Flirting With Fame

Elise Jameson is the secret author behind the bestselling, cult hit Viking Moon series. But when a stranger poses as Elise, the painfully shy, deaf nineteen-year-old starts to see how much she’s missing. Can she really hide in the shadows forever? This clever, coming-of-age debut is for anyone who has ever felt unsure in her own skin. After a freak childhood accident leaves her deaf and physically scarred, nineteen-year-old Elise Jameson retreats into a world of vibrant characters she creates on her laptop. She is shocked when her coping mechanism turns into a career as a phenomenal bestselling novelist. Fans are obsessed with Elise’s Viking Moon series and its author—a striking girl with zero resemblance to Elise who appears on the back covers. Elise sent the randomly Googled photo to her editor following a minor panic attack. Now, horrified to learn she is expected on set of the television pilot based on her novels, Elise tracks down her anonymous stand-in. To Elise’s surprise, Veronica Wilde has been taking credit for Viking Moon for years. She eagerly agrees to keep up the charade if Elise will pose as her assistant. It’s hard for Elise to watch a stranger take credit for her work and get all the perks she desires, including admiration from the show’s heartthrob star. Edged onto the sidelines of her own life, Elise reconsiders her choice to stay anonymous. Is she ready to come to terms with her true identity—and with the long-buried secrets that could cost her her career, her fans, and the few precious friendships she’s made?

A Hollywood publicist relates his best stories.

Hilarious stories from a publicist who's met Everyone.

A collection of short stories based on true tales from the author's life.

Taking up where the author's book Of Modern Dragons (2007) left off, these essays continue Lennard's investigation of the praxis of serial reading and the best genre fiction of recent decades, including work by Bill James, Walter Mosley, Lois Mcmaster Bujold, and Ursula K. Le Guin. There are groundbreaking studies of contemporary paranormal romance, and of Hornblower's transition to space, while the final essay deals with the phenomenon and explosive growth of fanfiction, and with the increasingly empowered status of the reader in a digital world. There is an extensive bibliography of genre and critical work, with eight illustrations and many hyperlinks.

Get more bang for your buck with this exclusive ebook boxed set, featuring seven full-length contemporary romances and extended teasers of five other books, perfect for every romance reader! This boxed set features seven delightful full-length contemporary romance novels. The stories range from two women struggling to keep their lingerie shop afloat while juggling romance in Try Me On For Size, to a horseback riding teacher trying to ignore advances from the hunky Hollywood actor who also happens to be the father of one of her students in Thrown, to a woman actually living a fairytale—that is, until her sexy ex shows up to throw a wrench in all her plans in Love Like the Movies. Seven Books for Seven Lovers is the perfect collection of charming love stories for any voracious reader!

What did Wordsworth wear, and where did he walk? Who was Byron’s new mistress, and how did his marriage fare? Answers—sometimes accurate, sometimes not—were tantalizingly at the ready in the Romantic era, when confessional poetry, romans à clef, personal essays, and gossip columns offered readers exceptional access to well-known authors. But at what point did familiarity become overfamiliarity? Widely recognized as a social virtue, familiarity—a feeling of emotional closeness or comforting predictability—could also be dangerous, vulgar, or boring. In The Limits of Familiarity, Eckert persuasively argues that such concerns shaped literary production in the Romantic period. Bringing together reception studies, celebrity studies, and literary history to reveal how anxieties about familiarity shaped both Romanticism and conceptions of authorship, this book encourages us to reflect in our own fraught historical moment on the distinction between telling all and telling all too much.

In the spring of 1816, Lord Byron was the greatest poet of his generation and the most famous man in Britain, but his personal life was about to erupt. Fleeing his celebrity, notoriety and debts, he sought refuge in Europe, taking his young doctor with him. As an inexperienced medic with literary aspirations of his own, Dr Polidori could not believe his luck. That summer another literary star also arrived in Geneva. With Percy Bysshe Shelley came his lover, Mary and her step-sister Claire Clairmont. For the next three months, this party of young bohemians shared their lives, charged with sexual and artistic tensions. It was a period of extraordinary creativity from which would emerge Frankenstein, the gothic masterpiece of Romantic fiction, Byron's Childe Harold, Shelley's Mont Blanc, and The Vampyre by John Polidori, the first great vampire novel. It was also a time of remarkable drama and emotional turmoil. For Byron and the Shelleys, their stay by the lake would serve to immortalise them in the annals of literary history. But for Claire and Polidori, the Swiss sojourn would scar them forever.