Flatpicking Gospel Tunes

In this book three time National Flatpicking Guitar Champion Steve Kaufman presents rousing guitar solos on 24 gospel favorites. Each song is shown with a melody part in notation and tablature, lyrics, an accompaniment part in tablature and a stirring flat- picking solo in notation and tablature. This recording is designed for listening first and second as an instructional tool. All 24 songs are played through three times at least. The first time is as it appears in the book and the two versions that follow are improvised versions. Making this a listening tool and an ear training tool. Recorded Digital to Analog in true stereo sound. This recording can be used with either Flatpickin' the Gospels or Autoharping the Gospels. Audio and Video download available online

"This book/CD combo presents flatpicking arrangements of inspirational tunes written in standard notation and tablature, also included for each song is a leadsheet arrangement with lyrics, chord symbols and fretboard diagrams for reference."

A collection of 24 bluegrass/gospel favorites arranged for mandolin with rhythm guitar accompaniment. These intermediate/advanced solos are comprised of melodic embellishments and standard runs that may be utilized with other songs with similar chord structures. All solos are written in notation and tablature.

A collection of Southern Gospel and Camp Meeting all time favorites scored in notation and tab in an easy to play flatpicking guitar style. A companion CD is included. on the CD each piece is played twice, once as a guitar solo with accompaniment and again as a back-up track so the guitarist may practice the piece and use in a worship setting; ideal for small group or church performance.

This is a collection of 25 beloved “old-time” Gospel songs arranged for flatpick guitar solo. The selections feature beautiful, lyrical melodies and many have a pleasing “Gospel swing feeling”. These solos work well as preludes or offertories at church services or just as fun pieces to play, regardless of the setting. All solos are in notation and tablature. Includes access to online audio recorded by the author for each solo.

The idea here is to help coordinate the pickers so you all have solos to play and they can be played in the same key. What a concept - a Band in the Book. Within these pages you will find solos for the entire band: lead guitar, rhythm guitar, banjo, mandolin, fiddle and bass. the mandolin and fiddle share the same tunings so their solos are just written once for both. If you are just starting out and you are having difficulty-finding solos for your level - look no more. These solos are written for the beginner level student assuming you can already play a few simple solos or lead breaks. This series will help you to learn solos on multiple instruments, help organize ensemble play, help develop a steady sense of timing and give you hours of enjoyment as well.View the lyrics for this book.

This book is an extension of Flatpickin' the Gospels by Steve Kaufman with autoharp arrangements written by Carol Stober. She makes it easy to learn these great gospel tunes on the autoharp! This book can be used to play chords along with singing, or for playing the melody solo. the arrangements are written as simply as possible to facilitate sight reading, so that you do not have to memorize the tune in order to play up to tempo. Complete lyrics are included. In notation and tablature.

In this book, journalist, composer, songwriter, teacher, and 2003 Winfield Flatpicking Guitar Champion, Jeff Troxel, delivers a masterclass in arranging fiddle tunes for flatpicking guitar. These 20 themes and variations on favorite bluegrass melodies are designed to improve overall musicianship and augment your own arranging skills. Ideal for the intermediate to advanced flatpicking guitarist, the author reveals techniques for enabling readers to create their own theme and variations settings. Suggested rhythm guitar chords and light left-hand fingerings are also provided. Troxel points out that one of the unexpected benefits of learning and memorizing themes with variations is that the process will ultimately facilitate linear and harmonic improvisation. It would be a painstaking process to learn this skill from a teacher or a harmony textbook, but once memorized, the scale and arpeggio patterns within these tunes and variations will set you on a viable path towards original improvised lines. As a bonus, the author includes a generous appendix containing several of his Flatpicking Guitar Magazine articles that deal with aspects of musicianship that every guitarist should know. While written in standard notation and tab, if you have relied solely on tablature and recordings in the past, this book can provide the key to understanding essential music theory and reading standard notation. If you’re not quite ready to learn to read standard notation, you can still use the tab and the author’s excellent online recordings to learn these delightful arrangements. In any case, it will be fun to get these settings of standard bluegrass tunes “in-hand” and use them in future jam sessions.