Flow And Flux In Plato S Philosophy

In this bold new study, Andrew J. Mason seeks both to shed light on the key issue of flux in Plato’s work, and to show that there is also in Plato a notion of flow that needs to be distinguished from flux. Mason brings out the importance of this hitherto neglected distinction, and proposes on its basis a new way of understanding the development of Plato’s thought. The opposition between the ‘being’ of Forms and the ‘becoming’ or ‘flux’ of sensibles has been fundamental to the understanding of Plato from Aristotle to the present day. One key concern of this volume is to clarify which kinds or levels of flux Plato accepts in sensibles. In addition, Mason argues that this traditional approach is unsatisfactory, as it leaves out the important notion of flow. Unlike flux, flow is a kind of motion that does not entail intrinsic change. It is also not restricted to the sensible, but covers motions of soul as well, including the circular motion of nous (intelligence) that is crucial in Plato’s later thought, particularly his cosmology. In short, flow is not incompatible with ‘being’, and in this study Plato’s development is presented, largely, as his arrival at this view, in correction of his earlier conflation of flux and flow in establishing the dichotomy between being and becoming. Mason’s study offers fresh insights into many dialogues and difficult passages in Plato’s oeuvre, and situates Plato’s conception and usage of ‘flow’ and ‘flux’ in relation to earlier usage in the Greek poetic tradition and the Presocratic thinkers, particularly Heraclitus. The first study of its kind, Flow and Flux uncovers dimensions of Plato’s thinking that may reshape the way his philosophy is understood.

Plato and the Metaphysical Feminine offers a new interpretation of the role of the female and the feminine in Plato's political dialogues—the Republic, Laws, and Timaeus—informed by Deleuze's film theory and Irigaray's psychoanalytic feminism. Irene Han reads Plato against the grain in order to close the gap between the vitalists and Plato, instead of magnifying their differences. Han explores the ambivalence that the vitalist tradition, Irigaray, and Derrida have towards Platonism. The application of Deleuzian and Irigarayan concepts to the ancient texts produces a new reading of Plato, focusing on the centrality and importance of motion, change, sensuality, and becoming to Platonic philosophy and, thereby, reinterprets Platonic philosophy in the direction of Heraclitus rather than Parmenides: as feminist rather than masculinist, and as mimetic. It therefore prioritizes Heraclitean principles of movement and flux over Form, the feminine over masculine, and materiality, feeling, or sensation over abstraction and universal essence. Han's exploration illustrates how, in Plato's thought, the feminine maps itself onto the plane of phenomena—a plane associated with vitalist themes such as motion, tactility, and change (metabolē). Platonic metaphysics is recontextualized by illustrating how Being expresses itself through processes of (feminine) becoming. With this reformulation, the resulting account of Platonic Being destabilizes any purported Platonic dualism.

Rather than just offer background readings or a survey of views on a subject, as traditional anthologies do, this volume tries to engage the reader's active participation in understanding how philosophy came to be split between analytic and continental approaches and in finding ways to reconcile the two. It does so by tracing the history of philosophy as a perennial contest between two opposing world views: one that relates change to an underlying structure of invariance, and another that sees change itself ("flux") as the basic condition of existence. The seven chapters cover the full range of major topics of philosophy, from metaphysics to epistemology to ethics, and present carefully selected readings from key thinkers--Plato, Aristotle, Locke, Hegel, and Peirce up to Heidegger, Husserl, Kuhn, Kripke, and Putnam, among others--juxtaposed and introduced by the editors so as to stimulate active thinking about how the debate between these competing visions plays out in each arena. A bibliography of additional sources ends each chapter. The result is a new and inspiring tool for teaching philosophy to both beginning and advanced students. Even seasoned professionals will have much to learn about the development of philosophy and its current predicament from accepting the challenge to rethink the tradition from the perspective presented here.

