Flirtations

What is flirtation, and how does it differ from seduction? In historical terms, the particular question of flirtation has tended to be obscured by that of seduction, which has understandably been a major preoccupation for twentieth-century thought and critical theory. Both the discourse and the critique of seduction are unified by their shared obsession with a very determinate end: power. In contrast, flirtation is the game in which no one seems to gain the upper hand and no one seems to surrender. The counter-concept of flirtation has thus stood quietly to the side, never quite achieving the same prominence as that of seduction. It is this elusive (and largely ignored) territory of playing for play’s sake that is the subject of this anthology. The essays in this volume address the under-theorized terrain of flirtation not as a subgenre of seduction but rather as a phenomenon in its own right. Drawing on the interdisciplinary history of scholarship on flirtation even as it re-approaches the question from a distinctly aesthetic and literary-theoretical point of view, the contributors to Flirtations thus give an account of the practice of flirtation and of the figure of the flirt, taking up the act’s relationship to issues of mimesis, poetic ambiguity, and aesthetic pleasure. The art of this poetic playfulness—often read or misread as flirtation’s “empty gesture”—becomes suddenly legible as the wielding of a particular and subtle form of nonteleological power.

An “excellent” ethnography that “reveal[s] the global implications of the US morality on international policies and migrant workers” (Cristina Firpo, International Review of Modern Sociology). In 2004, the US State Department declared Filipina hostesses in Japan the largest group of sex trafficked persons in the world. Since receiving this global attention, the number of hostesses entering Japan has dropped by nearly 90 percent. To some, this might suggest a victory for the global anti-trafficking campaign, but Rhacel Parreñas counters that this drastic decline—which stripped thousands of migrants of their livelihoods—is a setback. Parreñas worked alongside hostesses in a working-class club in Tokyo’s red-light district, serving drinks and entertaining her customers. While the common assumption has been that these hostess bars are hotbeds of sexual trafficking, Parreñas quickly discovered a different world of working migrant women, there by choice, and, most importantly, where none were coerced into prostitution. Illicit Flirtations calls into question the US policy to broadly label these women as sex trafficked. It highlights how in imposing top-down legal constraints to solve the perceived problems—including laws that push dependence on migrant brokers and measures that criminalize undocumented migrants—many women become more vulnerable to exploitation, not less. This book gives a long overdue look into the real world of those labeled as trafficked. “A highly readable and informative book.” —Ko-lin Chin, Criminal Law and Criminal Justice Books “A nuanced portrayal. . . . Scholars and policy-makers should take note.” —Viviana A. Zelizer, Princeton University, author of Purchase of Intimacy and Economic Lives: How Culture Shapes the Economy “An extraordinary book.” —Saskia Sassen, Columbia University, author of A Sociology of Globalization

During the Georgian period there was a remarkable proliferation of seductive visual imagery and written accounts of female performers. Focusing on the close relationship between the dramatic and visual arts at this time, this beautiful and stimulating book explores popular ideas of the actress as coquette, whore, celebrity, muse, and creative agent, charting her important symbolic role in contemporary attempts to professionalize both the theatre and the practice of fine art. Gill Perry shows how artists such as Gainsborough, Reynolds, Hoppner or Lawrence produced complex images of female performers as fashion icons, coquettes, dignified queens or creative artists. The result is a rich interdisciplinary study of the Georgian actress. Published for the Paul Mellon Centre for Studies in British Art

DigiCat Publishing presents to you this special edition of "Modern Flirtations" (A Novel) by Catherine Sinclair. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

The Matrimonial Flirtations of Emma Kaulfield is an often laugh-out-loud comedy of conflicting manners, values, and customs, set against the backdrop of a Russian immigrant family’s struggle to assimilate, their newfound love of capitalism, and their insistent push for their children's tangible success. Emma Kaulfield escaped the Soviet Union in the 1980s when she was 10--hers was one of the last Jewish families to be let out. Now a gorgeous young woman, going to grad school at NYU, chaffing at the cultural restraints of her heritage, Emma is engaged to someone just like her--a handsome young Russian Jew--but then a steamy encounter with a stranger in a restaurant bathroom turns into a torrid love affair. She wrestles with what she knows she should do (career vs. art); who she should love (one of her own vs. the exotic temptation), to remain loyal to her family, her people--after all they have suffered--or cut ties and defy those who love her. The Matrimonial Flirtations of Emma Kaulfield builds in power and suspense, easily becoming an all-night binge read, impossible to put down. Fishbeyn’s debut novel is sexy, hilarious, heartbreaking, and breathtaking.