from popular literature, newspapers, magazines, movies, television shows, musical lyrics, and Internet user groups. Etymology, cultural context, country of origin and the date the word was first used are also provided. In terms of content, the cultural transformations since 1945 are astounding. Television, computers, drugs, music, unpopular wars, youth movements, changing racial sensitivities and attitudes towards sex and sexuality are all substantial factors that have shaped culture and language. This new edition includes over 500 new headwords collected with citations from the last five years, a period of immense change in the English language, as well as revised existing entries with new dating and citations. No term is excluded on the grounds that it might be considered offensive as a racial, ethnic, religious, sexual or any kind of slur. This dictionary contains many entries and citations that will, and should, offend. Rich, scholarly and informative, The Routledge Dictionary of Modern American Slang and Unconventional English is an indispensable resource for language researchers, lexicographers and translators.

From an author described by Kirkus as “lively, surprising” comes Five O’Clock Shadow with its puzzler of a plot tied to colorful New Mexico. As the great balloon bearing the image of a clock swoops across the River Grande, Pauly Caton watches her husband of four days fall from the sky. Who is the naked child who scrambles from the gondola when it strikes a sandbar and flees? Did she just imagine it? Why would he have been up with Randy and the pilot on the honeymoon ride she was too chicken to join? Who, in fact, was meant to die? And meant to die it was — her hastily snapped photos of the scene show a masked sharpshooter stationed high up in a tree. As Pauly tries to put her shattered life together, she discovers the lies. The first in the morgue. How else had Randy deceived her? Had he told her anything that was the truth? Were his partners in their get-rich company any more honest? Pauly knows she hadn’t signed any of the documents the lawyer presents to her. Maybe she’ll insist on becoming an active partner. Pauly’s flamboyant Grams, the much-married carnival queen, offers her only grandchild a place to recover, a retreat on Albuquerque’s west side that’s home to fifty odd folks complete with clowns, a handsome tattoo man — and the snakes. And then Pauly finds out she’s rich — money that she swears could not have been Randy’s. Where did he get it? Who was the son he apparently adopted? A trip to El Paso uncovers more mysterious acts and points her towards the truth. But will she live long enough to find it? Susan Slater reveals the same sharp offbeat plotting skills, the zest for language, and colorful scenes that marked her caper Flash Flood where “troubles buildlike thunderheads over New Mexico skies.” [Publishers Weekly]