Fizzles

Eight short prose pieces written between 1973-1975.

Exceptionally designed and handsomely printed catalog of a travelling exhibition. Includes, in addition to a reproduction of the rare limited-edition book by Johns and Samuel Beckett, duotones of proofs executed for the original project, and five original essays on the artists. Paper reprint of the 1987 cloth edition. Annotation copyrighted by Book News, Inc., Portland, OR

She traces this tradition from its early "French connection" in the poetry of Rimbaud and Apollinaire as well as in Cubist, Dada, and early Surrealist painting; through its various manifestations in the work of Gertrude Stein, William Carlos Williams, and Ezra Pound; to such postmodern "landscapes without depth" as the French/English language constructions of Samuel Beckett, the elusive dreamscapes of John Ashbery, and the performance works of David Antin and John Cage.".

This collection of essays offers a historical reappraisal of what musical modernism was, and what its potential for the present and future could be. It thus moves away from the binary oppositions that have beset twentieth-century music studies in the past, such as those between modernism and postmodernism, between conceptions of musical autonomy and of cultural contingency and between formalist-analytical and cultural-historical approaches. Focussing particularly on music from the 1970s to the 1990s, the volume assembles approaches from different perspectives to new music with a particular emphasis on a critical reassessment of the meaning and function of the legacy of musical modernism. The authors include scholars, musicologists and composers who combine culturally, socially, historically and aesthetically oriented approaches with analytical methods in imaginative ways.

Do we take Beckett seriously enough? This study starts from the assumption that we do not, and that this arises from an unwillingness to face up to the central philosophical issues implicit in his work. By associating Samuel Beckett with the philosophy of Heidegger, Sartre, and more experimentally, Hegel, this study attempts to illuminate Beckett with the help of these philosophers, on the assumption that his work offers objective correlatives of their central insights.

Why Good Churches Fizzle explores the reasons why high-potential, highly motivated churches struggle in their God-given mission. The fizzling church is defined as one that began with great promise and excitement, only to stagnate or flatline in influence. What are the components of churches that fizzle, and what are the attributes of churches that succeed? Practical insights and exercises are presented in clear and simple language to the readership, and the author writes from the perspective of an organizational leadership professor, an executive leader from a major Christian university, and as an executive pastor.