Flashes Through The Mirror

I was told I need to write a section for the book about the book. Well, Im out of words and too tired to think. Why cant I just draw pictures with stick figures? This isnt a novel; its an autobiography. Is not whats inside enough to emphasize in writing what this is all about? I cant explain everything because sometimes some things are just meant to be figured out. In a maximum of one hundred and fifty words, this section must be defined. Sorry to say Im going to keep going past that because I have thoughts of unrealistic but words so intelligently intricate. Anybody can plant a seed, but how healthy is your soil? Theres no telling what my words say because I can explain them in multiple different ways. Im not trying to confuse you. Can you just really understand what Im trying to say? They can go this way, but then again they can go that way. Dont ask me. I already know what Im trying to say. If you have questions, you might as well keep them to yourself. My answers are all right here, and its not my fault if you dont understand what Im trying to say. Maybe Im not trying to say anything but explain how my thoughts come to you. No producer, no director, just straight angles in ways Im trying to write to you. Good luck, because nobody knows what my words mean but me. How Im directing them, theres no control to the wind that can shift them into a direction that youll have no way to go but one way to go through. Im going to put so much into this; maybe I should just add an extra page. Im looking for a sound but dont hear a noise. Im sniffing for a breeze but dont feel any wind. I execute my steps, and maybe thats why I feel like I have nothing to walk on. The ground is planted, and Im on the ground. But somehow the air has taken me afloat to the clouds that can only bring me back down. Man makes concrete and lays it down. People walk over this concrete. I am the concrete. Thats how solid Ive become from the tramples to the stampedes. I dont care what you say from however to therefore, so with the cracks, you may seem to think it breaks me down. My weight limit exceeds multiple degrees in unlimited units of measure. I have two intros and an afterthought. What more do you need for an explanation for this book? Im designing my own pine box, but whatever you have for me, let God decide the rest on that. Be careful what youre reading though because I might not even be talking to you. If the assumption is the mother of all , then I must be mistaken. If Im your doubt, then I have nothing to worry about.

The FLASH zooms through a looking glass into another world where he is captured by the MIRROR MASTER.

A Good Morning America Buzz Pick! As seen in Vulture, Essence, Good Morning America, The Independent, Goodreads, PureWow, and many more! "A sexy, surprising, searing debut about love, loss, desire, and the many dimensions of Black womanhood."—Deesha Philyaw, 2020 National Book Award Finalist & award-winning author of The Secret Lives of Church Ladies An arresting debut for anyone looking for insight into what it means to be a Black woman in the world. Three Black women are linked in unexpected ways to the same influential white man in Stockholm as they build their new lives in the most open society run by the most private people. Successful marketing executive Kemi Adeyemi is lured from the U.S. to Sweden by Jonny von Lundin, CEO of the nation's largest marketing firm, to help fix a PR fiasco involving a racially tone-deaf campaign. A killer at work but a failure in love, Kemi's move is a last-ditch effort to reclaim her social life. A chance meeting with Jonny in business class en route to the U.S. propels former model-turned-flight-attendant Brittany-Rae Johnson into a life of wealth, luxury, and privilege—a life she's not sure she wants—as the object of his unhealthy obsession. And refugee Muna Saheed, who lost her entire family, finds a job cleaning the toilets at Jonny's office as she works to establish her residency in Sweden and, more importantly, seeks connection and a place she can call home. Told through the perspectives of each of the three women, In Every Mirror She's Black is a fast-paced, richly nuanced yet accessible contemporary novel that touches on important social issues of racism, classism, fetishization, and tokenism, and what it means to be a Black woman navigating a white-dominated society. Praise for In Every Mirror She's Black: "In Every Mirror She's Black is a wise and complicated exploration of the lives of three Black women in America and Sweden. Lola Akinmade Åkerström offers a sharply written story with messy, deeply moving characters, raising brutal questions and steering clear of easy answers. A book that will stick with you long after you've turned the last page." —Taylor Jenkins Reid, New York Times bestselling author of Daisy Jones & The Six and Malibu Rising "In Every Mirror She's Black highlights the struggles of three women fighting to assimilate into a society that ignores their worth. These characters will pull at your heartstrings. Lola writes with a contemporary flair, highlighting the layered subtleties of the Black woman's plight. In Every Mirror She's Black will stay with readers for a long time." —Nicole Dennis-Benn, author of bestselling novels Here Comes the Sun and Patsy "In her debut novel, Lola Akinmade Akerstrom has given us a story that is at once enjoyable and disturbing as it explores the painful price millions of women around the world pay for walking around with black skin." —Imbolo Mbue, New York Times bestselling author of Behold the Dreamers