Flow Gesture And Spaces In Free Jazz
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Flow Gesture and Spaces in Free Jazz
Author | : Guerino Mazzola,Paul B. Cherlin |
Publsiher | : Springer |
Total Pages | : 141 |
Release | : 2009-08-29 |
Genre | : Music |
ISBN | : 3540921966 |
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Free jazz, as performed by such artists as John Coltrone and Archie Shepp, is a creative, collaborative art form. This book examines free jazz and develops geometric theories of gestures and distributed identities, also known as swarm intelligence.
Flow Gesture and Spaces in Free Jazz
Author | : Guerino Mazzola,Paul B. Cherlin |
Publsiher | : Springer Science & Business Media |
Total Pages | : 140 |
Release | : 2008-12-21 |
Genre | : Music |
ISBN | : 9783540921950 |
Download Flow Gesture and Spaces in Free Jazz Book in PDF, Epub and Kindle
Free jazz, as performed by such artists as John Coltrone and Archie Shepp, is a creative, collaborative art form. This book examines free jazz and develops geometric theories of gestures and distributed identities, also known as swarm intelligence.
Flow gesture and spaces in free jazz
Author | : Anonim |
Publsiher | : Unknown |
Total Pages | : 135 |
Release | : 2020 |
Genre | : Electronic Book |
ISBN | : OCLC:1197390799 |
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All About Music
Author | : Guerino Mazzola,Maria Mannone,Yan Pang,Margaret O'Brien,Nathan Torunsky |
Publsiher | : Springer |
Total Pages | : 185 |
Release | : 2016-11-23 |
Genre | : Computers |
ISBN | : 9783319473345 |
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This book explains music’s comprehensive ontology, its way of existence and processing, as specified in its compact characterization: music embodies meaningful communication and mediates physically between its emotional and mental layers. The book unfolds in a basic discourse in everyday language that is accessible to everybody who wants to understand what this topic is about. Musical ontology is delayed in its fundamental dimensions: its realities, its meaningful communication, and its embodied utterance from musical creators to an interested audience. The authors' approach is applicable to every musical genre and is scientific, the book is suitable for non-musicians and non-scientists alike.
The Topos of Music III Gestures
Author | : Guerino Mazzola,René Guitart,Jocelyn Ho,Alex Lubet,Maria Mannone,Matt Rahaim,Florian Thalmann |
Publsiher | : Springer |
Total Pages | : 604 |
Release | : 2018-03-28 |
Genre | : Mathematics |
ISBN | : 9783319644813 |
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This is the third volume of the second edition of the now classic book “The Topos of Music”. The authors present gesture theory, including a gesture philosophy for music, the mathematics of gestures, concept architectures and software for musical gesture theory, the multiverse perspective which reveals the relationship between gesture theory and the string theory in theoretical physics, and applications of gesture theory to a number of musical themes, including counterpoint, modulation theory, free jazz, Hindustani music, and vocal gestures.
Miles Davis
Author | : Clarence Bernard Henry |
Publsiher | : Routledge |
Total Pages | : 358 |
Release | : 2017-08-15 |
Genre | : Music |
ISBN | : 9781317228394 |
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This research and information guide provides a wide range of scholarship on the life, career, and musical legacy of Miles Davis, and is compiled for an interdisciplinary audience of scholars in jazz and popular music, musicology, and cultural studies. It serves as an excellent tool for librarians, researchers, and scholars sorting through the massive amount of material in the field.
The Oxford Handbook of Critical Improvisation Studies
Author | : George Lewis,Benjamin Piekut |
Publsiher | : Oxford University Press |
Total Pages | : 617 |
Release | : 2016 |
Genre | : Music |
ISBN | : 9780195370935 |
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V. 1. Cognitions -- v. 2. Critical theories
The Oxford Handbook of Critical Improvisation Studies Volume 1
Author | : George E. Lewis,Benjamin Piekut |
Publsiher | : Oxford University Press |
Total Pages | : 608 |
Release | : 2016-08-22 |
Genre | : Music |
ISBN | : 9780190627966 |
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Improvisation informs a vast array of human activity, from creative practices in art, dance, music, and literature to everyday conversation and the relationships to natural and built environments that surround and sustain us. The two volumes of the Oxford Handbook of Critical Improvisation Studies gather scholarship on improvisation from an immense range of perspectives, with contributions from more than sixty scholars working in architecture, anthropology, art history, computer science, cognitive science, cultural studies, dance, economics, education, ethnomusicology, film, gender studies, history, linguistics, literary theory, musicology, neuroscience, new media, organizational science, performance studies, philosophy, popular music studies, psychology, science and technology studies, sociology, and sound art, among others.