The Myth of Er is the epilogue of Plato’s Republic. It could be considered as an independent text that refers to the greatest philosophical question of all times."Where does our soul go when we die and where does it come from when we are born?"Socrates in order to give an answer that would lead to a safe conclusion connects the journey of our soul to the function of our planetary system and tries to analyze the following sacramental but also scientific issues:- What is the difference between a developed soul and a developed mind?- Why is the cultivation of virtues necessary?- Which are the three roads of Hades and their connection to the "Van Allen belts"?- How are the penalties and rewards to our soul defined?- Where is Tartarus?- What does the spindle of necessity symbolize?- How are space time and the "Cuiper belt" connected?- What does the existence of Sirens and the three fates mean?- What is the procedure our incarnation?- What contract do we sign before we reincarnate on planet earth?- Which is the role of free will?- What does the mystery of the Dionysial theatre symbolize?- What difference is there between reincarnation and metempsychosis?- What is Socrates’ genius or our guardian angel?

Plato's Phaedo is a literary gem that develops many of his most famous ideas. David Ebrey's careful reinterpretation argues that the many debates about the dialogue cannot be resolved so long as we consider its passages in relative isolation from one another, separated from their intellectual background. His book shows how Plato responds to his literary, religious, scientific, and philosophical context, and argues that we can only understand the dialogue's central ideas and arguments in light of its overall structure. This approach yields new interpretations of the dialogue's key ideas, including the nature and existence of 'Platonic' forms, the existence of the soul after death, the method of hypothesis, and the contemplative ethical ideal. Moreover, this comprehensive approach shows how the characters play an integral role in the Phaedo's development and how its literary structure complements Socrates' views while making its own distinctive contribution to the dialogue's drama and ideas.

One of the major philosophical texts of the 20th century, Process and Reality is based on Alfred North Whitehead’s influential lectures that he delivered at the University of Edinburgh in the 1920s on process philosophy. Whitehead’s master work in philsophy, Process and Reality propounds a system of speculative philosophy, known as process philosophy, in which the various elements of reality into a consistent relation to each other. It is also an exploration of some of the preeminent thinkers of the seventeenth and eighteenth centuries, such as Descartes, Newton, Locke, and Kant. The ultimate edition of Whitehead’s magnum opus, Process and Reality is a standard reference for scholars of all backgrounds.

This book analyzes the relation between the flow time and poetic speech in drama and rhetoric. It begins with the classical understanding of time as flux, and its problems and paradoxes entailing from Aristotle, Augustine, Kant and Husserl. The reader will see how these problems unfold and find resolutions through dramatic speech and rhetoric which has an essential relation to the flow of time. It covers elements in poetic speech such as affect, rhythm, metaphor, and syntax. It uses examples from classical rhetorical theories by Aristotle, Cicero, Quintilian, dramatic speeches from Shakespeare, as well as other modern dramatic texts by Chekhov, Beckett, Jelinek and Sarah Kane. This book appeals to students and academic researchers working in the philosophical fields of aesthetics and phenomenology as well those working in theater and the performing arts.

i. Introductory remarks 1 Plato, but not Socrates, concluded that the Forms are substances. Whether the Forms are substances is not an issue that Socrates had in mind. He did not deny it, but neither did he affirm it. If Socrates were asked a series of questions designed to determine whether he believed that the Forms are substances, he would admit that he had no opinion about this philosophical issue. Unlike Plato, Socrates was not a metaphysician. The same, of course, would not have always been true of Plato. Unlike Socrates, he was a metaphysician. At some point in his career, and at least by the time of the Phaedo and the Republic, Plato did what Socrates never thought to do. Plato considered the question and concluded that the Forms are substances. Although this development occurred more than two thousand years ago, time has not eclipsed its importance. It is one of the most seminal events in the history of the philosophy. With his defense of Socrates's method of intellectual inquiry, and the development of his Theory of Forms, Plato caused a now familiar cluster of metaphysical and epistemological issues to become central to philosophy.